DASHBOARD CONFESSIONAL - "for justin" Tablature
Official DASHBOARD CONFESSIONAL Tablature & Sheet Music »
From: Daniel B <skaomatic@earthlink.net>
Subject: d/dashboard_confessional/for_justin.crd
Artist: Dashboard Confessional
Title: For Justin
Album: Drowning EP
Written By: Chris Carrabba
Tabbed By: Daniel Britt
( skaomatic@earthlink.net )
Standard Tuning
Rhythym not noted, Listen to track.
Format One: Tab
Note: Syncopated rhythm, mixture of up/down strums, light palm muting
here and there.
Verse 1:
e--2222--4444--00000000--
b--2222--5555--00000000--
g--4444--6666--22222222--
d--4444--6666--22222222--
a--2222--4444--00000000-- X3 (In absence of rhythm, I have noted
the beats. The dashes
E--xxxx--xxxx--xxxxxxxx-- are only for separation of chords,
and do not count.)
e--2--
b--2--
g--3--
d--4--
a--4--
E--2-- X1 (Let Ring Out.. 8 beats)
Chorus:
e--2222--6666--0000--44--2--0--
b--2222--7777--0000--44--2--0--
g--4444--8888--2222--44--3--1--
d--4444--8888--2222--66--4--2--
a--2222--6666--0000--66--4--2--
E--xxxx--xxxx--xxxx--44--2--0--
e--2--
b--2--
g--3--
d--4--
a--4--
E--2-- X1 (Let Ring Out.. 8 beats)
Verse 2:
e--2222--4444--00000000--
b--2222--5555--00000000--
g--4444--6666--22222222--
d--4444--6666--22222222--
a--2222--4444--00000000-- X2
E--xxxx--xxxx--xxxxxxxx--
e--2--
b--2--
g--3--
d--4--
a--4--
E--2-- X1 (Let Ring Out.. 8 beats)
Repeat Chorus
Song Ends on Ringing F chord in Chorus.
Bsus2 C#m Asus2 F# D#m G#m E
e-2- e-4- e-0- e-2- e-6- e-4- e-0-
b-2- b-5- b-0- b-2- b-7- b-4- b-0-
g-4- g-6- g-2- g-3- g-8- g-4- g-1-
d-4- d-6- d-2- d-4- d-8- d-6- d-2-
a-2- a-4- a-0- a-4- a-6- a-6- a-2-
E-x- E-x- E-x- E-2- E-x- E-4- E-0-
I hope this was as close as possible to the recording, and easy to read.
Any comments/suggestions can be emailed to Dan at skaomatic@earthlink.net
Many Thanks to Mia for *insisting* I listen to some DBC. What would I do
without you?
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<font face="Courier New, Courier, monospace">Artist: Dashboard Confessional<br>
Title: For Justin<br>
Album: Drowning EP<br>
Written By: Chris Carrabba<br>
Tabbed By: Daniel Britt<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ( <a class="moz-txt-link-abbreviated" href="mailto:skaomatic@earthlink.net">skaomatic@earthlink.net</a> )<br>
<br>
<br>
<br>
Standard Tuning<br>
Rhythym not noted, Listen to track.<br>
<br>
Format One:&nbsp; Tab<br>
<br>
Note: Syncopated rhythm, mixture of up/down strums, light palm muting here
and there.<br>
<br>
Verse 1:<br>
<br>
e--2222--4444--00000000--<br>
b--2222--5555--00000000--<br>
g--4444--6666--22222222--<br>
d--4444--6666--22222222--<br>
a--2222--4444--00000000--&nbsp;&nbsp;&nbsp;&nbsp; X3&nbsp; (In absence of rhythm, I have noted the
beats. The dashes <br>
E--xxxx--xxxx--xxxxxxxx--&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; are only for separation of chords, and
do not count.)<br>
<br>
<br>
e--2--<br>
b--2--<br>
g--3--<br>
d--4--<br>
a--4--<br>
E--2-- X1&nbsp; (Let Ring Out.. 8 beats)<br>
<br>
<br>
Chorus:<br>
<br>
e--2222--6666--0000--44--2--0--<br>
b--2222--7777--0000--44--2--0--<br>
g--4444--8888--2222--44--3--1--<br>
d--4444--8888--2222--66--4--2--<br>
a--2222--6666--0000--66--4--2--<br>
E--xxxx--xxxx--xxxx--44--2--0--<br>
<br>
e--2--<br>
b--2--<br>
g--3--<br>
d--4--<br>
a--4--<br>
E--2-- X1&nbsp; (Let Ring Out.. 8 beats)<br>
<br>
<br>
Verse 2:<br>
<br>
e--2222--4444--00000000--<br>
b--2222--5555--00000000--<br>
g--4444--6666--22222222--<br>
d--4444--6666--22222222--<br>
a--2222--4444--00000000--&nbsp;&nbsp;&nbsp;&nbsp; X2 &nbsp;<br>
E--xxxx--xxxx--xxxxxxxx--<br>
<br>
<br>
e--2--<br>
b--2--<br>
g--3--<br>
d--4--<br>
a--4--<br>
E--2-- X1&nbsp; (Let Ring Out.. 8 beats)<br>
<br>
Repeat Chorus<br>
<br>
Song Ends on Ringing F chord in Chorus.<br>
<br>
<br>
<br>
<br>
Format Two:&nbsp; Chords/Lyrics<br>
<br>
<br>
Verse 1:<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2<br>
Its been a year now<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; C#m<br>
Since you were here now<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2<br>
And I've be tryin to heal inside<br>
&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; C#m<br>
Dedications have all been placed<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2<br>
And I see your resemblance in my face<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; C#m&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2<br>
And on our birthday I said an extra wish for you<br>
F#<br>
For you<br>
<br>
<br>
Chorus:<br>
<br>
&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; D#m&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
And I have learned so much since you've been gone<br>
&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; D#m&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
And I have done so little for so long<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2<br>
so now I'll settle up my grievancies<br>
&nbsp;&nbsp;&nbsp; D#m<br>
And focus on the savory<br>
&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
And wave all these discrepancies away<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2<br>
And I'll peter out these misconceptions<br>
D#m<br>
Give out faith at my discretion<br>
Asus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
Live a life that you would think was sane<br>
F#<br>
Sane<br>
<br>
<br>
Verse 2:<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; C#m<br>
Displayin' changes that they have made<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2<br>
And I wonder if you ever really wanted it this way<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; C#m&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2<br>
And in your memory they even hung a plaque for you<br>
F#<br>
For you<br>
<br>
<br>
Chorus:<br>
<br>
&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; D#m&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
And I have learned so much since you've been gone<br>
&nbsp;&nbsp;&nbsp; Bsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; D#m&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
And I have done so little for so long<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2<br>
so now I'll settle up my grievancies<br>
&nbsp;&nbsp;&nbsp; D#m<br>
And focus on the savory<br>
&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
And wave all these discrepancies away<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bsus2<br>
And I'll peter out these misconceptions<br>
D#m<br>
Give out faith at my discretion<br>
Asus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; F#&nbsp; E<br>
Live a life that you would think was sane<br>
F#<br>
Sane<br>
<br>
~End~<br>
<br>
<br>
Chords:<br>
<br>
Bsus2&nbsp;&nbsp; C#m&nbsp;&nbsp;&nbsp;&nbsp; Asus2&nbsp;&nbsp; F#&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; D#m&nbsp;&nbsp;&nbsp;&nbsp; G#m&nbsp;&nbsp;&nbsp; E<br>
<br>
e-2-&nbsp;&nbsp;&nbsp; e-4-&nbsp;&nbsp;&nbsp; e-0-&nbsp;&nbsp;&nbsp; e-2-&nbsp;&nbsp;&nbsp; e-6-&nbsp;&nbsp;&nbsp; e-4-&nbsp;&nbsp; e-0- &nbsp;<br>
b-2-&nbsp;&nbsp;&nbsp; b-5-&nbsp;&nbsp;&nbsp; b-0-&nbsp;&nbsp;&nbsp; b-2-&nbsp;&nbsp;&nbsp; b-7-&nbsp;&nbsp;&nbsp; b-4-&nbsp;&nbsp; b-0-<br>
g-4-&nbsp;&nbsp;&nbsp; g-6-&nbsp;&nbsp;&nbsp; g-2-&nbsp;&nbsp;&nbsp; g-3-&nbsp;&nbsp;&nbsp; g-8-&nbsp;&nbsp;&nbsp; g-4-&nbsp;&nbsp; g-1-<br>
d-4-&nbsp;&nbsp;&nbsp; d-6-&nbsp;&nbsp;&nbsp; d-2-&nbsp;&nbsp;&nbsp; d-4-&nbsp;&nbsp;&nbsp; d-8-&nbsp;&nbsp;&nbsp; d-6-&nbsp;&nbsp; d-2-<br>
a-2-&nbsp;&nbsp;&nbsp; a-4-&nbsp;&nbsp;&nbsp; a-0-&nbsp;&nbsp;&nbsp; a-4-&nbsp;&nbsp;&nbsp; a-6-&nbsp;&nbsp;&nbsp; a-6-&nbsp;&nbsp; a-2-<br>
E-x-&nbsp;&nbsp;&nbsp; E-x-&nbsp;&nbsp;&nbsp; E-x-&nbsp;&nbsp;&nbsp; E-2-&nbsp;&nbsp;&nbsp; E-x-&nbsp;&nbsp;&nbsp; E-4-&nbsp;&nbsp; E-0-<br>
<br>
<br>
<br>
<br>
I hope this was as close as possible to the recording, and easy to read.<br>
<br>
Any comments/suggestions can be emailed to Dan at&nbsp; <a class="moz-txt-link-abbreviated" href="mailto:skaomatic@earthlink.net">skaomatic@earthlink.net</a><br>
<br>
Many Thanks to Mia for *insisting* I listen to some DBC. What would I do
without you?<br>
<br>
<br>
<br>
<br>
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This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official DASHBOARD CONFESSIONAL tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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