DEATH - "Secret Face (Chords)" Tablature
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Date: Sun, 14 Nov 93 00:03:41 -0600
From: meloonb@picard.cs.wisc.edu (Brian Meloon)
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To: jamesb@animal-farm.nevada.edu
Subject: Death's "Secret Face"
"Secret Face" by Death
Transcribed by Brian Meloon (bmeloon@geom.umn.edu)
*(NOTE: guitars must be tuned down 1 whole step (i.e. to D))*
|---------------------------------------------------------
|---------------------------------------------------------
|------------------------------------------------4--------
|-4---5----4---5---3-----4---5-------4---5---3------------
|---2--------2---2---------2-----------2---2---2----------
|---------------------------------------------------------
|-----------------------------------------|
|-----------------------------------------|
|------------------------------------(4)-*|
|-4---------------5---------------3------*|
|-----2-2-2-2-2-2-----2-2-2-2-2-2---------|
|-----------------------------------------|
(Second time play the note in paranthesis)
|-----------------------------------------|
|-----------------------------------------|
|----------------------------------------*|
|------------------------------------(5)-*|
|-5---------------6---------------4-------|
|-----3-3-3-3-3-3-----3-3-3-3-3-3---------|
(As above, second time play the note in paranthesis)
--Play above 2 1/2 times, stopping after playing the top section for the
third time...
|1. |2.
|------------------|-------------------------|-------------
|------------------|-------------------------|-------------
|------------------|------------------------*|-------------
|-------------5----|-------------5---4------*|-------------
|-4---4-4-4---3----|-4---4-4-4---3---2---5---|-4\3---4\3---
|-2---2-2-2--------|-2---2-2-2-----------3---|-2\1---2\1---
Play this three times, then move to this:
|1.
|----------------------|------------------------------|
|----------------------|------------------------------|
|----------------------|-----------------------------*|
|----------------------|-----------------------------*|
|-5-5-4-4------4-4-----|-4-4-3-3-----3-3-----3-3------|
|---------2-2------2-2-|---------1-1-----1-1-----1-1--|
|2.
|------------------------------|
|------------------------------|
|-----------------------------*|
|-4-4-3-3-----3-3-----3-3-----*|
|---------1-1-----1-1-----1-1--|
|------------------------------|
Play four times, then:
|---------------------------------|---------------------------------
|---------------------------------|---------------------------------
|---------------------------------|---------------------------------
|-----4---3---0-------------------|-----6---5---2-------------------
|-2-------------------5---4---1---|-4-------------------7---6---3---
|-----------------3---------------|-----------------5---------------
Play two times.
Then:
A5 |1.C#5
|------12------12------|-------16-------16--------|
|---12------12----12---|----16-------16----16-----|
|-9-------9----------9-|-13-------13----------13-*|
|----------------------|-------------------------*|
|----------------------|--------------------------|
|----------------------|--------------------------|
|2.G#5 B5
|-11------11------11----14-------14-------14-----
|----11------11------------14-------14-----------
|-------8-------8----8--------11-------11----11--
|------------------------------------------------
|------------------------------------------------
|------------------------------------------------
Play the first three bars two times each, but the second ending only once...
but play the whole thing two times, followed by:
|-12---------12-16----------------14--------
|----12---12-------16----------16----14-----
|-------9-------------13----13----------11--
|------------------------13-----------------
|-------------------------------------------
|-------------------------------------------
The chords under the guitar solo sound like E5 and F5, played as straight
sixteenth notes, and simply alternating back and forth...
Finally, after the guitar solo, we move to:
| E5 | F5
|-----------------------------------|----------------------------------------
|-----------------------------------|----------------------------------------
|-9---------------------------------|--------7-9-10-13-10-9------------------
|---10-12-10-9-10-9-7-6-------------|-7-9-10---------------------------------
|-----------------------------------|----------------------------------------
|-----------------------------------|----------------------------------------
Repeat twice, then move to:
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|----------6---------------6---------------6---------------6--------
|-5----------------5---------------5---------------5----------5-----
|---4-4-4----4-4-4---4-4-4---4-4-4---4-4-4---4-4-4---4-4-4-------4--
|-------------------------------------------------------------------
|---------9---------------9---------------9---------------9---------
|-6---------------6---------------6---------------6----------6------
|---6-6-6---6-6-6---6-6-6---6-6-6---6-6-6---6-6-6---6-6-6-------6---
|-------------------------------------------------------------------
|-------------------------------------------------------------------
Repeat this part three times, then go back to the beginning, and
play through once more, ending on A5...
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official DEATH tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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