INME - "Lava Twilight" Tablature
Official INME Tablature & Sheet Music »
tabbed by Bart Nagel
Drop D Tuning (6th string tuned down
one tone to sound like 4th string)
everything's in the right order, just
play through, and follow instructions
the timing is included
INTRO:
intro part 1: (with distortion)
E|--------------------------------|--------------------------------|
B|--------------------------------|--------------------------------|
G|--------------------------------|--------------------------------|
d|3-------------------------------|4-------------------------------|
A|4-------------------------------|5-------------------------------|
D|4-------------------------------|5-------------------------------|
1 . + . 2 . + . 3 . + . 4 . + . x3
intro part 1 ending:
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|3-------------------------------|--------------------------------|
|4-------------------------------|--------------------------------|
|4---------------(3)b4r3-----4---|5-------------------------------|
|
(pre-bend)
intro part 2: pause
- don't play anything, silly
intro part 3 (very quiet with delay and chorus)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|6----(not first time)-----------|--------------------------6-6-6-|
|7-------------------------------|----------------7-7-7-7-7-7-7-7-|
|--------------------------------|0-0-0-0-0-0-0-0-0-0-0-0-0-------|
|--------------------------------|0-0-0-0-0-0-0-0-----------------|
x4
intro part 4:
- verse riff 1 x2 (below)
VERSE:
riff 1 (with chorus)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------6b7r6-------------------|
|----4-------4-------4-----------|--------------------------------|
|2-------4-------2-------4---0---|----5---------------0---4---0---|
|--------------------------------|5---------------0---------------|
x4
riff 2
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|------------------2-------2-----|
|----4-------4-------4-----------|----------------0-------0-------|
|2-------4-------2-------4---0---|----5---4---0-------4-------4---|
|--------------------------------|5-------------------------------|
x3
riff 2 ending (just before chorus)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|----4-------4-------4-----------<5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5>|
|2-------4-------2-------4---0---<5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5>|
|--------------------------------<5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5>|
|
(not quite perfect harmonics -
put your finger above roughly 4 3/4)
CHORUS (distortion)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|4---4-4-4---4-4-4-4-4-4-4(4)4-4-|--------6b7r6b7r6---------------|
|4---4-4-4---4-4-4-4-4-4-4(4)4-4-|5---5-5-----------0-0-0-0(0)0-0-|
|2---2-2-2---2-2-2-2-2-2-2(2)2-2-|5---5-5-----------0-0-0-0(0)0-0-|
|4---4-4-4---4-4-4-4-4-4-4(4)4-4-|5---5-5-----------0-0-0-0(0)0-0-|
| |
optional optional
x4
VERSE: (same as first verse)
- riff 1 x4,
- riff 2 x3,
- riff 2 ending x1
CHORUS:
- chorus pattern x4
INTERLUDE: (with distortion)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|6-6-6-6-6-m-6-6-m-6-6-m-6-6-m-6-|6-7-7-m-7-m-7-7-7---------------|
|6-6-6-6-6-m-6-6-m-6-6-m-6-6-m-6-|6-7-7-m-7-m-7-7-7-3-3-3-3-2-0---|
|4-4-4-4-4-m-4-4-m-4-4-m-4-4-m-4-|4-5-5-m-5-m-5-5-5-3-3-3-3-2-0---|
|--------------------------------|--------0-m-0-0-0-3-3-3-3-2-0---|
| | ...etc.
m = mute by taking pressure off of fret-hand
| | ...etc.
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|6-6-6-6-6-m-6-6-m-6-6-m-6-4-4-6-|6-7-7-m-7-m-7-7-7---------------|
|6-6-6-6-6-m-6-6-m-6-6-m-6-4-4-6-|6-7-7-m-7-m-7-7-7-3-3-3-3-2-0---|
|4-4-4-4-4-m-4-4-m-4-4-m-4-2-2-4-|4-5-5-m-5-m-5-5-5-3-3-3-3-2-0---|
|--------------------------------|--------0-m-0-0-0-3-3-3-3-2-0---|
this block of 4 bars x2
SOLO PART: (with distortion)
rhythm guitar plays an altered chorus pattern:
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|4---4-4-4---4-4-4-4-4-4-4(4)4-4-|--------------------------------|
|4---4-4-4---4-4-4-4-4-4-4(4)4-4-|5---5-5-5---5-5-0-0-0-0-0(0)0-0-|
|2---2-2-2---2-2-2-2-2-2-2(2)2-2-|5---5-5-5---5-5-0-0-0-0-0(0)0-0-|
|4---4-4-4---4-4-4-4-4-4-4(4)4-4-|5---5-5-5---5-5-0-0-0-0-0(0)0-0-|
| |
optional optional
x4
while lead guitar plays the solo (with distortion):
wherever it says E, it means 11 (easier to read this way)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|E---E-E-E\9-9-9\7-7-7---7\6-6-6-|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|---<5>-<4>-<5>-----<5>-<4>-<5>--|
|--------------------------------<5>-------------<5>--------------|
(this time they're nice harmonics)
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|E---E-E-E\9-9-9\7-7-7---7\6-6-6-|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|---<5>-<4>-<5>-<4>-<5>-<5>-<4>--|
|--------------------------------<5>------------------------------|
this block of 4 bars x2
QUIET BIT: (with chorus)
|--------------------------------|--------------------------------|
<7> <- nice harmonic ----------|--------------------------------|
|--------------------------------|------------------2-------2-----|
|--------------------------------|----------------0-------0-------|
|--------------------------------|--------------------4-------4---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|------------------2-------2-----|
|--------------------------------|----------------0-------0-------|
|--------------------------------|--------------------4-------4---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------<5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5>|
|--------------------------------<5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5>|
|--------------------------------<5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5>|
|
(not quite perfect harmonics as earlier in song)
CHORUS:
- chorus pattern x4
INTERLUDE:
- interlude block x2
END: (distortion)
|--------------------------------||
|--------------------------------||
|4-------------------------------||
|4-------------------------------||
|2-------------------------------||
|4-------------------------------||
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official INME tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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