MARDUK - "materialized in stone" Tablature
Official MARDUK Tablature & Sheet Music »
Date: Fri, 16 Feb 2001 07:29:56 -0500
From: <cheroubin@poczta.onet.pl>
Subject: m/marduk/materialized_in_stone.crd
FROM CHEROUBIN
So, at the beginning, just read the following words to get smarter:
-I am from Poland so I don't know how my English correct is.
-This is totally my own work, cause I couldn't find any =
transcriptions of this song. I am not a plagiarist, ha, just reme=
mber it well.
-I have only accoustic guitar, not electric, so some of teqniques =
used in song are unknown to me. In these parts I may be mistaken; you =
know, wrong octave or something else. My Yamaha cannot play thrill n=
ote or other shit. BUT it is very good guitar...
-Then, I am not professional player and tablatures' creator, so I =
don't use weird signs like those guys, who make Metallica's tran=
scriptions. So, the way is simple, all distortions are to analyze,=
I use only my hearing and microphone, funny, isn't it?
-I am not patient enough to write monumental tables, so timing and =
beating are to check on. I put here only main idea, you know.
-All comments please send on
cheroubin@poczta.onet.pl
-It's very important to me, to exchange transcriptions and =
experience
-If you have any transcriptions of metal bands' songs, just please =
send me (Cradle of Filth, Marduk, Hades, Anathema, Annihilator, Mano=
war or Mercyful Fate, hehe, maybe Offspring...)
-Thank you, and there is:
MARDUK
"Materialized in stone" from "Opus Nocturne" album
01.02.2001
from Cheroubin
To all Marduk's bloodthirsty fans, do not kill me, if this transcription i=
s not perfect. I know the power of this ravishing band, you, too, so you kn=
ow, that the riffs are sometimes too complex to transcribe it in ideal cert=
ainty. I bow to Marduk-Wings...
1.This is the beginning. I don't know, what with fill is, but there is a ma=
in idea:
Gis Fis A A Gis Fis
E-|----------------|-----|
B-|----------------|-----|
G-|----------------|-----|
D-|-6---4---7---7--|-6-4-| last two chords are single strikes with
A-|-6---4---7---7--|-6-4-| drum-beats; I'm not very sure about these
4---2---5---5--|-4-2-| two notes, because bass deforms all
2.And the verse part, that is played totally like intro...cool riff.
3.Then comes the middleverse piece, all play two times. I didn't transcribe=
the fill, so it's the part, how I hear it.
G Bbh Dis C G Bbh /Gh Dis C
E-|----------------|---------------------|
B-|----------------|---------------------|
G-|-----15---8---5-|-----15-/-12---8---5-|
D-|-5---15---8---5-|-5---15-/-12---8---5-|
A-|-5---13---6---3-|-5---13-/-10---6---3-|
E-|-3--------------|-3-------------------|
4.Once again verse to come into chorus, the power chords something like the=
se. These fucking octaves...
Gh Ah Bbh Ch
E-|-------------------------------------------------|
B-|-------------------------------------------------|
G-|-12---12/14\12-12/14\12---15---15/17\15-15/17\15-| the h-chord
D-|-12---12/14\12-12/14\12---15---15/17\15-15/17\13-|means the high one
A-|-10---10/12\10-10/12\10---13---13/15\13-13/15\13-|
E-|-------------------------------------------------|
5.After chorus comes fantastic part with great drums and incredible bass gu=
itar, electric guitar plays all the time this part. Oh, the concerto versio=
n is extremely great.
A C Bb
E-|----------------|
B-|----------------|
G-|----------------|
D-|-7---10---8---8-|
A-|-7---10---8---8-|
E-|-5----8---6---6-|
6.O.k. then flow verse and middleverse and finally chorus to slay into outr=
o, the greatest part in the song; I don't know how correct the fill is but =
the E-dur solo is below.
B A B E Cis
E-|----------------------------------|
B-|----------------------------------|
G-|----------------------------------|
D-|-9---11-7-6-7-----9---11-7-6-2----| with thrill or something
A-|--------------------------------4-|
E-|----------------------------------|
THE END
TO ALL FALLEN IN LOVE WITH MARDUK, COF, HADES, KING
PLEASE E-MAIL ME cheroubin.poczta.onet.pl
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official MARDUK tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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