LIMP BIZKIT - "counterfeit" Tablature
Official LIMP BIZKIT Tablature & Sheet Music »
From: TBone512@aol.com
Date: Wed, 2 Jun 1999 13:32:41 EDT
Subject: l/limp_bizkit/counterfeit.tab
Counterfeit by Limp Bizkit
Off of Three Dollar Bill, Y'all
The tab previously submitted has some mistakes, so
here is a corrected version of the tab
that someone else transcribed.
Rhythmic count is notated under the staff for some riffs
Detuned 7-String guitar with added high E string arranged for 6-String
guitar.
Tune all strings down 1 +1/2 steps
(Low to high C# F# B E G# C#)
Transcribed by Todd Baldwin (Tbone512@aol.com)
BPM = 88
Intro riff ( R = Rest) Clean with heavy delay effect
Palm mute all open E's
C#----------------------------------|
G#----------------------------------|
E-o---------------------------------|
B-o-----9---9-----------9---6---6---|
F#--8-7---------8-7---7-------------|
C#--0-0---------0-0-R-0-----0---0---|
1 e + a 2 e + a 3 e + a 4 e + a
C#----------------------------------|
G#----------------------------------|
E---------------------------------o-| play 8x
B-------9---9---------------------o-|
F#--8-7---------8-7-----------------|
C#--0-0---------0-0-R---------------|
Chorus riff (with distortion) (N.H. = natural harmonic)
Gtr. 1 (left channel)
Palm mute entire riff
C#---------------------------------|
G#---------------------------------|
E----------------------------------|
B--3-2-2---2---3-2---2-2-----------|
F#-3-2-2---2---3-2---2-2-----------|
C#-1-0-0---0---1-0---0-0---R-------|
1 e + a 2 e + a 3 e + a 4 e + a
Gtr. 2 (right channel)
C#---------------------------------|
G#---------------------------------|
E----------------------------------|
B--3-2---------2-2-----------------|
F#-3-2---------3-2-----------------|
C#-1-0-3---3---1-0---0-3---4---4---|
N.H.-| N.H.-----|
1 e + a 2 e + a 3 e + a 4 e + a
C#-------------------------------------|
G#-------------------------------------|
E--------------------------------------|
B--3-2---------2-2---------------------|
F#-3-2---------3-2---------------------|
C#-1-0-3---3---1-0---5-5-4-3-2.6-2.4-2-|
N.H.-| N.H.-------------|
Verse Riff
With the neck pickup volume set at 0 and the
bridge pickup volume set at 10, flick toggle
switch back and forth with picking hand while
striking open strings with fretting hand
(listen to the album to get the rhythm)
Verse turntable effect arranged for guitar
C#-12-------------18---------------|
G#-12-------------18---------------|
E----------------------------------|
B----------------------------------|
F#---------------------------------|
C#---------------------------------|
After 2nd chorus (into interlude)
Gtr. 1 (left channel)
C#---------------------------------|
G#---------------------------------|
E----------------------random------|
B--2-------------------toggle------|
F#-2-----------------switching-----|
C#-0---------------as-noted-above--|
Gtr. 2 (right channel)
C#---------------------------------|
G#---------------------------------|
E----------------------------------|
B----------------------------------|
F#---------------------------------|
C#-3----------------feedback-------|
N.H.
Interlude
Bass, then
( ^ = Bend) *Pre-bend 1/2 step and
release slowly
C#-11^12-release-\10^12------*8------------------------|
G#-----------------------------------------------------|
E------------------------------------------------------|
B------------------------------------------------------|
F#-----------------------------------------------------|
C#-----------------------------------------------------|
Vol. Swell Vol. swell.
Outro
Riff #1
C#----------------------------------|
G#----------------------------------|
E-o---------------------------------|
B-o---------------------------------|
F#----7-5---------------------------|
C#--0-----0-5-7-0-3---0-0-0-2-3-2---|
1 e + a 2 e + a 3 e + a 4 e + a
C#----------------------------------|
G#----------------------------------|
E---------------------------------o-|
B---------------------------------o-|
F#----7-5-------------------7^8-----|
C#--0-----0-5-7-0-3---0-0-0-0-------|
Riff #2 (* = Palm mute)
Gtr. 1 (left channel)
C#----------------------------------|
G#----------------------------------|
E-o---------------------------------|
B-o---------------------------------|
F#----7-5---------5---------4-5-4---|
C#--0-----0-5-7-0-3---0-0-0-2-3-2---|
* * * * * * * *
1 e + a 2 e + a 3 e + a 4 e + a
C#----------------------------------|
G#----------------------------------|
E---------------------------------o-|
B---------------------------------o-|
F#----7-5---------5---------7^8-----|
C#--0-----0-5-7-0-3---0-0-0-0-------|
* * * * * * * *
Gtr. 2 (right channel)
C#----------------------------------|
G#----------------------------------|
E-o---------------------------------|
B-o---9-7---------------------------|
F#----7-5---7-9---5---------4-5-4---|
C#--0-----0-5-7-0-3---0-0-0-2-3-2---|
* * * * * *
1 e + a 2 e + a 3 e + a 4 e + a
C#----------------------------------|
G#----------------------------------|
E---------------------------------o-|
B-----9-7-------------------------o-|
F#----7-5---7-9---5---------7^8-----|
C#--0-----0-5-7-0-3---0-0-0-0-------|
* * * * * *
Outro structure
Riff 1 2x (Both guitars)
Riff 1 with Palm mute throughout 2x (one guitar)
Riff 1 4x (Both guitars)
Riff 2 4x (Both respective guitar parts)
Send questions, comments to Tbone512@aol.com, and if you want more insight on
how to play any other Limp Bizkit tunes, just mail me.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official LIMP BIZKIT tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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