LEONARD COHEN - "chelsea hotel 2" Tablature
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Chelsea Hotel no 2 ( Leonard Cohen )
Transcribed and tabbed by Jean-Marc Orliaguet
( jmo@fy.chalmers.se, http://fy.chalmers.se/~jmo )
Notes : Capo 5th fret
The time signature is 3/4, so the bass note on the first
beat of each bar should be played louder.
3/4 C
e-|--------------0-----|--------------------|--------0-----------|
B-|--------------------|--------------------|--------------1-----|
G-|--------0-----------|--------------------|-----0-----0-----0--|
D-|--------------------|--------------------|--------2-----2-----|
A-|--3-----------------|--------------------|--3-----------------|
E-|--------------------|--------------------|--------------------|
I re - mem - ber you
G F C
e-|--------------------|--------------------|--------------------|
B-|--------3-----3-----|--------1-----1-----|--------1-----1-----|
G-|-----------4-----4--|-----------2-----2--|-----0-----0-----0--|
D-|--------5-----5-----|--------3-----3-----|--------2-----2-----|
A-|--------------------|--------------------|--3-----------------|
E-|--3-----------------|--1-----------------|--------------------|
well in the Chel - sea Ho - tel, you were
C/E G Am
e-|--------------------|--------------------|--------0-----------|
B-|--------1-----1-----|--------3-----3-----|--------1-----0-h1--|
G-|-----0-----0-----0--|-----4-----4-----4--|--------------------|
D-|--2-----2-----2-----|--------5-----5-----|--------------------|
A-|--------------------|--------------------|--0-----------------|
E-|--------------------|--3-----------------|--------------------|
talk - ing so brave and so sweet
Am/E C G
e-|--------0-----------|--------------------|--------------------|
B-|--------------1-----|--------1-----1-----|--------3-----3-----|
G-|--------------------|-----0-----0-----0--|-----4-----4-----4--|
D-|--2-----------------|--------2-----2-----|--------5-----5-----|
A-|--------------------|--3-----------------|--------------------|
E-|--------------------|--------------------|--3-----------------|
Giv - ing me head on the
F C F
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----2-----2-----2--|-----0-----0-----0--|-----2-----2-----2--|
D-|--------3-----3-----|--------2-----2-----|--------3-----3-----|
A-|--------------------|--3-----------------|--------------------|
E-|--1-----------------|--------------------|--1-----------------|
un - made bed while the lim - ou - sines
G
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------3-----3-----|--------3-----3-----|
G-|-----2-----2-----2--|-----4-----4-----4--|-----4-----4-----4--|
D-|--3-----3-----3-----|--------5-----5-----|--5-----5-----5-----|
A-|--------------------|--------------------|--------------------|
E-|--------------------|--3-----------------|--------------------|
wait in the street
Am
e-|--------0-----------|--------------------|--------------------|
B-|--------1-----0-h1--|--------1-----0-----|--------1-----1-----|
G-|--------------------|--------------------|-----2-----2-----2--|
D-|--------------------|--2-----------------|--------3-----3-----|
A-|--0-----------------|--------------------|--------------------|
E-|--------------------|--------------------|--1-----------------|
Those were the rea - sons and that was New
F C C/B
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------3-----3-----|
G-|-----2-----2-----2--|-----0-----0-----0--|-----0-----0-----0--|
D-|--3-----3-----3-----|--------2-----2-----|--------0-----0-----|
A-|--------------------|--3-----------------|--2-----------------|
E-|--------------------|--------------------|--------------------|
York, we were running for the money and the
Am Am/E F
e-|--------------------|--------------------|--------------------|
B-|--------------0-h1--|--------1-----0-----|--------1-----1-----|
G-|--------------------|-----2-----2-----0--|-----2-----2-----2--|
D-|--------------------|--2-----------------|--------3-----3-----|
A-|--0-----------------|--------------------|--------------------|
E-|--------------------|--------------------|--1-----------------|
flesh and that was called
C C/E
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----2-----2-----2--|-----0-----0-----0--|-----0-----0-----0--|
D-|--3-----3-----3-----|--------2-----2-----|--2-----2-----2-----|
A-|--------------------|--3-----------------|--------------------|
E-|--------------------|--------------------|--------------------|
love for the work - ers in song probably
F G
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------3-----3-----|
G-|-----2-----2-----2--|-----2-----2-----2--|-----4-----4-----4--|
D-|--------3-----3-----|--3-----3-----3-----|--------5-----5-----|
A-|--------------------|--------------------|--------------------|
E-|--1-----------------|--------------------|--3-----------------|
still is for those of them left
F
e-|--------------------|--------------------|--------------------|
B-|--------3-----3-----|--------1-----1-----|--------1-----1-----|
G-|-----4-----4-----4--|-----2-----2-----2--|-----2-----2-----2--|
D-|--5-----5-----5-----|--------3-----3-----|--3-----3-----3-----|
A-|--------------------|--------------------|--------------------|
E-|--------------------|--1-----------------|--------------------|
and then you got a - way
C C/E C
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----0-----0-----0--|-----0-----0-----0--|-----0-----0-----0--|
D-|--------2-----2-----|--2-----2-----2-----|--------2-----2-----|
A-|--3-----------------|--------------------|--3-----------------|
E-|--------------------|--------------------|--------------------|
did - n't you ba - by ? you just turned your
C/B Am Am/E
e-|--------------------|--------------------|--------------------|
B-|--------3-----3-----|--------1-----0-h1--|--------1-----0-----|
G-|-----0-----0-----0--|-----2-----2--------|-----2-----2-----0--|
D-|--------0-----0-----|--------2-----------|--2-----------------|
A-|--2-----------------|--0-----------------|--------------------|
E-|--------------------|--------------------|--------------------|
back on the crowd
F C
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----2-----2-----2--|-----2-----2-----2--|-----0-----0-----0--|
D-|--------3-----3-----|--3-----3-----3-----|--------2-----2-----|
A-|--------------------|--------------------|--3-----------------|
E-|--1-----------------|--------------------|--------------------|
You got a - way, I never once heard you say,
C/E F
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----0-----0-----0--|-----2-----2-----2--|-----2-----2-----2--|
D-|--2-----2-----2-----|--------3-----3-----|--3-----3-----3-----|
A-|--------------------|--------------------|--------------------|
E-|--------------------|--1-----------------|--------------------|
I need you I don't
C F
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----0-----0-----0--|-----0-----0-----0--|-----2-----2-----2--|
D-|--------2-----2-----|--2-----2-----2-----|--------3-----3-----|
A-|--3-----------------|--------------------|--------------------|
E-|--------------------|--------------------|--1-----------------|
need you I need you
C C/E
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----1-----|
G-|-----2-----2-----2--|-----0-----0-----0--|-----0-----0-----0--|
D-|--3-----3-----3-----|--------2-----2-----|--2-----2-----2-----|
A-|--------------------|--3-----------------|--------------------|
E-|--------------------|--------------------|--------------------|
I don't need you," and
F Am
e-|--------------------|--------------------|--------------------|
B-|--------1-----1-----|--------1-----1-----|--------1-----0-h1--|
G-|-----2-----2-----2--|-----2-----2-----2--|-----2-----2--------|
D-|--------3-----3-----|--3-----3-----3-----|--------2-----------|
A-|--------------------|--------------------|--0-----------------|
E-|--1-----------------|--------------------|--------------------|
all of that ji - ving a - round.
Am/E G
e-|--------------------|--------------------|--------------------|
B-|--------0-h1--0-----|--------3-----3-----|--------3-----3-----|
G-|-----2-----------0--|-----4-----4-----4--|-----4-----4-----4--|
D-|--2-----------------|--------5-----5-----|--5-----5-----5-----|
A-|--------------------|--------------------|--------------------|
E-|--------------------|--3-----------------|--------------------|
I re - ...
Lyrics :
I remember you well in the Chelsea Hotel,
you were talking so brave and so sweet,
giving me head on the unmade bed,
while the limousines wait in the street.
Those were the reasons and that was New York,
we were running for the money and the flesh.
And that was called love for the workers in song
probably still is for those of them left.
Ah but you got away, didn't you babe,
you just turned your back on the crowd,
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music."
And then you got away, didn't you babe...
I don't mean to suggest that I loved you the best,
I can't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, I don't even think of you that often.
jmo@fy.chalmers.se http://fy.chalmers.se/~jmo
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official LEONARD COHEN tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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