COUNTING CROWS - "children in bloom" Tablature
Official COUNTING CROWS Tablature & Sheet Music »
Date: Tue, 19 Nov 1996 19:57:15 -0800
From: "Michael A. Mazur" <mmazur@WPI.EDU>
Subject: TAB: Counting Crows, "Children in Bloom"
Tab: "Children in Bloom" Counting Crows
Transcribed by Michael A. Mazur (mmazur@wpi.edu)
All guitars tuned down 1/2 step (Eb Ab Db Gb Bb Eb)
Intro: Guitar 2 plays a Dsus2/A and sustains it with feedback
Guitar 1 plays the part below:
||--------------------------------|-----------0-----0-----|
||------3-----3-----3\2--------2--|--0-----0-----------0--|
||*--2-----2-----2-------2--2-----|-----2--------2--------|
||*-------------------------------|-----------------------|
||--------------------------------|-----------------------|
||--------------------------------|-----------------------|
( First ending )
|-------------------------------|---------------------------||
|-----3-----3-----3\2--------2--|--0-----0--0-----0-----0---||
|--2-----2-----2-------2--2-----|-----2--------2-----2-----*||
|-------------------------------|--------------------------*||
|-------------------------------|---------------------------||
|-------------------------------|---------------------------||
( Second ending )
|-----------------|
|--0-----0--------|
|-----2-----------|
|-----------------|
|-----------------|
|-----------------|
Verse: (Guitar 1 just plays E-D,
Guitar 2 doubles it, then picks through Dmaj7sus2 at the end)
(Dmaj7sus2 = xx0220)
E D Dmaj7sus2
Children in ...
waiting for ...
leave my ...
she don't ...
she is ...
we are ...
Chorus: Guitar 1 plays intro riff
Bm A Esus4
I gotta ...
I gotta ...
I gotta ...
It's ...
I gotta ...
All these ...
waiting for ...
bring me ...
because i'm dying ...
I gotta get ...
I gotta ...
I gotta ...
It's melting ...
I gotta ...
Solo: (Guitar 1 plays E D, guitar 2 plays solo)
|----------7-------------------------------------------|
|--7----------7----------------------------------------|
|--9b(11)--------(11)r9--9~~~--9~~~--9~~~--9h11--7~~~--|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|--------------------------------|
|---------7---------7---------0--|
|--6b(7)-----6b(7)-----(7)r6--4--|
|--------------------------------|
|--------------------------------|
|--------------------------------|
|----------------------------|---------------------------------|
|--7b(9)r7--9b(10)r9--10~~~--|--10h12~~~--12~~~--12~~~--10h12--|
|----------------------------|---------------------------------|
|----------------------------|---------------------------------|
|----------------------------|---------------------------------|
|----------------------------|---------------------------------|
|-----------------------------------------|
|--12b(14)--12b(14)--12b(14)--(14)r12p10--|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--12----------12----------12----------12----------12----------|
|--15b(17)~~~--15b(17)~~~--15b(17)~~~--15b(17)~~~--15b(17)~~~--|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--14-------14-------14-------19p14----------|--17b(19)--------|
|--17b(19)--17b(19)--17b(19)---------17--15--|-----------------|
|--------------------------------------------|-----------------|
|--------------------------------------------|-----------------|
|--------------------------------------------|-----------------|
|--------------------------------------------|-----------------|
Bass interlude, both guitars tacet eight measures
Guitar 1 plays E D as usual, guitar 2 plays the part below:
Where's the ...
The fairground's ...
Nicole's my ...
but the ...
Guitar 2's part over third verse: (Begins just before the verse)
|--------|------------------------|
|--------|--9--10--9--9--10p9--9--|
|--------|--9--9---9--9--9--9--9--|
|--------|------------------------|
|--x--x--|------------------------|
|--------|------------------------|
|-------------------------------------|----------------------------|
|--10h12--12--12--12p10--10--10p9--9--|--9h10--10--10--10p9--9h10--|
|--9------9---9---9--9---9---9--9--9--|--9-9---9---9---9--9--9-9---|
|-------------------------------------|----------------------------|
|-------------------------------------|----------------------------|
|-------------------------------------|----------------------------|
|-----------------------------|--7--7--------|
|--5/7--7--7--7\5--5--5--5h7--|--9--9--------|
|--7/9--9--9--9\7--7--7--7----|--9--9--------|
|-----------------------------|--------------|
|-----------------------------|--------------|
|-----------------------------|--------------|
|----------10------------------|--7--7-----|
|------------------------------|--9--9-----|
|--9b(11)------9b(11)--(11)r9--|--9--9-----|
|------------------------------|-----------|
|------------------------------|-----------|
|------------------------------|-----------|
|--7\5-----------------|----|
|--9\7-----------------|----|
|--9\7-----7b(9)r7-----|----|
|-------------------7--|/9--|
|----------------------|----|
|----------------------|----|
I gotta ...
I gotta ...
I gotta ...
It's melting ...
I gotta ...
Guitar 1 plays Bm A E until end
* (Guitar 2 begins the outro solo here)
Home, home, home... I can't ...
Guitar 2 plays this, starting where marked:
|--------------------------|----------0------------------|
|--------3-----------------|-------------0-------0-------|
|-----------4--------2-----|-----------------------------|
|-----4-----------2-----2--|-------6--------6h7-----6\2--|
|--2-----------4-----------|--4/7------------------------|
|--------------------------|-----------------------------|
|--------------------------|--------------------------|
|--------3-----------------|--------------------------|
|-----------4--------2-----|----------9-------9--7h9--|
|-----4-----------2-----2--|-------6--9--6/7--9--7h9--|
|--2-----------4-----------|--4/7---------------------|
|--------------------------|--------------------------|
|------7-------------5--------|----7-------------5\---0--|
|---------7-------------5-----|-------9------------0-----|
|--/7--------7--7\6--------6--|/9--------9---/7----------|
|-----------------------------|--------------------------|
|-----------------------------|--------------------------|
|-----------------------------|--------------------------|
|--10-------------5--------|-------7--------7-----|
|------10------------5-----|----------9--------9--|
|----------11--6--------6--|--6/9--------9--------|
|--------------------------|----------------------|
|--------------------------|----------------------|
|--------------------------|----------------------|
|---------------------------------|------------------------------|
|--9b(10)--9b(10)--9b(10)--9--7\5h|--7~~~--7~~~--7p5~~~--5p3~~~--|
|---------------------------------|------------------------------|
|---------------------------------|------------------------------|
|---------------------------------|------------------------------|
|---------------------------------|------------------------------|
|--------------------------|---------------------------|
|--------------------------|---------------------------|
|--4--4/6--6--6/7--7/9--9--|--9--9/11--11--11\9--9/11--|
|--------------------------|---------------------------|
|--------------------------|---------------------------|
|--------------------------|---------------------------|
|---------------------------|
|---------------------------|
|--11/13--13\11--11--11/13--|
|---------------------------|
|---------------------------|
|---------------------------|
|------------------------------------------------|
|------------------------------------------------|
|--13/14--14\13--13/14--14/16--16\14--14/16--16--| *This measure and
|------------------------------------------------| the next are
|------------------------------------------------| tremlo picked
|------------------------------------------------|
|------------------------------------------------------------------
|------------------------------------------------------------------
|--14/16--16--14/16--16--14/16--16--14/16--16--14/16--16--14/16--16
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|-----------------------------------|
|-----------------------------------|
|--14/16--16--14/16--16--14/16--16--|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|--------------------------------------------------|
|--19b(22)--19--17--19b(22)r19--17--19--17--19~~~--|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|-----------------------------------------|
|--19p17--17p15--15--15p14--14\12--12h14--|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------14-----------16-----------17---------------|
|--14b(16)------14b(16)------14b(16)------14b(16)--14--|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|---------------|-----------10---------------------------------|
|--14~~~--14~~~\|--10b(12)------(12)r10p8--10b(12)r10p8-----8--|
|---------------|----------------------------------------9-----|
|---------------|----------------------------------------------|
|---------------|----------------------------------------------|
|---------------|----------------------------------------------|
|--------------------------------------------|
|--------------------------------------------|
|--9p7-----7~~~--9p7-----7~~~--7p9--7-----7--|
|-------9-------------9----------------9-----|
|--------------------------------------------|
|--------------------------------------------|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|--9--7------------------7-------------|
|--------9--8--7\5--7/9-----9\7--5-----|
|-----------------------------------7--|
|--------------------------------------------|-----------|
|-------------------------10b(12)r10---------|--10b(12)--|
|----------------7/9--11--------------11--9--|-----------|
|----------7--9------------------------------|-----------|
|--5--7/9------------------------------------|-----------|
|--------------------------------------------|-----------|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official COUNTING CROWS tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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