EMPEROR - "Into The Infinity Of Thoughts" Tablature
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PROPS GO TO: Shannon Vierra
Legend
------
h = hammer-on
p = pull-off
b = bend
r = bend release
/ = slide up/down
<5> = natural harmonic
[5] = artifical harmonic
~ = vibrato
tr = trill
g1 = guitar #1 Ishan(?), notes on top of staff
(5) = notes played only by g2 Samoth(?)
g2 = guitar #2 Samoth(?), notes on bottom of staff
trem. = tremelo picking
r# = riff #
b# = break #
r1, g1 trem., arpeg. power chords.
E|----------------------------------------------------------------------
B|----------------------------------------------------------------------
G|----------------------------------------------------------------------
D|--7-----7-----7-----7-----9-----9-----9-----9-----10------10------10--
A|--7--7-----7--7--7-----7--9--9-----9--9--9-----9--10--10------10--10--
E|--5-----------5-----------7-----------7------------8---------------8--
g2 only plays main power ch. w/ shift slides between, following rhythm.
E|------------------------------------------------------------------||--
B|------------------------------------------------------------------||--
G|------------------------------------------------------------------||--
D|------10--------------12--------------12--------------------------||--
A|--10------10------12------12------12------12----------------------||--
E|--------------10--------------10----------------------------------||--
r2, g1, arpeg. power chords, trem.
E|--------------------------------------------------------------------
B|--------------------------------------------------------------------
G|--------------------------------------------------------------------
D|--7-----7-----7-----7-----6-----6-----5-----5-----4-----4-----4-----
A|--7--7-----7--7--7-----7--6--6-----6--5--5-----5--4--4-----4--4--4--
E|--5-----------5-----------4-----------3-----------2-----------2-----
g2 only plays main power chords
r2 ending, used on last repetition
E|--------|--------------------------------------------------------||--
B|--------|--------------------------------------------------------||--
G|--------|--------------------------------------------------------||--
D|--4-----|--5-----5-----6-----6-----------------------------------||--
A|-----4--|--5--5-----5--6--6-----6--------------------------------||--
E|--------|--3-----------4-----------------------------------------||--
r3, g2, trem.,1st br. r3, g1, trem. triplets w/ r3, g2
E|-----------------|-------------------------------------------------||--
B|-----------------|-------------------------------------------------||--
G|-----------------|-------------------------------------------------||--
D|--4--5--2--5--4--|-------------0--2--4----0--4--5------------------||--
A|--4--5--2--5--4--|-----2--4----------------------------------------||--
E|--2--3--0--3--2--|--0--------------------------------0--3----------||--
r4, g1, '6' note trem..
E|------------------------------------------------------------------||--
B|------------------------------------------------------------------||--
G|------------------------------------------------------------------||--
D|------------------------------------------------------------------||--
A|--6--5-----6--5---------------------------------------------------||--
E|--------5--------4------------------------------------------------||--
g2 follows g1
r5, g1, "emperor" power chord
E|------------------------------------------------------------------||--
B|------------------------------------------------------------------||--
G|------------------------------------------------------------------||--
D|--5/7--7-----5/7--7-----7/9--9-----7/9--9-------------------------||--
A|--4/6-----6--4/6-----6--6/8-----8--6/8-----8----------------------||--
E|--3/5--------3/5--------5/7--------5/7----------------------------||--
g2 follows slides after first few rep.
r6, g1 only
E|------------------------------------------------------------------||--
B|--------------1-------------------2-------------------------------||--
G|-----------0-----0-------------1-----1----------------------------||--
D|--------2-------------------3-------------------------------------||--
A|-----2-------------------3----------------------------------------||--
E|--0-------------------1-------------------------------------------||--
r7, g1, arpeg. barre chords.
E|-------------------------------------------7---9---9-----9----------
B|--7-6----------------7-6----------------7--7---9---9--9-------------
G|--7-6----------------7-6----------------7--9--11--11----------------
D|--9\8--8--8--8-----8/9\8--8--8--8-----8/9--9--11--11----------------
A|--9\8-----------8--8/9\8-----------8--8/9--7---9---9----------------
E|--7\6--------------6/7\6--------------6/7---------------------------
g2 follows w/ power chords only
r8, g1, triplet beat g1&g2
E--||--------------------------------(2)-------(2)----------||----
B--||--------------------------------(2)--(2)---------------||----
G--||--------------------------4-----(2)--------------------||----
D--||--5--5--5--5--5--5--5--5--4--5---4---------------7--6--||----
A--||--5--5--5--5--5--5--5--5--2--5---4---------------7--6--||----
E--||--3--3--3--3--3--3--3--3-----3---2---------------5--4--||----
careful not to follow keyboard here
song: r1 4X, r2 4X w/ r2 ending on 4th rep., r1 4X, r3 g2 only 2st rep.
6X, r4 2X, r3 4X, r4 2X, r2 2X w/ r2 ending 2nd time, r5 2X (watch out
for keyboard here), r6 4X, pattern1: (r7 2X ending on 2nd, r8 2X ending on 2nd)
2X, r6 4X, pattern1 2X, r5 2X, r1 4X, r1 g2 only 2X, r1 2X.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official EMPEROR tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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