LOVE - "Seven And Seven Is" Tablature
Official LOVE Tablature & Sheet Music »
m: Andrew Rogers <rogers@hi.com>
Date: Tue, 12 May 1998 14:53:46 -0400
Subject: l/love/seven_and_seven_is.tab
"7 And 7 Is" (correction)
(Arthur Lee)
["7 And 7 Is" on the 45; "Seven & Seven Is" on the LP.]
Intro:
[The bass sounds like it is played in octaves in real time, not
overdubbed.]
bass (slide between roots of chords) w/heavily-tremoloed guitar:
Am C G
v v v v v v v v
---|-----------------|-----------------
(5)|/7---------------|/10-----/17------
---|-----------------|-----------------
(3)|/5---------------|/8------/15------
D F C
v v v v v v v v
-----------------|-----------------
\12--------------|/15------\10-----
-----------------|-----------------
\10--------------|/13------\8------
Em
v v v v v v v v
-----------------|-----------------
/14--------------|/14------14------
-----------------|-----------------
/12--------------|/12------12------
bass:
A Asus4 A Asus4
v v v v v v v v
-----------------|-----------------
-------0---------|-------0---------
-0---3-----------|-0---3-----------
---------0---3-0-|---------0---3-0-
Verse 1:
A E G D A Asus4 A Asus4
When I was a boy I thought about the times I'd be a man
A E G D A Asus4 A Asus4
I'd sit inside a bottle and pretend that I was in a can
Am C* G D A Asus4 A Asus4
In my lonely room I'd sit my mind in an ice cream cone
Am C G
You can throw me if you wanna 'cause I'm a bone and I go
A (Am)
[E A A] [E A A] <- bass
[3/4] Oop-ip-ip oop-ip-ip, [4/4] yeah!
* mistake during verse 1: bass plays E pattern over C chord
[repeat intro]
Verse 2:
If I don't start cryin' it's because that I have got no eyes
My father's in the fireplace and my dog lies hypnotized
Through a crack of light I was unable to find my way
Trapped inside a night but I'm a day and I go
Oop-ip-ip oop-ip-ip, yeah!
[repeat intro]
Coda:
A Asus4 A Asus4 A Asus4 A Asus4
One... Two... Three... Four!
Em F C G [2X]
/ / / / / / / / / / / / / / / /
Em F C G Em F C G
/ / / / / / / / / / / / / / / /
Em F C G [4X]
v v v v
-----12------12------12------12--
15b17---15b17---15b17---15b17----
---------------------------------
---------------------------------
---------------------------------
---------------------------------
Em (N.C.; atom bomb explosion)
[12/8]:
C Am
v . . v . . v . . v . .
-8--------------h10--8---7-----------------------
---------------------------------10--------------
------------------------------------8h9----------
---------------------------------------------10--
-------------------------------------------------
-------------------------------------------------
F7 G7
v . . v . . v . . v . .
-------------------------------------------------
---------------------------------11------11------
-8-------------------8-10b12-------10b12---------
-----------------10------------------------------
-------------------------------------------------
-------------------------------------------------
C A7
v . . v . . v . . v . .
-------------------------------------------8-----
-----------------------------------------8--13b15r13
10b12r10p8--------8---8b----------------10b12---------
----10-------------------10----------------------
-------------------------------------------------
-------------------------------------------------
^ 1/4 tone
F G7
v . . v . . v . . v . .
-------------------15b17---------13--8-----------
-----------------13----------------------8-------
-----------12s14----------------------------8h9--
-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
C A7 [fade]
v . . v . . v . . v . .
-------------------------------------------------
-------------------------------------------------
-------------------10b12-8-----------------------
-10----------------------------------------------
-------------------------------------------------
-------------------------------------------------
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official LOVE tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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