ALARM - "change ii" Tablature
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From: ksm@panix.com (Ken MacFarlane)
Subject: CRD: "Change II" The Alarm
I prefer to play this as all bar chords, I like the sound better.
If anyone can provide corrections, at least let me know too!
"Change II" by The Alarm
INTRO: (play twice, second time with drums)
G G C C G D D Em Em C C
VERSE 1:
G G C C G
It's been a long time coming and it's good to be back
G G C C G
Been in a head on collision with a medicine man
D
I've been down in the alley where the odds are stacked
Em C
Down on my knees, had to turn back
CHORUS:
G D Em C G D Em C
Change, Change, I need a change, Oh Lord
(play twice)
BRIDGE 1: (chords same as intro)
E|-3-3-3-3-3-3-3-3-3----------------5b-3b---------------
B|-3-3-3-3-3-3-3-3-3--------------3-5b-3b-5-3-----------
G|--------------------5b-3-0--3-5-------------5-3-5-3-0-
D|------------------------------------------------------
A|------------------------------------------------------
E|------------------------------------------------------
VERSE 2: (chords same as Verse 1)
Down in a no man's land between sorrow and sweet
(Fill: G|-3b-0--3b-0--3b-0--3b-0-- )
Where the devil himself sits on the judgement seat
Where you drown in your rain, your wind and your sleet
When you're six feet under, down on your feet
CHORUS
BRIDGE 2:
D
It's got to be tough, to be so true
Em C
It's got to be even tougher, to be you
D
Hammer on the door, singing "God Save The Queen"
Em C
I want to leave this place
CHORUS (one time only)
(at this point, everything goes up one step. The chorus then becomes:)
A E F#m D A E F#m D
Change, Change, I need a change, Oh Lord
(song ends: )
A A
It's been a long time coming and it's good to be back
--
I don't know the damn frequency, Michael. So shut the hell up.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official ALARM tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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