DANZIG - "Anything" Tablature
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DANZIG "Anything"
by Glen Danzig
Tabbed by Christian Cayeux (cayeux@scinfo.u-nancy.fr)
This song is my favorite slow song to play and sing with my band
or alone. DANZIG is one of my favorite band : they express a very big
sensitivity in their songs.
If you think this tab is useful for you, write it to me by mail :
I like to know how useful my transcriptions are.
If you have anything to tell me, if you want any other DANZIG tabs,
no hesitation, write it to me by mail.
Notation :
PM : palm muting
p : pulling-Off
h : hammer
b : bend
~ : tremolo
Intro:
Structure 3/4 during all the song.
Tempo : moderate rock
Clean Sound
Bbm Repeat 2 times.
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here in the song, a piano plays a Bbm chord.
If there's no keyboards in your band, the bass
player can play a Bbm a this time.
Rhy. Fig. 1
Clean Sound 1
Bbm ..........................|
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here Piano or Guitar plays a Bbm
End. Fig. 1
2
.........................|
|------------------------|
|-----2------------------| Repeat Rhy. Fig. 1
|--------3-----3---------| During the first verse.
|-----------3------------|
|------------------------|
|------------------------|
1st Verse :
Anything you want
Anything all one has to offer
I can give you
If you just reach out to me
Take my hand
Everything our kiss cannot bring
I will give you
If you just say you will
Rhy. Fig. 2
Clean Sound
Coda @
Bbm
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here Piano or Bass plays a Bbm
G# F# D.S Al Coda @
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o----------------------|-----------------------o--|
|-o---------6------------|---------6-------------o--|
|--------6-----6-----6---|------6-----6-----6-------|
|-----4-----------4------|---4-----------4----------|
^
Here Piano or Bass plays a G#
Coda ø End Fig. Rhy. 2
Bbm F# G# D.S Al Coda ø
|------------------------|----------------------------|
|------------------------|----------------------------|
|-o---------3------------|-------------------------o--|
|-o------3-----3-----3---|-----------4--------6----o--|
|-----1-----------1------|--------4--------6----------|
|------------------------|-----2--------4-------------|
^ ^ ^
Piano/Bass Piano/Bass Piano/Bass
Bbm F# G#
Play Rhy. Fig. 2 During 1st Chorus.
Chorus :
And it's freedom in my heart...
And it's freedom in my heart...
in my heart...
in my heart...
in my heart...
Yeah !!!
Tempo : faster.
Fill 1. With Distortion.
F#5 G#5
|----------------------|
|----------------------|
|----------------------|
|-----4--------6-------|
|-----4--------6-------|
|-----2--------4-------|
Rhy. Fig. 3
With Distortion
B#5
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
End Fig. Rhy. 3
C#5 C5 C#5
|--------------------------|
|--------------------------| Repeat Rhy. Fig. 3
|-----6----5----6----------| During the Second verse.
|-----6----5----6----------|
|-----4----3----4----------|
|--------------------------|
2nd Verse :
Anything you want
Anything this one has to offer
I can give you, yeah
All this one and its power
And itself
I will give it out to you
Take my hand
If you just say you will
Rhy. Fig. 4
With Distortion
G#5 G#5
|---------------|-----------------|
|---------------|-----------------|
|-o-------------|-----------------|
|-o----6--------|-------6---------|
|------6--------|-------6---------|
|------4--------|-------4---------|
B#5
......................................PM
|------------------------|--------------------------|
|------------------------|--------------------------|
|-----------3------------|---------3-------------o--|
|--------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
F#5
.......................PM
|---------------------|------------------------|
|---------------------|------------------------|
|---------------------|------------------------|
|---------------------|--------4---------------|
|---4--4--4--4--4--4--|--4--4--4---------------|
|---2--2--2--2--2--2--|--2--2--2---------------|
Bbm F# G# End Rhy. Fig. 4
|------------------------|----------------------------|
|------------------------|----------------------------|
|-o---------3------------|-------------------------o--| Play Rhy. Fig. 4
|-o------3-----3-----3---|-----------4--------6----o--| During the Chorus.
|-----1-----------1------|--------4--------6----------|
|------------------------|-----2--------4-------------|
Play Fill 1.
Then with clean sound play two times the last two bars
of Rhy. Fig. 4.
Here you sing :
Anything you want is in my arms
Anything you need is in my arms
Anything you want is in my arms
Anything you need is here !!!
Then Solo with Rhy. Fig. 4.
I'm not 100% sure of the Solo. But it sounds good to me.
Full Full
|-----------------------------------------------------------------|
|--19b---19b--19-19---19p17---------------19--16------------------|
|----------------------------19-17-16-----19--16h17---------------|
|--------------------------------------19-------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
~~~~ Full
|-----------------------------------------------------------------|
|-----------18----19----18---18---18----18------------------------|
|---15---15----15----15------20b-----20----20P18------18h20-------|
|-------------------------------------------------20--------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--20----18----17------------17h18-20b---17h18h20b-(20)h17--------|
|--------------------18---20--------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full~~~~~~~~~~
|----------------------------------17-19b-(19)p17-19b-------------|
|-------17h19h20---------17h19h20---------------------------------|
|---20-----------17h18h20-----------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full Full
|---17--19--20--20b-(20)-19--20b-(20)-19--20h19h17------17b-------|
|---------------------------------------------------19------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|---20--18--17----------17h18-20b--17h18h20-(20)p17---------------|
|---------------18--20--------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full~~~~~~~~~~~
|-------------------------------17--19b-(19)p-17-19b--------------|
|---17h19h20----------17h19h20------------------------------------|
|------------17h18h20---------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Then repeat the end of the Chorus.
You sing :
In my heart...
In my heart...
In my heart !!!
Anything you want is in my heart
Anything you need is in my heart
Anything you want is in my love
In my heart !!!
In my heart !!!
In my heart !!!
The way I play the solo end of this song is each time different, so
I don't want to tab it. This end is a very good piece for
improvisation; you know it's this kind of song end that can take
a very long time, and playing it you feel you never reach it.
The very end is just : F#5 G#5
Don't forget the most important :
Never give up, and take fun !
Christian Cayeux.(cayeux@scinfo.u-nancy.fr)
(Froggie Goes To Holliwood)
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official DANZIG tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
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