CARCASS - "Incarnate Solvent Abuse" Tablature
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Band: Carcass
Song: Incarnate Solvent Abuse
Tabbed By: \JEB/,
|--------------|-----------|------------| (I'm terrible at counting, so
|--------------|-----------|------------| don't blame me if this is wrong...)
|-------4------|---4---4---|-4---4---3--|
|---5-3---5-3--|-----------|------------|
|-2------------|-2---2---2-|---2---2----|
|--------------|-----------|------------|
e e e e e e e q e e e q e e e q
|--------------|-----------|------------| Then play again with harmony up
|--------------|-----------|------------| a P5, and of course a whammy bar
|-------4------|---4---4---|-4---1---1--| dive (or pick slide, whatever)
|---5-3---5-3--|-----------|------------| before the coolest four measure
|-2------------|-2---2---2-|---2---2----| riff known to man...
|--------------|-----------|------------|
e e e e e e e q e e e q e e e q
And now 4/4... this gets played four times here...
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-5-----2-----2---|-5-----2-----2---|-5-----2-----2---|-5-----2-----2----|
|-----------------|-----------------|-----------------|------------------|
|---000---000---0-|---000---000---0-|---333---333---3-|---222---222---2--|
e sse e sse e e sim.
Twice (the second time with Walker's unbelievably awesome vocals fading in)
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-------------3---|-----------------|-------------3---|
|---5-4---5-4---4-|---5-4---5-4-1---|---5-4---5-4---4-|---5-4---5-4-1-4-|
|-0-3-2-0-3-2-0-2-|-0-3-2-0-3-2-----|-0-3-2-0-3-2-0-2-|-0-3-2-0-3-2---2-|
e e e e e e e e e e e e e e q e e e e e e e e e e e e e e e e
"Intenacious, intersecting..." etc. The second guitar does a G5 F#5 A5 bit
after "culled..." (on the 2nd repetition of the riff)
The PM riff is played after that, but the second ending is a quarter note Bb5
again, into the "truculent shambles" bit... (rhythm approx?)
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|--5--------------|-(5)---------8---|-4---------------|-(4)------4-5----|
|--3--------------|-(3)---------6---|-2---------------|-(2)------2-3----|
w h. q w h e q.
Then the double-bass with the PM riff as before, into the faster bit:
This is probably a lot of 16th notes, and (hopefully) hammer-ons.
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|---------------2-|---------------5-|---------------2-|-320--------3--3-|
|------------235--|------------235--|------------235--|----320-----3--3-|
|-00000000235-----|-00000000235-----|-00000000235-----|-------320--1--1-|
Then a similar thing but instead of tremolo picking the open E string play E5
power chords instead (e q e rhythm, I think?), and there's just one F5 at the
end. The last measure gets repeated a couple of times just before the solo.
Later, under the Amott solo:
|-----------------|--------------------|--------------------|-----------------|
|-----------------|--------------------|--------------------|-----------------|
|-----------------|--------------------|--------------------|-----------------|
|-9-----9-----9---|-10-----10-----10---|-10-----10-----10---|-9-----9-----9---|
|---777---7-7---7-|----777----7-7----7-|----666----6-6----6-|---666---6-6---6-|
|-----------------|--------------------|--------------------|-----------------|
e sse e e e e e sim.
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-7-----7-----7---|-8-----8-----8---|-8-----8-----8---|-7-----7-----7---|
|---555---5-5---5-|---555---5-5---5-|---444---4-4---4-|---444---4-4---4-|
|-----------------|-----------------|-----------------|-----------------|
These are just whole notes...
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-9---------------|-10--------------|-10--------------|-9---------------|
|-7---------------|-7---------------|-6---------------|-6---------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-7---------------|-8---------------|-8---------------|-7---------------|
|-5---------------|-5---------------|-4---------------|-4---------------|
|-----------------|-----------------|-----------------|-----------------|
Then there's a riff after the solo I don't know, played over the top of this
rhythm:
|-----------------------------------------|
|-----------------------------------------|
|------------------------------------3--7-|
|-3-3-2-----3-3-2-----3-3-2------3-3-3--7-|
|-3-3-2-----3-3-2-----3-3-2------3-3-1--5-|
|-1-1-0-----1-1-0-----1-1-0------1-1------|
|------------------------------|
|------------------------------| The last time follow it with an E5, and then
|------------------------------| play the intro riff a couple of times again
|-2--/7-6------2-3-2-0---------| (with the harmony the 2nd time).
|-2--/8-7--------------3-2-0---|
|-0--------------------------3-|
Steer's guitar solo ("Glue Stiffing"):
|-------------------------------------------------12-7-/10-|
|-----------------------------------------------12---------|
|--------------------------------7777/12-9-11-12-----------|
|----------------7777999910101010--------------------------|
|-7777999910101010-----------------------------------------|
|----------------------------------------------------------|
|-15-17-19------151915-----------------------------|
|---------17---------17-------------------20191719-|
|----------------------16-----------161719---------|
|------------------------17-----1719---------------|
|--------------------------19----------------------|
|--------------------------------------------------|
|----12-17-12----15-12-15-14-15-14-121412---12-|
|/16----------16--------------------------15---|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|-----------------------------------------------|
|-17-12----12-15-12----12-14-15-14-121412----12-|
|-------15----------15-------------------/15----|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
|-------------------------------------12-14-121412-|
|------------------12-14-121412-14-15--------------|
|14-15-14----14-15---------------------------------|
|---------17---------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
V
|15-14-12-14-121412----12-------17-15-12-15-121512----12-----15------12-|
|-------------------15----12-15--------------------15----12-------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
(note indicated by V, bend and release while picking several times)
Amott's solo ("Viscous Residue Snorting"):
|--------------------------------------------------------------------|
|5~~5-7-8-8b10-8b10-8-7~7b8r~-15b17-15b17-15-13-12h13p12-11-13p12-11-|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|-------------------------19p15--15-19---19--19--18--15--19p15--15-|
|---------------------17-------19------15--15--15--15--15-----19---|
|-12-11-12p11--9~--/16--16-----------------------------------------|
|------------12----------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-19-19-20b22-19~--191919191717171715151515-------------------------|
|------------------------------------------191919191717171715151515-|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-----------------15151515171717171919191922222222-24-24b26-24~~-|
|-1717171719191919-----------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official CARCASS tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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