LACRIMOSA - "versiegelt glanzumstromt" Tablature
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From: "guillermo gerling" <lgerling@ironmaiden.com>
Subject: l/lacrimosa/versiegelt_glanzumstromt.tab
TITLE: Versiegelt glanzumströmt (Live)
BAND: Lacrimosa
ALBUM: Lacrimosa Live (Original from "Inferno" 1995)
MUSICIANS: Tilo Wolff, Anne Nurmi, Jay P, Sascha Gerbig, AC, J Küstner
TRANSCRIBED BY: Guillermo Gerling (lgerling@ironmaiden.com)
^ - hammer on, pull off
b - bend string up
r - release bend
/ - slide up
\ - slide down
~ - vibrato
T - tap
x - struck string
. - play the note and then mute it
< - raising volume
PM - palm mute
AH - Artificial Harmonic
INTRO:
|GUITAR2:\
|GUITAR1:
e|-----------------------------------------------------------------------|
B|-----------------------------------------------------------------------|
G|-------2-0--------------2-0---0-2--------2-2^4-2-0-2--------0----------|
D|-----2-----3-2-3------2-----3----------3------------------2---3-2-0-2--|
A|-0-3--------------0-3--------------0-5----------------0-3--------------|
E|-----------------------------------------------------------------------|
|GUITAR2:
|-4^5~---------4----5~---------5^7---5~-----------------------|
|-------------------------------------------------------------|
|-------------------------------------------------4-5-4/2-2~--|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|GUITAR1:
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|---------2-0--------------2-0---0-2--------2-2^4-2-0-2--------0----------|
|-------2-----3-2-3------2-----3----------3------------------2---3-2-0-2--|
|---0-3--------------0-3--------------0-5----------------0-3--------------|
|-------------------------------------------------------------------------|
|GUITAR2:
|------------------------------------------7-8-7-5----------------------------|
|--------------------1-3-5--3-5-6------5-6--------4^5-----6-5-3-5-3-1-3-1-0---|
|-4^5---4-5-4/2/5~----------------------------------------------------------2-|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
|GUITAR1:
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|---------2-0--------------2-0---0-2--------2-2^4-2-0-2--------0----------|
|-------2-----3-2-3------2-----3----------3------------------2---3-2-0-2--|
|---0-3--------------0-3--------------0-5----------------0-3--------------|
|-------------------------------------------------------------------------|
|GUITAR2:
|-4^5----------8-7-5-7-8-5-----------------------------------------------------|
|--------------------------------5-5-5-5b6r5^3-3-----6^8-6-5-6-5-3-5-5b6r5-3-1-|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|
|
|---------------------------------|
|-3b4r3-3---1-3b4r3-3-1-0^1^0-----|
|-----------------------------2-2-|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|GUITAR1:
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|---------2-0--------------2-0---0-2--------2-2^4-2-0-2-------------------|
|-------2-----3-2-3------2-----3----------3------------------2-3-3-2-0-2--|
|---0-3--------------0-3--------------0-5----------------0-3--------------|
|-------------------------------------------------------------------------|
BOTH GUITARS: hard to tab, so...
Improvised arpeggios in:
Am Dm Am Em - E
|--0-------1-------0-------0------0--|
|--1-------3-------1-------0------0--|FIG1
|--2-------2-------2-------0------1--|
|--2-------0-------2-------2------2--|X1
|--0---------------0-------2------2--|
|--------------------------0------0--|
VERSE1:
-FIG1 X2
POST-VERSE1:
Imprivised arpeggios in:
F#m D Bm C#
|--2-------2-----2------4--|
|--2-------3-----3------6--|FIG2
|--2-------2-----4------6--|
|--4-------0-----4------6--|
|--4-------------2------4--|X2
|--2-----------------------|
Then, improvised arpeggios in
F#m F#m D - E
|--2-----2------2-----0---|
|--2-----2------3-----0---|FIG3
|--2-----2------2-----1---|
|--4-----4------0-----2---|
|--4-----4------------2---|X2
|--2-----2------------0---|
VERSE2:
-FIG1 X2
POST-VERSE2:
-FIG2 X2
-FIG3 X2
INTERLUDE:
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|X4
|-------------------------------/7-7-7.---7.-7.------------------|
|--4-4.--4.-4.---4-4-4.---4.-4.-/5-5-5.---5.-5.----2-2-2.--2-2.--|
|--2-2.--2.-2.---2-2-2.---2.-2.--------------------0-0-0.--0-0.--|
(on 3rd time guitar2 plays power chords in F#-D-E)
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--2--------4--------5--------4--------2--------4--------5--------4--------|
|--0--------2--------3--------2--------0--------2--------3--------2--------|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|--2--------7--------2----------------|
|--0--------5--------0--------2-------|
|-----------------------------0-------|
SOLO1:
Guitar1:
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|--2--------7--------2-------------------------|
|--0--------5--------0--------2-2222222222222--|
|-----------------------------0-0000000000000--|
| PM...........
Guitar2:
|--------------------------------------------------------|
|--------------------------------------------------------|
|-/9-7----9-7----10-9-7--10-9-7--9-7----9-7----9-7-------|
|-----10-----10---------------------10-----10-----10-9~--|
|--------------------------------------------------------|
|--------------------------------------------------------|
VERSE3:
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-----------------------------7----7----7---7----7----7---|-----|
|-4----4----4---4----4----4---5--5-5--5-5-5-5--5-5--5-5-5-| |
|-2--2-2--2-2-2-2--2-2--2-2-2-----------------------------| |
PM . . . . . . . . . . . |X2
|-----------------------------------------------------------| |
|-----------------------------------------------------------| |
|-----------------------------------------------------------|---|
|-4----4----4---4----4----4-----6----6----6---6----6----6---|
|-2--2-2--2-2-2-2--2-2--2-2-2---4--4-4--4-4-4-4--4-4--4-4-4-|
|-----------------------------------------------------------|
. . . . . . . . . . . .
FINAL SOLO:
|GUITAR1: same rhythm as with last 2 bars, but instead with A-D-A-E X2
|-A----------------------------D-----------|
|------------------------------------------|
|------------------------------------------|
|-2----2----2---2----2----2----7----7etc---|X2
|-0--0-0--0-0-0-0--0-0--0-0-0--5--5-5...---|
|------------------------------------------|
| PM . . . . . .
|
|GUITAR2:
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-/9--9-7--7--7--9--9-7--7--7---10--10-9--9-7--10--10-9--9-7--|----|
|-----------10------------10----------------------------------| |
|-------------------------------------------------------------| |
| |X2
|----------------------------------------------------------| |
|----------------------------------------------------------| |
|-9--9-7--7--7--9--9-7--7--7---9--9-7--7--7----------------|-------|
|----------10------------10-------------10---9^10-9^10-9~--|
|----------------------------------------------------------|
|----------------------------------------------------------|
END:
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|------|
|------------------------------------7-----7---7-----7-----7---7-| |
|----4-----4---4-----4-----4---4-55555-55555-555-55555-55555-555-| |
|22222-22222-222-22222-22222-222---------------------------------| |
PM.. .... .. .... .... .. .... .... .. .... .... .. |X2
|
|-----------------------------------------------------------------| |
|-----------------------------------------------------------------| |
|-----------------------------------------------------------------|-----|
|-----4-----4---4-----4-----4---4-----6-----6---6-----6-----6---6-|
|-22222-22222-222-22222-22222-222-44444-44444-444-44444-44444-444-|
|-----------------------------------------------------------------|
.... .... .. .... .... .. .... .... .. .... .... ..
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|----------------------------------------------4--------------|
|--2-4--2-4-------2-4--2-4-------2-4--2-4------4--------------|
|--0-2--0-2-2b3---0-2--0-2-2b3---0-2--0-2-2b3--2--------------|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official LACRIMOSA tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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