CREED - "bullets" Tablature
Official CREED Tablature & Sheet Music »
Subject: c/creed/bullets.tab
Date: Tue, 04 Jun 2002 18:19:19 -0500
Author/Artist: Creed
Title: Bullets
Album: Weathered
Tuning: Drop D
Transcribed by: John Howell
Email: <A href="mailto:howy_2005@hotmail.com">howy_2005@hotmail.com</A>
Song 3/4 time signature
Tab Key:
(5^) = right after he hits the open O's he frets a harmonic on the 5th
b = bend
\/ = whammy bar bend
/ = slide up
* = palm mute
^ph = pinch harmonic
Note: As most of you know, this song is pretty fast and hard to figure out </PRE><PRE>if you have tried, but after I saw Creed play it on SNL that made it a little easier.</PRE><PRE>
Intro Just how Mark Plays it on SNL.
Verse Sounds right</PRE><PRE>Chorus Whammy bar bends and palm muting
Post Chorus Rapid fire baby!
Bridge The same as intro riffs
Intro (Mark uses the wah wah as a filter)
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-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--|
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-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--|
Then this - (play 2x)
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-12-12-12-12-12-12---------------------12-12-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-13-13-13-13-13-13---------------------13-13-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-10-10-10-10-10-10---------------------10-10-12-12-12-|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0-|
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-13-13-12-12-12-12-----------------------------12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--0--0--|
Then this -
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-14-14-14-14-14-14---------------------14-14-14-14-14--|
-12-12-12-12-12-12---------------------12-12-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-15-15-15-15-15-15---------------------15-15-14-14-14--|
-13-13-13-13-13-13---------------------13-13-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-12-12-12-12-12-12---------------------12-12-14-14-14--|
-10-10-10-10-10-10---------------------10-10-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-12-12-12-12-12-12---------------------12-12-12-12-12-|
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-10-10-10-10-10-10---------------------10-10-10-10-10-|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0-|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-14-14-14-14-14-14-14-14-14-14-15-15-15-15-15-15/17-17-17-17-17--|
-----------------------------------------------------------------|
-12-12-12-12-12-12-12-12-12-12-13-13-13-13-13-13/15-15-15-15-15--|
--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--------------|
(distortion on, in at 0:47)
-----------------------------------------------------------------------|
-----------------------------------------------------------------------|
-----------------------------------------------------------------------|
-----------------------------------------------------------------------|
----------------------15--------------13-------------------------------|
-13-12-0-12-0-12-0-12----12-0-12-0-12----12-0-12-0-12-13-12-0-10-12-0--|
Verse (all palm muted, in at 0:59)
-----------------------------------------------------------------------|
-----------------------------------------------------------------------|
-----------------------------------------------------------------------|
-----------------------------------------------------------------------|
----------------------15--------------13-------------------------------|
-13-12-0-12-0-12-0-12----12-0-12-0-12----12-0-12-0-12-13-12-0-10-12-0--|
Chorus Look at me . . . (in at 1:22)
--------------------|--------------------|
--------------------|--------------------|
--------------------|--------------------|
--------------0\/~--|--------------------|
-0-1-0-1-0-1--0\/~--|-0-1-0-1-0-1--0-0-0-|
-0-1-0-1-0-1--0\/~--|-0-1-0-1-0-1--0-0-0-|
* * *
--------------------|---------------------------|
--------------------|---------------------------|
--------------------|---------------------------|
--------------0\/~--|----------------1^ph-------|
-0-1-0-1-0-1--0\/~--|-0-1-0-1-0-1--0------3^ph--|
-0-1-0-1-0-1--0\/~--|-0-1-0-1-0-1--0------------|
Then the verse 1:34
Then the chorus 1:58
Post-Chorus (In at 2:09)
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0-0-0--|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0-0-0--|
* * *
------------------|-------------------|------------------------|
------------------|-------------------|------------------------|
------------------|-------------------|------------------------|
------------------|-------------------|------------------------|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0\/~--|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0\/~--|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0-0-0--|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0-0-0--|
* * *
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
------------------|-------------------|-------------------------|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0-0-0--|
-13-12-0-10-12-0--|--13-12-0-10-12-0--|--13-12-0-10-12---0-0-0--|
* * *
Then this (big ol whammy bar bends, bend to desired pitch)
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-0(5^)\/~------------------|
-0(5^)\/~------------------|
-0(5^)\/~---5b\/~---3b\/~--|
Bridge Hey, all I need is whats real . . . (in at 2:34)
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-12-12-12-12-12-12---------------------12-12-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-13-13-13-13-13-13---------------------13-13-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-10-10-10-10-10-10---------------------10-10-12-12-12-|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0-|
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-13-13-12-12-12-12-----------------------------12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--0--0--|
Then this -
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-14-14-14-14-14-14---------------------14-14-14-14-14--|
-12-12-12-12-12-12---------------------12-12-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-15-15-15-15-15-15---------------------15-15-14-14-14--|
-13-13-13-13-13-13---------------------13-13-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
-------------------------------------------------------|
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-12-12-12-12-12-12---------------------12-12-14-14-14--|
-10-10-10-10-10-10---------------------10-10-12-12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0--0--0--0--0--0--|
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-15-15-14-14-14-14-----------------------------14-14--|
-13-13-12-12-12-12-----------------------------12-12--|
--0--0--0--0--0--0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--0--0--|
(distortion, in at 2:57) Please, help me find it please . . .
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-14--14-14-14-14--14-14-14-14--14-14-14-14-14-14--14/15--15-15-15-15--|
----------------------------------------------------------------------|
-12--12-12-12-12--12-12-12-12--12-12-12-12-12-12--12/13--13-13-13-13--|
--0---0--0--0--0---0--0--0--0---0--0--0--0--0--0---0------0--0--0--0--|
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-15-15-15-15--15-15-15-15-15-15--12--12-12-12-12--12-12-12-12--|
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-13-13-13-13--13-13-13-13-13-13--10--10-10-10-10--10-10-10-10--|
--0--0--0--0---0--0--0--0--0--0---0---0--0--0--0---0--0--0--0--|
---------------------------------------------|
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-12-12-12--12/14-14-14--14/15--15-15--15/17--|
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-10-10-10--10/12-12-12--12/13--13-13--13/15--|
--0--0--0---0-----0--0---0------0--0---0-----|
Then the chorus in at 3:09
Then the post-chorus in at 3:33
Last chord
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------|
--0~--|
--0~--|
--0~--|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official CREED tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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