BRITNY FOX - "hold on" Tablature
Official BRITNY FOX Tablature & Sheet Music »
by Britny Fox
From the album: Britny Fox
Bass Tablature
transcribed by Joe Vahabzadeh . . . king_v@mindless.com
Completed on: 9/23/96
Please email me for any problems or corrections.
Lyrics are at the end after the tablature
h.= dotted half note
h = half note
q = quarter note
e.= dotted eigth note
e = eigth note
s = 16th note
R = Rest
() = indicates note is not struck again, but is continued from previous note.
)| |(
)| |(
)| and |( indicate the beginning and end of a set of measures to be
)| |( repeated, followed by how many times to be played.
Tuning:
|F#------|
|C#------|
|G#------|
|D#------|
Intro: 8 measures
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|R-------------------------------|R-------------------------------|( x2
w w
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2-------------------------------(2)-----------------(2)--2---R---|
|--------------------------------|--------------------------------|
w (h.) (e) e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2\0-R--(R)----------------------|2---R--(R)----------------------|
|--------------------------------|--------------------------------|
e e (h.) e e (h.)
Pre-Verse 1: 8 measures
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|2---2---2---2---2---2---2---2---|2---2---2---2---2---2---2---2---|(
)|--------------------------------|--------------------------------|( x4
e e e e e e e e e e e e e e e e
Verse Rhythm: 22 measures
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|2---2---2---2---2---2---2---2---|2---2---2---2---2---2---2---2---|(
)|--------------------------------|--------------------------------|( x4
e e e e e e e e e e e e e e e e
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|0-------------------------------|0--------------(0)--0---0---0---|( x2
w h (e) e e e
)|--------------------------------|--------------------------------|(
)|--------------------------------|--------------------------------|(
)|2---2---2---2---2---2---2---2---|2---2---2---2---2---2---2---2---|(
)|--------------------------------|--------------------------------|( x2
e e e e e e e e e e e e e e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|0-------0---0---0---0---0---0---|--------------------------------|
|--------------------------------|0-------0---0---0---0---0---0---|
q e e e e e e q e e e e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2---2---2---2---2---2---2---2---|2---2---2---2---2---2---2---2---|
|--------------------------------|--------------------------------|
e e e e e e e e e e e e e e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|0-------0---0---0---0---0---0---|--------------------------------|
|--------------------------------|0---R--(R)----------------------|
q e e e e e e e e (h.)
Between verse 1 and 2: 2 measures
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2---2---2---2---2---2---2---2---|2---2---R-----------------------|
|--------------------------------|--------------------------------|
e e e e e e e e e e h.
Verse 2: same as verse 1
Between verse 2 and solo: 2 measures
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2---2---2---2---2---2---2---2---|2---2---2---2---2---2---2---2---|
|--------------------------------|--------------------------------|
e e e e e e e e e e e e e e e e
Solo: 24 measures
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------0-----------|
|2-------0---2-------0---2---0---|2-------0---2-------------------|
q e q e e e q e q q.
|--------------------------------|--------------------------------|
|--------------------------------|--------------------0-----------|
|--------------------------------|--------------------------------|
|2-------0---2-------0---2---0---|2-------0---2-------------------|
q e q e e e q e q q.
|--------------------------------|--------------------------------|
|--------------------------------|--------------------0-----------|
|2-------0---2-------0---2---0---|2-------0---2-------------------|
|--------------------------------|--------------------------------|
q e q e e e q e q q.
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2-------0---2-------0---2---0---|2-------0---2-------0-----------|
|--------------------------------|--------------------------------|
q e q e e e q e q q.
Repeat the above, but this time the 8th measure should be:
|--------------------------------|
|--------------------0-----------|
|2-------0---2-------------------|
|--------------------------------|
q e q q.
|--------------------------------|--------------------------------|
|--------------------0-----------|--------------------0-----------|
|0-------0---0---0---------------|------------------------2---0---|
|--------------------------------|0-------0---0---0---------------|
q e e e q. q e e e e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------0-----------|
|2-------0---2---2---2---2---2---|2---2---2---2---2---------------|
|--------------------------------|--------------------------------|
q e e e e e e e e e e e q.
|--------------------------------|--------------------------------|
|--------------------0-----------|--------------------0-----------|
|0-------0---0---0---------------|------------------------2---0---|
|--------------------------------|0---R---------------------------|
q e e e q. e h e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2-------0---2---2---2---2---2---|2---2---2---2---2---2---2---2---|
|--------------------------------|--------------------------------|
q e e e e e e e e e e e e e e
Ending Chorus and final section: 22 measures
)|--------------------------------|--------------------------------|
)|--------------------------------|--------------------------------|
)|0-------0---0---0---0---0---0---|--------------------------------|
)|--------------------------------|0-------0---0---0---0---0---0---|
q e e e e e e q e e e e e e
|--------------------------------|--------------------------------|(
|--------------------------------|--------------------------------|(
|2---2---2---2---2---2---2---2---|2---2---2---2---2---2---2---2---|(
|--------------------------------|--------------------------------|( X3
e e e e e e e e e e e e e e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------0-----------|
|0-------0---0---0---0---0---0---|------------------------2---0---|
|--------------------------------|0---R---------------------------|
q e e e e e e e q e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2-------2---2---2---2---2---2---|2---2-2-2---2-2-2---2-2-2---2---|
|--------------------------------|--------------------------------|
q e e e e e e e |___| |___| |___| e
3 3 3 *
triples and last 8th note
played somewhat off time/freetime
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|0-------0---0---0---0---0---0---|--------------------------------|
|--------------------------------|0-------0---0---0---0---0---0---|
q e e e e e e q e e e e e e
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|2-------2---2---2---2---2---2---|2---R-----------2---------------|
|--------------------------------|--------------------------------|
q e e e e e e e q. h
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
(2)------------------------------(2)------------------------------|
|--------------------------------|--------------------------------|
(w) (w)
final note rings out till song cuts . . .
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official BRITNY FOX tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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