LACRIMOSA - "deine nahe" Tablature
Official LACRIMOSA Tablature & Sheet Music »
From: "guillermo gerling" <lgerling@ironmaiden.com>
Subject: l/lacrimosa/deine_nahe.tab
TITLE: Deine Nähe (Live)
BAND: Lacrimosa
ALBUM: Lacrimosa Live (Original from "Stille" 1997)
MUSICIANS: Tilo Wolff, Anne Nurmi, Jay P, Sascha Gerbig, AC, J Küstner
TRANSCRIBED BY: Guillermo Gerling (lgerling@ironmaiden.com)
^ - hammer on, pull off
b - bend string up
r - release bend
/ - slide up
\ - slide down
~ - vibrato
t - tap (with strumming hand)
x - struck string
. - play the note and then mute it
< - raising volume
PM - palm mute
AH - Artificial Harmonic
INTRO:
-enter drums
-piano plays Am chords
Am Am
e|---------------------------<<12------------------------12^13^12---13-12--|
B|-<<13----<<12----<<13-<<12----------15--13--12--13/15--------------------|
G|-------------------------------------------------------------------------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|
Am G F
|------------------------------------------------------------------|
|-15^17^15---------------------12-13-12----12-13---12----13-15-17--|
|-----------17-16-17\--------14---------14-------------------------|
|-------------------------/14--------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
E7
|-------------------------------------------|
|--18-17-15-17---15^17^15/13-12-13-12-13/---|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
Am G F E7
|------------------------------------------------15---------------------------|
|------12-13-12----12-13-13---12---13-15-15bbb17----15b17r15^13-15b17---------|
|----14---------14-------------------------slow-------------------------------|
|-/14--------------------------------------bend-------------------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
then...
|------------------------------------------|
|------------------------------------------|Fig1
|------------------------------------------|
|--2-2.-2.---2-2.-2.---2-2.-2.---2-2.-2.---|
|--0-0.-0.---0-0.-0.---0-0.-0.---0-0.-0.---|
|------------------------------------------|
VERSE1:
|-------------------|
|-------------------|FIG2
|-------------------|
|--2-2.-2.---2------|X8
|--0-0.-0.---0-3^0--|
|-------------------|
|------------------|
|------------------|Fig3
|------------------|
|-7-7.-7.----------|X4
|-5-5.-5.---5-8^5--|
|------------------|
PM
|--------------------------------------------------------|
|--------------------------------------------------------|FIG4
|--------------------------------------------------------|
|--2-2.-2.---2------2-2.-2.---2------2-2.-2.---2-----2.--|
|--0-0.-0.---0-3^0--0-0.-0.---0-3^0--0-0.-0.---0-3^0-0.--|
|--------------------------------------------------------|
INTERLUDE:
|Guitar1: power chords in Am - F - G - F - G
|Guitar2:
| Am F G
|-------10----12-----12--13----------------------------------13-12---15-\---|
|-10------10----10------------------13----13----13~\----15b17-----15-15-\---|
|-------------------------------/14-14-14-14-14-14~\------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
F G
|--------------------------------------------------15-------------------------|
|-----12-12----12-12----------------13--13-15-15b17--15b17r15^13-15b17-rrr15--|
|-----12-12----12-12----12-14----/14--14--------------------------------------|
|-/14-------14-------14-------------------------------------------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
|Guitar 2: quiet
|bass: Am - F - G - F - G
|Guitar 1:
|-----------------------------------------|
|----------------------------5-6---6------|
|-----------4-5-7---5--4------------------|
|--/7~----7---------------7----------7-7--|
|-----------------------------------------|
|-----------------------------------------|
|------------------------------------------------|
|----6---5------8-----------------5-5---5--6--8--|
|-------------7----4-5-7--5-4--------------------|
|--7---7----------------------5-7----------------|
|------------------------------------------------|
|------------------------------------------------|
Then...
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|FIG5
|--------------------------------------------------------------------|
|-2-2---2-----2---4-4---4-----4---5-5---5-----5---7-7-------9--------|X4
|-0-0-0-0-0-0-0-0-2-2-2-2-2-2-2-2-3-3-3-3-3-3-3-3-5-5-5-5-5-7-7-7-7--|
|--------------------------------------------------------------------|
PM . . . ... . . ... . ..... .....
-FIG1 X1
VERSE2:
-FIG2 X4
-FIG3 X4
-FIG4 X1
BRIDGE:
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-2-----22222222--------------------------------------------------|
|-0-----00000000-3-----33333333-5-----55555555-3-----3---55555555-|
|----------------1-----11111111-3-----33333333-1-----5---33333333-|
PM...... ........ ........ ........
(hear the song for a correct rhythm playing)
|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|--2---2-----2-----2-----2--2------------------------------|----|
|--0-0-0-0-0-0-0-0-0-0-0-0--0--3---3-----3-----3-----3--3--| |
|------------------------------1-1-1-1-1-1-1-1-1-1-1-1--1--| |
PM ... ... ... . ... ... ... |X2
|----------------------------------------------------------| |
|----------------------------------------------------------| |
|----------------------------------------------------------|----|
|----------------------------------------------------------|
|--5---5-----5-----5-----5--5--2---2-----2-----2-----2--2--|
|--3-3-3-3-3-3-3-3-3-3-3-3--3--0-0-0-0-0-0-0-0-0-0-0-0--0--|
. ... ... ... . ... ... ...
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|------7-----7---7-----7-----7---7-----5-----5---5-----5-----5---5--|X2
|--55555-55555-555-55555-55555-555-33333-33333-333-33333-33333-333--|
|-------------------------------------------------------------------|
PM.. .... .. .... .... .. .... .... .. .... .... ..
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|------2-----2---2-----3-----3---3-----4-----4---4-----5-----5---5---|
|--00000-00000-000-11111-11111-111-22222-22222-222-33333-33333-333---|
|--------------------------------------------------------------------|
.... .... .. .... .... .. .... .... .. .... .... ..
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|------6-----7-----8-----9-----------------------------14--------\---|
|--44444-55555-66666-77777-8888-9999-10101010-11111111-12--------\---|
|--------------------------------------------------------------------|
.... .... .... .... ...........................
-DRUMS and Piano
-Then:
|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|-2-----22222222-------------------------------------------|
|-0-----00000000-3-----33333333-5-----55555555-3-----3-----|
|----------------1-----11111111-3-----33333333-1-----5-----|
PM...... ........ ........
|----------------------------------|
|----------------------------------|
|----------------------------------|
|--2.-2.---2.-2.---2.-2.---2.-2.---|
|--0.-0.---0.-0.---0.-0.---0.-0.---|
|----------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|-2-----22222222------------------|
|-0-----00000000-3-----33333333---|
|----------------1-----11111111---|
PM...... ........
-FIG5 X4 and:
|--------|
|--------|
|--------|
|---2----|
|---0----|
|--------|
-DRUMS and Piano
-Then...
|---------------------------------------|
|---------------------------------------|
|---------------------------------------|
|---------------------------------------|
|--77777777-55555555-55555555-33333333--|
|--55555555-33333333-33333333-11111111--|
PM.................................
OUTRO SOLOS:
Rhythm: A-G-G-F
Solos: too difficult to tab them exactly, but they are nothing but variations
around the pentatonic scale... you only needs to hear them throughly, figure
out the basic variations and invent your own solo. Here are the basic tones:
|----------------------------5-8----------------------------------------17-20-|
|------------------------5-8--------------------------------------17-20-------|
|-----------------5-7-(8)-------------------------------17-19-(20)------------|
|-------------5-7---------------------------------17-19-----------------------|
|---3-5-(6)-7-----------------------15-17-(18)-19-----------------------------|
|-5------------------------------17-------------------------------------------|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official LACRIMOSA tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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