DELIVERANCE - "No Time" Tablature
Official DELIVERANCE Tablature & Sheet Music »
Song: “No Time”
Artist: Deliverance
Album: Deliverance
Transcribed By: Bryan Bramlett (bryanmb87@aol.com)
Tuning: 1/2 Step Down (Eb,Ab,Db,Gb,Bb,Eb)
INTRO: (guitar 1)
|--------------------------------------------------------------------|
|------------------------------------------------------------------5-|
|----------------------------------------------------------------4---|
|----------7-9-----5-7-----4-5-4h5p4-------7-9-----5-7-----4-5-5-----|
|-12\--------------------------------5-------------------------------|
|-12\--0-0-----0-0-----0-0-------------0-0-----0-0-----0-0-----------|
pm . . . . . . . . . . . .
INTRO 2:
gtr. 1
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|------7-9-----5-7-----4-5-4h5p4-------7-9-----5-7-----4-5--4-5-4-|
|--------------------------------5--------------------------------|
|--0-0-----0-0-----0-0-------------0-0-----0-0-----0-0------------|
|pm. . . . . . . . . . . .
|
|
|gtr. 2
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|------7-9-----5-7-----4-5-4h5p4-------7-9-----5-7-----4-5--4-5-4-|
|--------------------------------5--------------------------------|
|-----------------------------------------------------------------|
|--0-0-----0-0-----0-0-------------0-0-----0-0-----0-0------------|
|pm. . . . . . . . . . . .
gtr. 1
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----11-12----9-11----7-9-7h9p7------11-12----9-11----7-9--7-9-7-|
|-------------------------------9--------------------------------|
|----------------------------------------------------------------|
|-0-0-----0-0-----0-0-------------0-0-----0-0-----0-0------------|
| . . . . . . . . . . . .
|
|
|gtr. 2
|----------------------------------------------------------------|
|-----7-8-----5-7-----3-5-3h5p3-------7-8-----5-7-----3-5--3-5-3-|
|-------------------------------4--------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-0-0-----0-0-----0-0-------------0-0-----0-0-----0-0------------|
| . . . . . . . . . . . .
gtr. 1
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|---16-17--14-16--12-14-12h14p12----16-17--14-16--1212-14-12----2-|
|-------------------------------14---------------------------14-2-|
|-00-----00-----00----------------00-----00-----00--------------0-|
| .. .. .. .. .. ..
|
|
|gtr. 2
|-----------------------------------------------------------------|
|----7--8---5--7---3--5--3h 5p 3-----7--8---5--7---3-3--5--3------|
|--------------------------------4----------------------------4---|
|---------------------------------------------------------------2-|
|---------------------------------------------------------------2-|
|-00-----00-----00----------------00-----00-----00--------------0-|
| .. .. .. .. .. ..
FILL: (after this is played there’s a pick scrape)
|----0-|
|----0-|
|------|
|------|
|-22---|
|-00---|
VERSE: (* - each line played by different guitar)
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------*4-5-4-5*---------------------------------|
|-------------5\4-------------------------------5\4-----4\3-----3/5-|
|-0-0-0-0-0-0-3\2-0-0-0-0-*2-3-2-3*-0-0-0-0-0-0-3\2-0-0-2\1-0-0-1/3-|
PM. . . . . . . . . . . . . . . . . . . .
VERSE FILL:
|gtr. 1
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|--------------5\4-----------------------------5\4-----4\3-----3/5-|
|--0-0-000-000-3\2-0-0-000-2-3-2-3-0-0-000-000-3\2-000-2\1-0-0-1/3-|
|PM. . ... ... . . ... . . ... ... ... . .
|
|gtr. 2
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|--------------------------4-5-4-5---------------------------------|
|--------------5\4-----------------------------5\4-----4\3-----3/5-|
|--0-0-0-0-0-0-3\2-0-0-0-0---------0-0-0-0-0-0-3\2-0-0-2\1-0-0-1/3-|
|PM. . . . . . . . . . . . . . . . . . . .
VERSE B: (* - each line played by different guitar)
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------*4-5-4-5*---------------------------------|
|-------------5\4-------------------------------5\4-----4\3-----3/5-|
|-0-0-0-0-0-0-3\2-0-0-000-*2-3-2-3*-0-0-000-000-3\2-000-2\1-0-0-1/3-|
PM. . . . . . . . ... . . ... ... ... . .
CHORUS: (* - don’t play during 2nd chorus)
|gtr. 1
|----*0*-------------------*0*----------------------|
|----*0*-------------------*0*----------------------|
|---------------------------------------------------|
|-2------/7--/10-12-9---2------/7--/10-12-9----9-9--|
|-2---------------------2---------------------------|
|-0---------------------0---------------------------|
|
|gtr. 2
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|-2---------------------2---------------------------|
|-2------10---14----12--2------10---14----12--12-12-|
|-0-------8---12----10--0-------8---12----10--10-10-|
FILL 2: (both guitars)
|---|
|---|
|---|
|-2-|
|-2-|
|-0-|
SOLO BACKGROUND:
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|-------------9-10-------------9-10-------------9-10-----12-10-----7-9-|
|-------------7--8-------------7--8-------------7--8-----10--8-----5-7-|
|-0-0-0-0-0-0------0-0-0-0-0-0------0-0-0-0-0-0------0-0-------0-0-----|
PM. . . . . . . . . . . . . . . . . . . . . .
SOLO BACKGROUND 2:
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|-------------9-10-------------9-10-------------9-10-----12-10-----7-9-|
|-------------7--8-------------7--8-------------7--8-----10--8-----5-7-|
|-0-0-000-000------0-0-000-000------0-0-000-000------000-------0-0-----|
PM. . ... ... . . ... ... . . ... ... ... . .
INTERLUDE:
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-------------------------------------------------3p2-3p2---------|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0---------3p2-3p2-|
PM. . . . . . . . . . . . . . . . . . . . . . . .
INTERLUDE 2:
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|----------------------------------------------------3p2-3p2---------|
|-0-000-0-0-0-0000-0-000-0-0-0-0000-0-000-0-0-0-0000---------3p2-3p2-|
PM. ... . . . .... . ... . . . .... . ... . . . ....
INTERLUDE 3:
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|----------------------------------------------------3p2-3p2---------|
|-0-000-000-000000-0-000-000-000000-0-000-000-000000---------3p2-3p2-|
PM. ... ... ...... . ... ... ...... . ... ... ......
INTERLUDE 3:
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-------------------------------------------------3p2-3p2---------|
|-0-000-000-000-000-000-000-000-000-000-000-000-0---------3p2-3p2-|
PM. ... ... ... ... ... ... ... ... ... ... ... .
INTERLUDE 4:
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--------------------------------------------------3p2-3p2--------|
|-000000000000000000000000000000000000000000000000--------3p2-3p2-|
OUTRO:
|gtr. 1
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|----------7-9-----5-7-----4-5-4h5p4-------7-9-----5-7-----4-5-44-5-4-|
|-12\--------------------------------5--------------------------------|
|-12\--0-0-----0-0-----0-0-------------0-0-----0-0-----0-0------------|
|pm . . . . . . . . . . . .
|
|gtr. 2
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|------------------------------------------7-9-----5-7-----4-5-44-5-4-|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|--------------------------------------0-0-----0-0-----0-0------------|
|pm . . . . . .
|gtr. 1
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|------7-9-----5-7-----4-5-4h5p4-------7-9-----5-7-----4-5-4---4-----|
|--------------------------------5---------------------------5---X-7-|
|--0-0-----0-0-----0-0-------------0-0-----0-0-----0-0---------------|
|pm. . . . . . . . . . . .
|
|
|gtr. 2
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|------7-9-----5-7-----4-5-4h5p4-------7-9-----5-7-----4-5-4---4-----|
|--------------------------------5---------------------------5---X-2-|
|--------------------------------------------------------------------|
|--0-0-----0-0-----0-0-------------0-0-----0-0-----0-0---------------|
|pm. . . . . . . . . . . .
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official DELIVERANCE tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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