CHIMAIRA - "Split" Tablature
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Band: Chimaira
Song: Split
Transcribed by: slipkornstein
Guitars: Two six-string guitar
tuning: Standar
|----------------------------------|
| PLAY ALL WITH A HEAVY DISTORTION |
|----------------------------------|
b - bend
/ \ - slide into or out of (from/to "nowhere")
~ - vibrato
Intro (g2)
|------------|
|------------|
|------------|
|-555--55-55-|
|-555--55-55-|
|-333--33-33-|
Intro (g1) here theres no 1 (ones) that are some 11 (Eleven).
|---------------------------------------|
|---------------------------------------|
|---------------------------------------|
|-111111--1111-1111-14141414^/16^161616-|
|-111111--1111-1111-13131313^/15^151515-|
|-111111--1111-1111---------------------|
Intro II:g2 Part I Couples time x1 then part 1 again
|------------------------------|------------------------|--------------------------|
|---------------------------5^-|------------------------|-----------------------5^-|
|---------------------------5^-|------------------muted-|-----------------------5^-|
|-555/6-5/6-5/6-5/6-5/6-5/6-3^-|-55/6-5/6-5/6-5/6--333--|-555/6-5/6-5/6-5/6-5/6-3^-|
|-555/6-5/6-5/6-5/6-5/6-5/6----|-55/6-5/6-5/6-5/6--111--|-555/6-5/6-5/6-5/6-5/6----|
|-333/4-3/4-3/4-3/4-3/4-3/4----|-33/4-3/4-3/4-3/4--111--|-333/4-3/4-3/4-3/4-3/4----|
Intro II: g1
|------------------------------|------------------------|----------------------------|
|---------------------------5^-|------------------------|----------------------------|
|---------------------------5^-|------------------muted-|----------------------------|
|-555/6-5/6-5/6-5/6-5/6-5/6-3^-|-55/6-5/6-5/6-5/6--333--|-555/6-5/6-5/6-5/6-5/6--7^^-|
|-555/6-5/6-5/6-5/6-5/6-5/6----|-55/6-5/6-5/6-5/6--111--|-555/6-5/6-5/6-5/6-5/6------|
|-333/4-3/4-3/4-3/4-3/4-3/4----|-33/4-3/4-3/4-3/4--111--|-333/4-3/4-3/4-3/4-3/4------|
there are three twelve
|---------------------------|
|---------------------------|
|------------------121212---|
|-55/6-5/6-5/6-5/6----------|
|-55/6-5/6-5/6-5/6----------|
|-33/4-3/4-3/4-3/4----------|
Verse: g2
|------------------|
|------------------|
|------------------|
|-7~--77--7~--7777-|
|-7~--77--7~--7777-|
|-5~--55--5~--5555-|
Verse: g1
|-------------------------------|
|-------------------------------|
|-------------------------------|
|-7~--77-------------------7777-|
|-7~--77--\x\x\x\x\x\x\x\--7777-|
|-5~--55--\x\x\x\x\x\x\x\--5555-|
Pre-Chorus part I
|---------------------------------------------------------------------|
|-------------------7777777766666665555555544444444333333322222111111-|
|-------------------7777777766666665555555544444444333333322222111111-|
|-7~~~-xx7-x7-x7-x7---------------------------------------------------|
|-7~~~-xx7-x7-x7-x7---------------------------------------------------|
|-5~~~-xx5-x5-x5-x5---------------------------------------------------|
Pre-Chorus Part II
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|-7-xx7-x7-x7-x7--------77-77-77-77-7-|
|-7-xx7-x7-x7-x7--------77-77-77-77-7-|
|-5-xx5-x5-x5-x5--------55-55-55-55-5-|
Chorus g2
|----------------------------------------------|
|----------------------------------------------|
|--------------muted---1/6-6-55-43------muted--|
|-8-7-6-5--5-6---3---8-1/6-6-55-43-44-55--3-33-|
|-8-7-6-5--5-6---1---8-------------44-55--1-11-|
|-6-5-4-3--3-4---1---6--------------------1-11-|
Chorus g1
|-----------------------------------------------------|
|-----------------------------------------------------|
|---------------------muted---1/6-6-55-43-------muted-|
|-12121212-7-6-5--5-6---3---8-1/6-6-55-43-44-55--3-33-|
|-11111111-7-6-5--5-6---1---8-------------44-55--1-11-|
|----------5-4-3--3-4---1---6--------------------1-11-|
Bridge I: g1 make some noize using some pedal distortion and a volume pedal.
Bridge II: g1 and g2
|---------------------------|------------------------------------------------|
|---------------------------|-----------------------121212121211111111111010-|
|---------------------muted-|-----------------------121212121211111111111010-|
|-4--55/6-5/6-5/6-5/6--333--|-555/6-5/6-5/6-5/6-5/6-101010101010101010101010-|
|-4--55/6-5/6-5/6-5/6--111--|-555/6-5/6-5/6-5/6-5/6--------------------------|
|-2--33/4-3/4-3/4-3/4--111--|-333/4-3/4-3/4-3/4-3/4--------------------------|
Bridge III: g2
|--------------------------|
|--------------------------|
|--------------muted-------|
|-8-7-6-5--5-6---3---88888-|
|-8-7-6-5--5-6---1---88888-|
|-6-5-4-3--3-4---1---66666-|
Bridge III: g1
|---------------------------------|
|---------------------------------|
|---------------------muted-------|
|-12121212-7-6-5--5-6---3---88888-|
|-11111111-7-6-5--5-6---1---88888-|
|----------5-4-3--3-4---1---66666-|
Outro: g2
|----------------------------------------------|
|----------------------------------------------|
|--------------muted---1/6-6-55-43------muted--|
|-8-7-6-5--5-6---3---8-1/6-6-55-43-44-55--3-33-|
|-8-7-6-5--5-6---1---8-------------44-55--1-11-|
|-6-5-4-3--3-4---1---6--------------------1-11-|
Outro: g1
|-----------------------------------------------------|
|-----------------------------------------------------|
|---------------------muted---1/6-6-55-43-------muted-|
|-12121212-7-6-5--5-6---3---8-1/6-6-55-43-44-55--3-33-|
|-11111111-7-6-5--5-6---1---8-------------44-55--1-11-|
|----------5-4-3--3-4---1---6--------------------1-11-|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official CHIMAIRA tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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