LIMP BIZKIT - "Cambodia" Tablature
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From: "Chris S. Cobb" <lumpygravy@hotmail.com>
Subject: l/limp_bizkit/cambodia.tab
Date: Mon, 14 Feb 2000 12:38:50 PST
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#File created with Instab//www.pconline.com/~smcarey/instab.html-#
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Author/Artist: Limp Bizkit
Title: Cambodia
Album: Family Values Tour '98
Transcribed by: CSC
Email: lumpygravy@hotmail.com
Tuning: C#, G#, C#, F#, A#, D#.
It's all here, you put it together. Listen to the recording for
the exact timing. This is how I play it, so there may be some mistakes. The
bars aren't exact measures but how I broke the riffs down when transcribing
this.
I play riff C as written because it sounds "crisp." It's a stretch to play
but sounds okay when playing with a large amount of gain. Playing the sames
notes higher up the neck sounds a little mushy to me. Wes plays a 7 string
that's strung with two high E's so he probably plays the verse riff
differently than I've transcribed.
This song was broken up and made up parts of others on the Significant Other
album.
-------------|------------|
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-1--1-1-0-0-1|-5-0-5-0-5-5| Intro.:
(Dist.) 3x Riff A - play it a total of 3 1/2 times.
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-1--1-1-1-0-1|-5-0-5-0-5-5|
3x Riff B - play 4 x - notice the slight change.
|-------|-------------------------|-6-6-6-6--------------------------|
|-------|-------------------------|-2-2-2-2--etc.--------------------|
|-------|-------------------------|----------------------------------|
|-------|-------------------------|----------------------------------|
|-------|-------------------------|----------------------------------|
|-1-1-0-|-------------------------|---------------------------------|
p.m. 15x "Let me hear some noise!" Riff C "There's definitely
not enough..." listen for rhythm
|---------------------|----------------------------------------------
|---------------------|----------------------------------------------
|-1-1-0--1-1-0--6-0-6-|----------------------------------------------
|-1-1-0--1-1-0--6-0-6-|----------------------------------------------
|-1-1-0--1-1-0--6-0-6-|----------------------------------------------
Riff D 4x
|-9-10-11-12*--13-12-14-13*--13-12-14-13*|-13-12-14-13*-|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
|----------------------------------------|--------------|
(Clean tone) Verse riff - 2x add this after 2nd time
*let last note of each sequence ring
-10-10-11-11-12-11-14-13|---------------------------------------------
------------------------|---------------------------------------------
------------------------|---------------------------------------------
------------------------|-1-1-0--1-1-0--6-0-6-------------------------
------------------------|-1-1-0--1-1-0--6-0-6-------------------------
------------------------|-1-1-0--1-1-0--6-0-6-------------------------
then this (faster) 20x (Riff D)
--9------9----|-------------------------------------------------------
-12b14--12b14-|-------------------------------------------------------
--------------|-------------------------------------------------------
--------------|-------------------------------------------------------
--------------|-------------------------------------------------------
--------------|-------------------------------------------------------
Play in time w/ dj; play Riff D - when he 'plays' this sample on 2nd part -
listen for rhythm
-----------------------------------------------9----------------------
----------------------------------------------12b14b12b14-------------
----------------------------------------------------------------------
--6\------------------------------------------------------------------
--6\------------------------------------------------------------------
--6\------------------------------------------------------------------
I end with this but Wes, I believe, ends with the bend (as transcribed
above) while abusing the whammy...
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official LIMP BIZKIT tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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