KISS - "cominhome" Tablature
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COMIN' HOME (from the KISS-LP "HOTTER THAN HELL")
-----------
transcribed by Mark Perillo (mark@kisstabs.com)
Eb Tuning
Key:
/ = slide up
\ = slide down
b = bend (whole step)
b^ = bend (1/2 step)
b^^ = bend (1 1/2 steps)
pb = pre-bend
r = release-bend
r^ = release-bend half-step
h^ = hammer-on
p^ = pull-off
~ = Vibrato
* = Natural Harmonic
#(#) = Trill
** = Artificial Harmonic
x = Muted String (Palm Muting)
X = Muted String (Fretboard Muting)
Rhythm Fig. 1
Eb|--3-3-3--3--3--3-3-3--3-----------------------------|
Bb|--3-3-3--3--3--3-3-3--3-----------------------------|
Gb|--3-3-3--5--3--3-3-3--3--7-7------------------------|
Db|--5-5-5--5--5--5-5-5--5--7-7------------------------|
Ab|--5-5-5--3--5--3-3-3--5--5-5------------------------|
Eb|--3-3-3-----3---------3-----------------------------|
Eb|--3-3-3--3--3--3-3-3--3-----------------------------|
Bb|--3-3-3--3--3--3-3-3--3-----------------------------|
Gb|--3-3-3--5--3--3-3-3--3--7-7-7-7-7-7-7\-------------|
Db|--5-5-5--5--5--5-5-5--5--7-7-7-7-7-7-7\-------------|
Ab|--5-5-5--3--5--3-3-3--5--5-5-5-5-5-5-5\-------------|
Eb|--3-3-3-----3---------3-----------------------------|
Rhythm Fig. 2
Eb|--3-3-3--3--3--3-3-3--3-----------------------------|
Bb|--3-3-3--3--3--3-3-3--3-----------------------------|
Gb|--3-3-3--3--3--3-3-3--3--7--------------------------|
Db|--5-5-5--5--5--5-5-5--5--7--------------------------|
Ab|--5-5-5--5--5--3-3-3--5--5--------------------------|
Eb|--3-3-3--3--3---------3-----------------------------|
Rhythm Fig. 2a
Eb|----------------------------------------------------|
Bb|----------------------------------------------------|
Gb|--7-7-9-7-7-9-7-7-9-7-7-9-----------7---------------|
Db|--5-5-5-5-5-5-5-5-5-5-5-5-5-5-7-5-5-5--5-5-9-7-7-7-9|
Ab|--------------------------3-3-3-3-3----5-5-5-5-5-5-5|
Eb|----------------------------------------------------|
Rhythm Fig. 3
Eb|----------------------------------------------------|
Bb|----------------------------------------------------|
Gb|--10---------12-----7-------------------------------|
Db|--10--10-----12-----7-------------------------------|
Ab|--8---10-----10-----5-------------------------------|
Eb|------8---------------------------------------------|
<--3x->
Rhythm Fig. 3a
Eb|----------------------------------------------------|
Bb|----------------------------------------------------|
Gb|--5---------7---------------------------------------|
Db|--3--5------5------7-7-9-7-7-7-9-7-7----------------|
Ab|-----3-------------5-5-5-5-5-5-5-5-5----------------|
Eb|----------------------------------------------------|
<-3x->
Rhythm Fig. 4
Eb|---------3----------3----------3------------3-------|
Bb|-----------3----------3----------3------------2-----|
Gb|-----0-----------0----------0------------2----------|
Db|-------------------------------------0--------------|
Ab|----------------------------------------------------|
Eb|---3-----------2---------0--------------------------|
Eb|--3-3-3-3---3----2-2-3-2-2-2-3----------------------|
Bb|--3-3-3-3---3----3-3-3-3-3-3-3----------------------|
Gb|--0-0-0-0---0----2-2-2-2-2-2-2----------------------|
Db|--2-2-2-2---0----0-0-0-0-0-0-0----------------------|
Ab|--3-3-3-3---X---------------------------------------|
Eb|------------3---------------------------------------|
Rhythm Fig. 4a
Eb|----------------------------------------------------|
Bb|----------------------------------------------------|
Gb|--------------------------------7-------------------|
Db|---5~--4~---2~---0----5-5-5-5---5--7----------------|
Ab|----------------------3-3-3-3------5----------------|
Eb|----------------------------------------------------|
Rhythm Fig. 5
Eb|-------------------------------3-3-3-3--3--2--------|
Bb|-------5-----5-----5------5----3-3-3-3--3--3--------|
Gb|-----6-----4-----2------2------0-0-0-0--0--2--------|
Db|---7-----6-----4------2--------2-2-2-2--0--0--------|
Ab|------------------(0)----------3-3-3-3--X-----------|
Eb|(5)---(4)---(2)-------------------------3-----------|
Rhythm Fig. 5a
Eb|-------------------------------3-3-3-3--3--2--------|
Bb|-------------------------------3-3-3-3--3--3--------|
Gb|-------------------------------0-0-0-0--0--2--------|
Db|---7~----6~----4~-----2~-------2-2-2-2--0--0--------|
Ab|-------------------------------3-3-3-3--X-----------|
Eb|----------------------------------------3-----------|
COMIN' HOME - Paul Stanley, Ace Frehley
[Rhythm Fig. 1]
[Rhythm Fig. 2] w/ [Rhythm Fig. 2a](2x)
It's been a month or two since I was sleepin' with you
I'm comin' home again
I've been to east and west, but baby I like best
The lovin' used to you
[Rhythm Fig. 3] w/ [Rhythm Fig. 3a]
Oh girl, it seems the whole wide world seems to say
[Rhythm Fig. 2] w/ [Rhythm Fig. 2a](2x)
Hotels that all look the same
Just seem to drive me insane
But I can't get away
Until I receive a call that tells me that will be all
And then I hop a plane
[Rhythm Fig. 3] w/ [Rhythm Fig. 3a]
It's true, I'm not sure if you knew
I'm comin' home to you
[Rhythm Fig. 4] w/ [Rhythm Fig. 4a](4x)
[Rhythm Fig. 3] w/ [Rhythm Fig. 3a]
Oh girl, it seems the whole wide world seems to say
[Rhythm Fig. 2] w/ [Rhythm Fig. 2a](2x)
Hotels that all look the same
Just seem to drive me insane
But I can't get away
Until I receive a call that tells me that will be all
And then I hop a plane
It's true, I'm not sure if you knew
[Rhythm Fig. 4] w/ [Rhythm Fig. 4a](3x)
I'm comin' home to you
I'm comin' home to you
I'm comin' home to you
I'm comin' home, baby
[Rhythm Fig. 5] w/ [Rhythm Fig. 5a](Until Fade)
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official KISS tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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