LLOYD COLE - "are you ready to be heartbroken" Tablature
Official LLOYD COLE Tablature & Sheet Music »
.nevada.edu>; Tue, 20 Jul 1993 10:03:24 -0700
Subject: TAB: Are you ready to be heartbroken?(Lloyd Cole/Commotions)
Reply-To: rick@maya.demon.co.uk
Keywords: guitar, tab, Lloyd Cole
To: jamesb@animal-farm.nevada.edu
Message-Id: <743191913snx@maya.demon.co.uk>
X-Mailer: cppnews $Revision: 1.36 $
Date: Tue, 20 Jul 93 11:11:53 GMT
Lines: 191
Title: Are you ready to be heartbroken?
Artist: Lloyd Cole and the Commotions
Album: Rattlesnakes
Songwriter: Neil Clarke/Lloyd Cole
Trans: rick@maya.demon.co.uk (Rich Tebb)
R.G.Parkinson@newcastle.ac.uk (Ray Parkinson)
Intro
=====
Dadd4add11 C Dadd4add11 C
e|--------------------------------|--------------------------------|
B|------3---------------5---------|------3---------------5---------|
G|----0-----0---0-----0-----0---0-|----0-----0---0-----0-----0---0-|
D|0H4---------4---4/5---------4---|0H4---------4---4/5---------4---|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Csus2
e|--------------------------------|--------------------------------|
B|------3---------------3---------|------3---------------3---------|
G|----0-----0---0-----0-----0---0-|----0-----0---0-----0-----0---0-|
D|--0---------0-----0---------0---|--4---------4-----0---------0---|
A|3--------------/3---------------|3--------------/3---------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
e|0-------------------------------|0-------------------------------|
B|------3---------------3---------|------3---------3---------------|
G|----------0---0-----0-----0-----|----0-----0-----0---------------|
D|------------0-----0---------0---|------------0---0-----0-2-4-2-0-|
A|3--------------/3---------------|3---------------3---------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Dadd4add11 C Dadd4add11
e|--------------------------------|----------------0---------------|
B|------3---------------5---------|------3---------3---------------|
G|----0-----0---0-----0-----0---0-|----0-----0-----0---------------|
D|0H4---------4---4/5---------4---|0H4---------4---4---------------|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Cadd2
e|0-0-0-0---0---0---X-X-X-X-X-X-X-|0-0-0-0---0---0---X-X-X-X-X-X-X-|
B|3-3-3-3---3---3---X-X-X-X-X-X-X-|3-3-3-3---3---3---X-X-X-X-X-X-X-|
G|0-0-0-0---0---0---X-X-X-X-X-X-X-|0-0-0-0---0---0---X-X-X-X-X-X-X-|
D|2-2-2-2---2---2---X-X-X-X-X-X-X-|2-2-2-2---2---2---X-X-X-X-X-X-X-|
A|3-3-3-3---3---3---X-------------|3-3-3-3---3---3---X-------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Fmaj7
e|0-0-0-0---0---0---X-X-X-X-X-X-X-|0-0-0-0---0---0---X-X-X-X-X-X-X-|
B|1-1-1-1---1---1---X-X-X-X-X-X-X-|1-1-1-1---1---1---X-X-X-X-X-X-X-|
G|2-2-2-2---2---2---X-X-X-X-X-X-X-|2-2-2-2---2---2---X-X-X-X-X-X-X-|
D|3-3-3-3---3---3---X-X-X-X-X-X-X-|3-3-3-3---3---3---X-X-X-X-X-X-X-|
A|3-3-3-3---3---3---X-------------|3-3-3-3---3---3---X-------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Cadd2
e|0-0-0-0---0---0---X-X-X-X-X-X-X-|0-0-0-0---0---0-----------------|
B|3-3-3-3---3---3---X-X-X-X-X-X-X-|3-3-3-3---3---3-----------------|
G|0-0-0-0---0---0---X-X-X-X-X-X-X-|0-0-0-0---0---0-----------------|
D|2-2-2-2---2---2---X-X-X-X-X-X-X-|2-2-2-2---2---2-----------------|
A|3-3-3-3---3---3---X-------------|3-3-3-3---3---3-----------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Lookin' like a
e|--------------------------------|--------------------------------|
B|------3---------------5---------|------3---------------5---------|
G|----0-----0---0-----0-----0---0-|----0-----0---0-----0-----0---0-|
D|0H4---------4---4/5---------4---|0H4---------4---4/5---------4---|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
born-again, living like a heretic, Listening to Arthur
e|--------------------------------|--------------------------------|
B|------3---------------3---------|------3---------------3---------|
G|----0-----0---0-----0-----0---0-|----0-----0---0-----0-----0---0-|
D|--0---------0-----0---------0---|--0---------0-----0---------0---|
A|3--------------/3---------------|3--------------/3---------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Lee records, making all your friends feel so guilty about their
e|--------------------------------|--------------------------------|
B|------3---------------5---------|------3---------------5---------|
G|----0-----0---0-----0-----0---0-|----0-----0---0-----0-----0---0-|
D|0H4---------4---4/5---------4---|0H4---------4---4/5---------4---|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
cynicism and the rest of their generation. Not even the
e|--------------------------------|--------------------------------|
B|------3---------------3---------|------3---------------3---------|
G|----0-----0---0-----0-----0---0-|----0-----0---0-----0-----0---0-|
D|--0---------0-----0---------0---|--0---------0-----0---------0---|
A|3--------------/3---------------|3--------------/3---------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
Government is gonna stop you now, but are you ready to be
e|----------------0---------------|--------------------------------|
B|----3-----3-----------3---------|--------------------------------|
G|------0H2---2-------------0---0-|----0-----0---------------------|
D|0---------------------------0---|------0H2---2---0---3-0-2-0-3-2-|
A|--------------------------------|3-------------------------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
heartbroken? Are you ready to
e|----------------0H2P0-----------|--------------------------------|
B|----3-----3-----------3---------|--------------------------------|
G|------0H2---2-------------0---0-|----0-----0---------------------|
D|0---------------------------0---|------0H2---2---0---------------|
A|--------------------------------|3-------------------------------|
E|--------------------------------|--------------------------------|
^ ^ ^ ^ ^ ^ ^ ^
be heart- brok- en? On top of all the...
[ G ]
1. Looking like a born-again,
Living like a heretic,
[ Cadd2 ]
Listening to Arthur Lee records,
Making all your friends feel so guilty about their cynicism [ G ]
And the rest of their generation
[ Cadd2 ]
Not even the Government is gonna stop you now
[ D ] [ Cadd2 ]
But are you ready to be heartbroken?
[ D ] [ Cadd2]
Are you ready to be heartbroken?
[ G ]>
2. On top of all the vitamins
On account of all the seriousness
[ Cadd2 ]
You say you're so happy now
You can hardly stand
[ G ]
Lean over on the bookcase
If you really want to get straight
[ Cadd2]
Read Norman Mailer
Or get a new tailor
[ D ] [ Cadd2 ]
Are you ready to be heartbroken?
[ D ] [ Cadd2 ]
Are you ready to be heartbroken?
[ G ]
Are you ready to bleed?
[ Cadd2 ]
B. What would it take? [ Fadd9 ]
What would it take to wipe that smile off of your face?
[ Cadd2 ]
Are you ready to be?
[ G ]
Are you ready to bleed?
[Instrumental to fade]
--
black rick
rick@maya.demon.co.uk
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official LLOYD COLE tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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