COUNTING CROWS - "another horsedreamers blues" Tablature
Official COUNTING CROWS Tablature & Sheet Music »
Date: Tue, 19 Nov 1996 19:58:53 -0800
From: "Michael A. Mazur" <mmazur@WPI.EDU>
Subject: TAB: Counting Crows, "Another Horsedreamer's Blues"
Tab: "Another Horsedreamer's Blues" Counting Crows
Transcribed by Michael A. Mazur (mmazur@wpi.edu)
Intro:
Wurlitzer arranged for guitar: (Play this three times)
|-------------------------------------------|
|--------------------------------10---------|
|--10--9--------9------------10------10--9--|
|--0---0-----0-----10-----0--------------0--|
|-------------------------------------------|
|-------------------------------------------|
|------------------------------------------------|
|---------------------8-----6--6--6-----8--8--8--|
|--------10--9-----9--------7--7--7-----9--9--9--|
|-----0--0------0--------0-----------0-----------|
|--0---------------------------------------------|
|------------------------------------------------|
Guitar 1, enters after first repeat of the wurlitzer, played twice:
|-----------5-----------------------------|
|--------------6--------------------------|
|--7-----7--------7-----7-----7--------7--|
|-----0--------------------0-----7--------|
|-----------------------------------5-----|
|-----------------------------------------|
|-----------5--------------------8--------|
|--------------6--------------------8-----|
|--7-----7--------7-----7-----7--------9--|
|-----0--------------------0--------------|
|-----------------------------------------|
|-----------------------------------------|
Guitar 2, entering at the same time, played w/ slide
|----------|--5----------|------15~~~--15--|------15~~~--|
|--5/10\/--|-----5/10\/--|--15-------------|--15---------|
|----------|-------------|-----------------|-------------|
|----------|-------------|-----------------|-------------|
|----------|-------------|-----------------|-------------|
|----------|-------------|-----------------|-------------|
Verse: (chords played by wurlitzer and bass)
Dm C Dm C
Margery's dreaming ...
Dm C
Tiyuri ..
Bb C
Perfect ...
Fill 1 Fill 2
|------15~~~-----|-|------------------------------|
|--15------------|-|------------------------------|
|----------------|-|------------------------------| guitar 1 plays
|----------------|-|--------8-------------10------| these where
|----------------|-|--8/10-----10--10/12------12--| marked
|----------------|-|------------------------------|
* (w/ fill 1)
money is ...
* (w/ fill 2)
time ticks ...
Chorus: Guitar 1 plays chords, guitar 2 plays the part below:
Bb C F Dm Bb C
|--6--3-----0--------|--1--------------|--------1--0--------|
|--------3-----1-----|-----3-----------|-----3--------1-----|
|-----------------0--|--------2-----2--|--3--------------0--|
|--------------------|-----------3-----|--------------------|
|--------------------|-----------------|--------------------|
|--------------------|-----------------|--------------------|
Bb
|------6-----8--------|--10--------8--------|
|---------6-----6-----|------6--------6-----|
|--/7--------------7--|---------7--------7--|
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|
Bb C
She's tryin' ...
F Dm
And give ..
Bb C Bb
But Margery's ...
Lookin' ...
Sun like ..
Bright ...
* (w/ fill 3)
She's tired ...
Scared and ...
Her visions ...
|----------|--5----------6--------8---------|
|--5/10\/--|-----5/10\/-----8--------10-----|
|----------|-------------------7---------9--| Fill 3,
|----------|--------------------------------| guitar 2 (w slide)
|----------|--------------------------------|
|----------|--------------------------------|
She's tryin' ...
And give ...
But Margery's ...
Bridge:
Am Bb Am Gm Am Am
|--5--|-----------0--------|-----------0--------|--5--|
|--5--|-----------1--------|-----------1--------|--5--|
|--5--|--------3--2--------|-----------2--------|--5--| Gtr 1
|--7--|-----3-----2--------|--------5--2--------|--7--|
|--0--|--1-----------------|-----5--------------|--0--|
|-----|--------------------|--3-----------------|-----|
| | | | |
| | | | |
|--5--|--6--6-----5--5-----|--6--6-----5--5-----|--5--|
|--5--|--3--3-----5--5-----|--8--8-----5--5-----|--5--|
|--5--|--3--3-----5--5-----|--7--7-----5--5-----|--5--| Gtr 2
|--7--|--------------------|--------------------|--7--| w/ wah
|--0--|--------------------|--------------------|--0--|
|-----|--------------------|--------------------|-----|
Am Bb Am Gm Am
Margie doesn't ...
Am
So afraid ...
Gm Am Bb C
|--------------------|--------------------|
|-----------------1--|--------3--------1--|
|--------3-----2-----|-----3--------2-----| Both guitars repeat
|-----5--------------|--------------------| this, and continue
|-----------0--------|--1--------3--------| over organ solo
|--3-----------------|--------------------|
Organ solo over Gm Am Bb C
Re-intro: The wurlitzer plays this, with slight variation, 8 times:
|----------------|
|----------------|
|-----10--10--9--| Wurlitzer figure 1
|--0--0---0---0--|
|----------------|
|----------------|
|--------5-----------|
|-----6-----6--------|
|--7-----------7-----| Guitar 1 plays this 4 times, starting on
|-----------------0--| the fifth repeat in the wurlitzer part
|--------------------|
|--------------------|
|-----10--|----13--|----15--|
|----x----|---x----|---x----|
|---x-----|--x-----|--x-----| Guitar 2 plays this, with a lot of
|--x------|--------|--------| distortion and wah, starting on the
|---------|--------|--------| fifth repeat in the wurlitzer part
|---------|--------|--------|
Verse:
Margery's ...
TV dinners ...
* (w/ fill 1)
Every race ...
* (w/ fill 4)
Trying to hit ...
|---------|--8--------8/10--|
|-----10--|-----8-----------|
|/10------|--------9--------| Fill 4, played by guitar 2
|---------|-----------------|
|---------|-----------------|
|---------|-----------------|
Bb C Bb C
Drunken fathers ...
Bb C Gm Am
Boys who ...
Bb C Gm Am
||---6--6-----8--8---||--3--3-----5--5----|-------|
||---3--3-----5--5---||--3--3-----5--5----|-------|
||*--3--3-----5--5--*||--3--3-----5--5----|-------| Guitar 1
||*-----------------*||-------------------|-------|
||-------------------||-------------------|-------|
||-------------------||-------------------|-------|
|| || | |
||------------5~~~---||-----5-----8--5--8/|10~~~--|
||------------5~~~---||-/6-----6----------|-------|
||*-----------5~~~--*||-------------------|-------| Guitar 2 w/ slide
||*-----------5~~~--*||-------------------|-------|
||-------------------||-------------------|-------|
||-------------------||-------------------|-------|
^^^^^^^^^^^^^^^^^^^
This measure repeated 3 times
(with Wurlitzer figure 1, 4 times)
So she ..
Careful and ...
* (w/ fill 3, second measure only)
One of these ..
throw the ...
But she's ...
And give ..
But Margery's ...
Trying ..
And give 'em what ..
But Margery's ...
Wurlitzer and Guitar 1 play the intro again
|-----10~~--|
|----x------|
|---x-------| Guitar 2 plays this, and then is tacet
|--x--------|
|-----------|
|-----------|
Finish with another organ solo, with both guitars playing the same
Gm Am Bb C progression they did the first time
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official COUNTING CROWS tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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