AT THE DRIVE-IN - "Enfilade" Tablature
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intro
weird wah effect
e-----------------------------|
b-----------------------------|
Gu2 g-----------------------------|
d-----------------------------|
a-2---------------5-----4-----|
E-----------------------------|
____
intro cont.
the following notes are all played with a fast picking style
and are all natural harmonics. I haven't written it down like 1919191919,
because it eds up looking crappyS
e--------|--------|-----19|-19-----|--------|--------|--------|--------|
b-19-----|-19-----|-------|--------|-19-----|-19-----|--------|--------|
Gu1 g--------|--------|-19----|--------|--------|--------|-19-----|--------|
d--------|--------|-------|--------|--------|--------|--------|---19---|
a--------|--------|-------|--------|--------|--------|------16|--------|
E--------|--------|-------|--------|--------|--------|--------|--------|
Gu2 enters at the same time as cedric with
also natural harmonics, but not a fast picking style
e-------------------|----------19--------|
b-------------------|---------------19---|
Gu2 g-19-----19-----19--|---19--19-----------|
d-------------------|--------------------|
a---16-16--16-16--16|-16--16-------------|
E-------------------|--------------------|
every other pregression, he uses a whammy bar or something to
bend the harmonics of an A chord
________________________
lead into the chorus
*****not natural harmonics any more
you could just play whatever the hell you like, but I've tabbed out a bit of the
weird improvised bar that leads into the chorus
e--------------------------------------------------------5-----------|
b-------------------------------------------------7------7-----------|
Gu1 g--------------7--------7--------7--------------------------8--7-----|
d---6----4---8----7-------7-----6------6-------------------------6-5-|
a-7----5-------------6--------57---5-7----5---(5)-----5--------------|
E---------------------------------------------------6----------------|
___________________________
Chorus
e--------------|--------------|---------------|-----------------|
b--------------|--------------|---------------|-----------------|
Gu1 g--------------|--------------|---------------|-----------------|
d-9--7-9--X--5-|-X-5-5-X-5-5--|-2---2---2---2-|-2-9-9-9-7-9-9-X-|
a-9--7-9--X--5-|-X-5-5-X-5-5--|-2---2---2---2-|-2-7-7-7-5-7-7-X-|
E-7--5-7--X--3-|-X-3-3-X-3-3--|-0---0---0---0-|-2-------------X-|
fast picking style but not natural harmonics
the 19 in brackets is what to play every other pregession instead of the 17
e----------(19)|--------------|---------------|-----------------|
b-19--------17-|-------16-----|-12------------|-12--------------|
Gu2 g--------------|--------------|---------------|-----------------|
d--------------|--------------|---------------|-----------------|
a--------------|--------------|---------------|-----------------|
E--------------|--------------|---------------|-----------------|
____________________________
bit after 2nd chorus
e---------------|
b-------14------|
Gu1 g----11---------|
d-14------------|
a---------------|
E---------------|
then...
fast picking style but not natural harmonics
e--------------|--------------|x3 |---------------|-----------------|
b-22--------21-|-------19-----| |-17------------|-12--------------|
Gu1 g--------------|--------------| |---------------|-----------------|
d--------------|--------------| |---------------|-----------------|
a--------------|--------------| |---------------|-----------------|
E--------------|--------------| |---------------|-----------------|
atdi forever i need sparta tabs
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official AT THE DRIVE-IN tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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