DANZIG - "mother3" Tablature
Official DANZIG Tablature & Sheet Music »
This tab includes the solo. This is not my work(guy who did its name is at
bottom of page) but this wasn't in a tab archive, it was posted on a message
board so its extremly hard to find. The solo is hard to understand(in my opinion)
but it gives you some idea.
DANZIG
Mother
From Guitar School Jan.1994
Moderate Rock:128
Intro
|------------------|-------------------|-------------------|-----------------|
|-------------0----|-------------------|-------------------|-----------------|
|---4---------0----|------2---------4--|----------X----0---|------2--------4-|
|---4---------0----|------2---------4--|---------------0---|------2--------4-|
|---2---------2----|------0---(0)---2--|---------------2---|------0---(0)--2-|
|-------------3----|----------------X--|---------------3---|-(3)-------------|
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|--(4)--------0----|------2---------4--|-------X------0----|------2-------4--|
|--(4)--------0----|------2---------4--|--------------0----|------2-------4--|
|--(2)--------2----|------0---(0)---2--|--------------2----|------0--(0)--2--|
|-------------3----|-(3)---------------|--------------3----|-(3)-------------|
^ left hand inadvertantly
sounds 2nd string when changing
chords.
1st verse (gradually increase tempo to 131)
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|--(4)--------0----|------2---------4--|--------------0----|------2-------4--|
|--(4)--------0----|------2---------4--|--------------0----|------2-------4--|
|--(2)--------2----|------0---(0)---2--|--------------2----|------0--(0)--2--|
|-------------3----|-(3)---------------|--------------3----|-(3)-------------|
|------------------|-------------------|-------------------|-----------------|
|----------(0)-----|-------------------|--------(0)--------|-----------------|
|--(4)-------------|------2---------4--|--------------0----|---0--2--2-----4-|
|--(4)---------0---|------2---------4--|--------------0----|---0--2--2--0--4-|
|--(2)---------2---|------0---(0)---2--|--------(0)---2----|------0-----0--2-|
|--------------3---|-------------------|--------------3----|-3---------------|
| ^ left hand sounds open string |
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|------2--------4-|
|------------------|-------------------|-------------------|---0--2--------4-|
|------------------|-------------------|-------------------|-2----0--(0)---2-|
|------------------|-------------------|---------3---------|-----------------|
^let ring----|
S1
2nd & 3rd verse (1st time gradually increase tempo to 134)
(2nd time gradually increase tempo to 147)
gtr 1
|------------------|-------------------|-------------------|-----------------|
|----------------0-|-----0-------------|-------------------|-----------------|
|-(4)---4---4----0-|-----0--2---2-0--4-|---4-----4-----0---|---0-2---------4-|
|-(4)-2-4---4-0--0-|--0--0--2---2-0--4-|-2-4-----4--0--0---|---0-2----2----4-|
|-(2)-2-2-----0--2-|--2-----0--------2-|-2-2-----2--0--2---|-2---0----0--2-2-|
|----------------3-|--3----------------|---------------3---|-3-----------2---|
|rhy. fig 1 end rhy. fig1|
|gtr 2 |
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|-(4)---4----------|-----------------4-|----4--------------|---------------4-|
|-(4)-2-4----------|-----------------4-|-2--4--------------|---------------4-|
|-(2)-2-2----------|--------0--------2-|-2--2--------------|-----0---------2-|
|----------------3-|--------------2----|---------------3---|-------------2-2-|
^let ring
Gtr 1 w/rhy fig 1 play rhy fig3 2nd time
|------------------|-------------------|-------------------|-----------------|
|----------------0-|-----0-------------|-------------------|-----------------|
|-(4)---4---4----0-|-----0--2---2-0--4-|---4-----4-----0---|---0-2---------4-|
|-(4)-2-4---4-0--0-|--0--0--2---2-0--4-|-2-4-----4--0--0---|-0-0-2----2----4-|
|-(2)-2-2-----0--2-|--2-----0--------2-|-2-2-----2--0--2---|-2---0----0--2-2-|
|----------------3-|--3----------------|---------------3---|-3-----------2---|
S2
1st, 2nd, & 3rd choruses (2nd time gradually increase tempo to 151)
(3rd time dragually increase tempo to 153)
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|----------------2-|--2----2--2-----4--|---4---------------|--4----2---------|
|-5--5--5--5-----2-|--2----2--2-----4--|---4---------------|--4----2---------|
|-5--5--5--5-----0-|--0----0--0--0--2--|---2---------------|--2----0---------|
|-3--3--0--0--0----|-------------0--2--|---2---------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|----------------2-|--2----2--2-----4--|---4--4------------|--4----2---5-----|
|-5--5--5--5-----2-|--2----2--2-----4--|---4--4------------|--4----2---5-----|
|-5--5--5--5-----0-|--0----0--0--0--2--|---2--2------------|--2----0---5-----|
|-3--3--0--0--X----|----------------2--|---2--2------------|-----------3-----|
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|-(4)-----4-----2--|---2---2--2-----4--|---4---------------|--4------2-------|
|-(5)-5---5-----2--|---2---2--2-----4--|---4---------------|--4------2-------|
|-(5)-5---5-----0--|---0---0--0--0--2--|---2---------------|--2------0-------|
|-(3)-3---0--0-----|-------------0--2--|---2---------------|-----------------|
(2nd time) to Coda1 D.S. S1 al Coda1
(3rd time) to Coda2
I can show you what it's...
[PM..........]
|------------------|-------------------|-------------------|-----------------|
|------------------|-------------------|-------------------|-----------------|
|----------------2-|--2-----2-2-2-2----|-------------------|-------------4---|
|--5--5----5-5---2-|--2-----2-2-2-2----|-------------------|-4-----------4---|
|--5--5----5-3-5-0-|--0-----0-0-0-0----|-4-4-4-4-4-4-4-4---|-4-----------2---|
|--3--3----3-3-3---|-------------------|-2-2-2-2-2-2-2-2---|-2---------------|
Coda 1
What it's... Yea!
[PM..............................]
|------------------|-------------------|-------------------|
|------------------|-------------------|-------------------|
|--(2)-2---2-2---4-|-4-4-4-4--4-4-4-4--|-4-4-4-4--4-4----4-|
|--(2)-2---2-2-0-4-|-4-4-4-4--4-4-4-4--|-4-4-4-4--4-4----4-|
|--(0)-0---0-0-0-2-|-2-2-2-2--2-2-2-2--|-2-2-2-2--2-2--X-2-|
|------------------|-------------------|-------------------|
1st guitar solo full full&rel full&rel
|----------------------------------------|-------------/\-------------/------|
|---------------------------------------^|------------/ \-----------/ ------|
|---------------------------------------^|-----9-p7--9-----(9)p7----9--------|
|-----------------7-9p7---7-9-(9)p7-----9|-----------------------------------|
|-------5-7-5-7/9-------9-----------9p7--|-----------------------------------|
|-7-5-7----------------------------------|-----------------------------------|
| ^play slightly^ |
| behind beat |
|----------------------------------------|-----------------------------------|
|----------------------------------------|-----------------------------------|
|-4---------------------------------4----|---4-------------------------------|
|-4---------------------------------5----|---5--5/7-------7--7------9--------|
|-2----------------------------X----5----|---5--5/7-------7--7-------9-------|
|-----------------------------------3----|---3--3/5-------5--5-------7-------|
5/4 full hold bend
full 3/4 full 1/4/\1/4 / NH full
\--------------7---/ \---------10/\(10)p7-----/ \--/\/ \-/\/----------------^-|
|\--------7-10---10-|-(10)-10-7-----------10-10|-(10)---(10)-(10)p7-----15h17-17|
|(9)----------------|--------------------------|-------------------14h16--------|
|----9-9vib---------|--------------------------|--------------------------------|
|-------------------|--------------------------|--------------------------------|
|-------------------|--------------------------|--------------------------------|
| [PM..........] |
|-------------------|--------------------------|--------------------------------|
|-4-----------------|--------------------------|--------------------------------|
|-4---------------4-|--4----7------------------|--------------------------------|
|-2---------------5-|--5--5-7--------7-----7-9-|--9----------------------------5|
|-------------X---5-|--5--5-7--------7-----7-9-|--9---9-9-9---9--9-------------5|
|-----------------3-|--3--3-5--------5-----5-7-|--7---7-7-7---7--7-------------3|
[feedback...]
3/4 5/4 full full full
-----| / / /\ let ring / /
|-------17-17---17-17--17-17-\--------|--------------------19-24|---24-|--------|
|--(17)----17------17-----17-(17)17p15|17-17-15----------19-----|------|--------|
|-------------------------------------|---------16--(16)/-------|------|--------|
|-------------------------------------|-------------------------|------|--------|
|-------------------------------------|-------------------------|------|---(0)--|
|-------------------------------------|-------------------------|------|--------|
| [PM...........] |
|-------------------------------------|-------------------------|------|--------|
|-------------------------------------|-------------------------|------|--------|
|-------------------------------------|-------------------------|------|--------|
|--(5)---5--5---7-------7--7--9-------|9---9-9-9----9-9-9-------|-5---7|--------|
|--(5)---5--5---7-------7--7--9-------|9---7-9-9----9-9-9-------|-5---7|--------|
|--(3)---3--3---5-------5--5--7-------|7---7-7-7----7-7-7-------|-3---5|--------|
OUTRO SOLO(grad inc tempo to 160)
Coda 2 [let ring............................]
What its Like full full full full 1/2
|------------------|--|-----------/-------|-7--7--7--------------7----7---------|
|------------------|--|-------7--/----7---|-9--------7-----7-----7----7-------9/|
|------------------|--|---------9---------|-9/-------9/----9-----9/-------7---9/|
|------------------|--|-------------------|--------[hold bend]------------------|
|------------------|--|--(0)--------------|-------------------------------------|
|------------------|--|--(0)--------------|-------------------------------------|
open strings sound
inadvertantly
full full
|---------------------------|-------------------|-----------------7------7-----/|
|-(9)-(9)p7-9p7----7---7--/-|\------------------|--------7-7h10p7--10p7----10-10|
|-(9)-(9)-7-9-7-0--7---7-9--|(9)p7--------------|-7--------------9------9-------|
|---------------9----9------|------9---9\-------|7--9p7-7-----------------------|
|---------------9-----------|------vib--------5-|-------------------------------|
|---------------------------|-------------5/7---|-------------------------------|
^hammer on from nowhere
1/2 full
full 3/4 full full 3/4 / /\ full
|/----------------10/fll--/\-----|10/---/-\------10full\(10)-11/12-12-12|12(12)-12/|
|-(10)-(10)-10-7-(10)/--10-(10)-7|10/--10-(10)-7-10/---\(10)------------|-------12/|
|--------------------------------|--------------------------------------|----------|
|--------------------------------|--------------------------------------|----------|
|--------------------------------|--------------------------------------|----------|
|--------------------------------|--------------------------------------|----------|
full
/
|12-(12)p10--12-10-12\----10|14p10--10h12(12)p10|-10h14p10h12p10--|
|----------12------12\-/12--|-----12------------12--------------12|
|---------------------------|-------------------|-----------------|
|---------------------------|-------------------|-----------------|
|---------------------------|-------------------|-----------------|
|---------------------------|-------------------|-----------------|
full
|10h14p10----14h17p14-14--/|
|---------12/--------0--17-|
|--------0-----------------|
|--------------------------|
|--------------------------|
|--------------------------|
full full full full
|-----17--/--17----17----17---|----17p14---14-----|
|(17)---17/--17/------17-17/--|-15------17-14-17/-|
|-----------------------------|-------------------|
|-----------------------------|-------------------|
|-----------------------------|-------------------|
|-----------------------------|-------------------| full sl
|--/\-----------------------------------------------------15/|
|17-(17)-15-17p15-0-------------------15h17p15----15h17------|
|-------------------14h16p14----14/16----------17------------|
|------------------(12)------16------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
sl sl full full sl
|/17\15-----------------------------------|---------------------------------19---|
|-------17-X-17/22\19-19--19--------------|----------------19-----19-22p19--19-22|
|-----------------------21--21/\/(21)*21)\|----------19h21p19---19--------21-----|
|-----------------------------------------|/19/21-21----------21-----------------|
|-----------------------------------------|--------------------------------------|
|-----------------------------------------|--------------------------------------| full........... fade out
|--------------|-------------|
|-22/----------|-(22)--------|
|--------------|-------------|
|--------------|-------------|
|--------------|-------------|
|--------------|-------------|
Steve Ramsay
n2od@jupiter.sun.csd.unb.ca
March 1994
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official DANZIG tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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