BOSTON - "dont look back2" Tablature
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Don't Look Back
if you don't know my notation, it's like this
/-\=slide up or down
h,p,b,r=hammer on,pull off,bend,release
w=wammy bar
v=vibrato
\_=slide all the way down fretboard
Intro
|------------------------------------|
|-14h15-15p14-14--x-x-x-x--7-9-10-9--|
|-14-14-14-14-14--x-x-x-x--7-9--9-9--|
|-14h16-16p14-14--x-x-x-x--7-9--9-9--|
|------------------------------------|
|------------------------------------|
then they do the intro a second time, and another guitar comes in
and does this:
|-------------------14---------------------------------------------------|
|-12b14b14b14r12-10----14h15p14h17-14h15p14h7-14h15p14-------------------|
|------------------------------------------------------16-16b18-16b18r16-|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|----------------|
|----------------|
|----------14-16-|
|-14-16-14-------|
|----------------|
|----------------|
they repeat the intro throughout the verses, and then they do this
pre-chorus arpeggio:
G
|-------3----3-|-----0--|-----2-3-2--| |----|
|-----0----0---|---1----|---3--------| |----|
|---0----0-----|-0------|-2----------| |----|
|-0------------|--------|------------|then on the |-2--|
|--------------|--------|------------|4th time, play|-2--|
|--------------|--------|------------| |-0--|
|-------------------------------12--|
|-7-5-7-5-7b9r7-5--10-10-10-9-------|
|----------------------------9------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
then here's the chorus
|--------------------------------------------------------|
|--------------------------------------------------------|
|-----4-5-7-4----------------9-7-5-4h5p4-----------------|
|-7-7---------5-9b10r9-7-5---------------5vvv---9-9b10r9-|
|--------------------------8-----------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-----4-5-7-4----------------9-7-5-4h5p4-----------------|
|-7-7---------5-9b10r9-7-5---------------5-7-9b10r9------|
|--------------------------8--------------------------7--|
|-----------------------------------------------------5--|
then here's the solo:
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----4-5-7-4----------------9-7-5-4h5p4--------------|
|-7-7---------5-9b10r9-7-5---------------5-7-9b10r9---|
|--------------------------8--------------------------|
then it gets higher in pitch, probably an octave.
near the end, they repeat the intro, followed by
this neat "Rideout" solo:
|-21-22-23-23b24--17h19p17--19b21wwww-------------14-17-14-17(tr)--|
|-------------------------------------17----17-19------------------|
|----------------------------------------18------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|--------------------------------------|
|-17b19-17p15p14----14-----------------|
|----------------16----16b18r16-14\_---|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
they finally end doing this:
|--------------------------|
|---------/10-9-10-10vvv---|
|---7-6-7------------------|
|-2------------------------|
|-0------------------------|
|--------------------------|
the timeing's hard unless you've heard the song before
anyway, if you find any mistakes, email me at tscholz@aol.com
Later,
John Yacovazzi
A.K.A. "The Guitar Wiz"
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official BOSTON tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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