COUNTING CROWS - "goodnight elisabeth" Tablature
Official COUNTING CROWS Tablature & Sheet Music »
Date: Tue, 19 Nov 1996 19:55:15 -0800
From: "Michael A. Mazur" <mmazur@WPI.EDU>
Subject: TAB: Counting Crows, "Goodnight Elisabeth"
Tab: "Goodnight Elisabeth," by Counting Crows
Transcribed by Michael A. Mazur (mmazur@wpi.edu)
Intro: Guitar 1, clean electric
||-----------------------------------|-----------------------------|
||-----------5-----5b(7)r5-----5-----|-----5-----5b(7)r5-----5-----|
||*-------------4-----------------4--|--------4-----------------4--|
||*----------------------------------|-----------------------------|
||--------0--------------------------|-----------------------------|
||---4/5--------------------5--------|--4-----------------4--------|
|-----------------------------|---------------------------------||
|-----5-----5b(7)r5-----5-----|-----3------------3-----5p3------||
|--------4-----------------4--|---------------2-----2-------2--*||
|-----------------------------|--0-----0h2h4-------------------*||
|-----------------------------|---------------------------------||
|--3-----------------3--------|---------------------------------||
On the repeat, guitar 2, acoustic enters, strumming
A E Gadd6 Dsus2
Guitar 3 also enters, with a little distortion and a Leslie speaker,
doubling the chords played by guitar 2
Verse: (The bass plays A-G#-G-F#, one note per chord)
A E
i was wasted ...
Gadd6 Dsus2
waiting ...
i woke up ...
i wish you ...
i hope that ...
i hope you're ...
i just wanted ..
Chorus:
A E G D
goodnight elisabeth
Verse:
...
goodnight elisabeth
Solo (over A E Gadd6 Dsus2):
|--------------------------|-----------------------|
|---------10--12--12b(14)--|--12b(14)r(12)--10h12--|
|--2/6/7-------------------|-----------------------|
|--------------------------|-----------------------|
|--------------------------|-----------------------|
|--------------------------|-----------------------|
|------------------------------------------------|
|--12b(14)r(12)--10--12b(15)--12b(14)--10h12-----|
|---------------------------------------------9--|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|--------------------|--------------------------|
|--------------------|---------10p9--10--10/12--|
|--2/6--7--7p6--7/9--|--6/7h9-------------------|
|--------------------|--------------------------|
|--------------------|--------------------------|
|--------------------|--------------------------|
|-----------------------------17----------------|
|----------15p14------17b(19)------(19)r17--15--|
|--7/9/14---------14----------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
|-------------------------------|
|--(15)r14--12--(14)r12--10~~~--|
|-------------------------------|
|-------------------------------|
|-------------------------------|
|-------------------------------|
Verse:
goodnight elisabeth
repeat A E Gadd6 Dsus2 until end
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official COUNTING CROWS tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
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We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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