GENESIS - "anyway" Tablature
Official GENESIS Tablature & Sheet Music »
Date: Fri, 10 Oct 1997 17:45:20 +0200
From: "Raphael.Chaise@ceram.fr" <Raphael.Chaise@ceram.fr>
Subject: Anyway
Band : GENESIS
Song : ANYWAY
Album : THE LAMB LIES DOWN ON BROADWAY (Side 2)
Transcription : for Piano, Two electric guitars and Bass
Transcripted by Rapha=EBl Chaize, student in Nice, France
NOTES :
1- the "| |" symbolises the measures
2- the notes put between "( )" are chords
3- when a "/" is placed in a chord, it means that the bass differs from
the fundamental note of the chord, for instance, (Fmadd9/Ab) the bass
plays an [Ab]
4- |Cm6+7(No Bass) // Cm6+7/D| means that the chord (Cm6+7/D) is played
on the last time of the measure, if there are 2 chords, these 2 chords
are played on the two last times of the measure (sorry but transcription
is limited with the mail, anyway listen to the record, it's rather
simple but hard to transcribe)
5- the notes put between "[ ]" are single notes (played by the bass)
6- "*" symbolises a bend, the tension of this bend is put between a "[
]"
for instance : *[1] bend one tone higher
7- a tabbed note put in a "( )" results from the release of a bend, the
note is not picked
8- a "." put upon a tabbed note symbolises a staccato
9- "~~~~" are vibratos
I have tried to be the more precise I could with the tools of the mail.
Therefore, I ask you to use this transcription while listening to the
record for a better understanding.
~~~~~~~~~~~~~~~~~~~~~~~
ANYWAY
~~~~~~~~~~~~~~~~~~~~~~~
Genesis
~~~~~~~~~~~~~~~~~~~~~~~
from The Lamb Lies Down On Broadway
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
INTRO : |Gmadd2|Cm6+7|C6+7|Bbmaj7|Gmadd2+6|Ebsus4|Ddim6|
(Ddim6)All the pumping's nearly over for my (Gmadd2)sweet heart,
(Cm6+7)This is the one for (C6+7)me,
(Bbmaj7)Time to meet the chef,
(Gmadd2+6)O boy! (Ebsus4)running man is out of (Ddim6)death.
Feel cold and old, it's getting hard to (Fsus2)catch my breath.
It's (Cadd4+7)back to ash, (Fsus2)'now, you've had your flash boy'
(Cadd4+7)The rocks, in time, compress
Your (Bbm6)blood to oil,
Your (Fmadd9/Ab)flesh to coal,
En(Bbm6)rich the soil,
Not (Fmadd9)everybody's goal.
(Gmadd2)Anyway, they (Cm6+7)say she comes on a (C6+7)pale horse,
But I'm (Bbmaj7)sure I hear a train.
(Gmadd2+6)O boy! I (Ebsus4)don't even feel no (Ddim6)pain -
I guess I must be driving my(Fsus2)self insane.
(Cadd4+7)Damn it all! does (Fsus2)earth plug a hole in heaven,
(Cadd4+7)Or heaven plug a hole in (Bbm6)earth
- 'How wonderful to be (Fmadd9/Ab)so profound,
When (Bbm6)everything you are is dying (Fmadd9)underground.'
INTERLUDE (Time/2):
|Gmadd2|Cm6+7(No Bass) // Cm6+7/D|
|Gmadd2|Cm6+7JD // Cm6+7 // Cm6+7/A|
|Gmadd2|Cm6+7(with [D] [C#] [A] [C])|
(|Gmadd2|Cm6+7|) with [D] [C#] [A] [C] [Bb] [G] [A] [G] [D] [G] [F] [C]
[Eb] [D] [C] [Eb] [E]
|Dmin6|
DOUBLE GUITAR SOLO :
(Gmadd2) . (Cm6+7) .
|-------------------------------------------------------------14----
|--13*[1]---11-13-(13)*[1]*(13)-11--11----15*[=BD]--------15*[=BD]------
|---------------------------------14-----------------------------12-
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
| . .
|-------------------------------------------------------------10----
|-------------------------------------------------------11*[1]------
|--14*[=BD]---12-14-(14)*[=BD]*(14)-12--12----12---------------------10-
|---------------------------------15--------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
(C6+7) . (Bbmaj7) . .
|----------------13------------16-15-16---18~~---16-15-16-----------
|--15*[1]--15---------------------------------------------15~~~~----
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
| . . .
|-------------------------------------------------------------------
|--11*[1]--11--13--------------15-13-15---16~~---15-13-15-----------
|---------------------------------------------------------12~~~~----
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
(Gmadd2+6) (Ebsus4) (Dmin6)
|------------------------------------------------------17~~~~~------
|--13*[1]--13--11---10-11--11--10~~~~-------------------------------
|------------------------12-----------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|
|-------------------------------------------------------------------
|-------------------------------------------------------15~~~~~-----
|--14*[=BD]--14--12---10-12-------------------------------------------
|------------------------13-10--12~~~~------------------------------
|-------------------------------------------------------------------
|-------------------------------------------------------------------
INTRO : |Gmadd2|Cm6+7|C6+7|Bbmaj7|Gmadd2+6|Ebsus4|Ddim6|
(Ddim6)I feel the pull on the rope, let me off at the (Gmadd2)rainbow.
I (Cm6+7)could have been exploding in (C6+7)space
Different (Bbmaj7)orbits for my bones
(Gmadd2+6)Not me, just (Ebsus4)quietly buried in (Ddim6)stones,
Keep the deadline open with my (Fsus2)maker!
(Cadd4+7JG)See me stretch(Cadd4+7); for (Fsus2)God's elastic acre
(Cadd4+7JG)The doorbell (Cadd4+7)rings and it's :
"Good (Bbm6)morning Rael
So (Fmadd9/Ab)sorry you had to wait.
It won't be (Bbm6)long, yeh!
She's (Fmadd9)very rarely late."
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official GENESIS tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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