MARILLION - "dry land" Tablature
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From Yaman Aksu Jun 20 '94 at 1:55 pm -240
Return-Path: <aksu@meyris.ece.jhu.edu>
Date: Mon, 20 Jun 94 13:55:59 -0400
Sender: aksu@meyris.ece.jhu.edu
To: guitar@nevada.edu
DRY LAND (GUITAR SOLO)
The following is my transcription to the guitar solo in the
song Dry Land by Marillion as it appears in the 1991 album
Holidays in Eden.
Yaman Aksu
yaman1@jhunix.hcf.jhu.edu
Notations:
h hammer on
p pull off
b bend (i.e. bend the note up until you hit the exact note
following the "b" sign)
r release (i.e. release the note down to the note following
the "r" sign)
s slide (i.e. pluck the note to the left of the sign "s" and
slide your finger to the note to the right of the
sign "s". Do not pluck the note you are sliding to.)
The solo is in D minor. The accompanying chords are Dm, Bb, and C.
These will be indicated at the appropriate places. Also, 4/4 is used.
Dm Bb C
-----------------------------------------10-----10-13-12-------------
-10--11-10h11p10----10-------10------------13b15--------13-13p10-----
----------------12-----10------12---12b14-----------------------12---
-------------------------12------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
(You may wish to hammer to 11 from 10 [the very first two notes]
instead of plucking 11 separately.)
Dm Bb C
---------------------------------------------------------------------
-13-10---11-10h11p10----10--------13b15r13----------------10-13------
--------------------12-----10---------------------10-12b14------9----
-----------------------------12-----------------12-------------------
----------------------------------------------12---------------------
---------------------------------------------------------------------
Dm Bb C
---------------------------------------------------------------------
---------------------------------------------------------10--13------
-10-9h10p9---------------------------10-10-10----10-12b14--10--9-----
----------10-12--------------------12----------12--------------------
-------------------10s12------10s12----------------------------------
------------------------10-------------------------------------------
Dm Bb
---------------------------------------------------------------------
-13-13s15--------------13-13b15-15----15--15--------15-17b18r17------
---------12-12----12-14-----------------14--14-17b19-----------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
C
---------------------------------------------------------------------
-13-10h13p10--10-------------13--10----------------------------------
------------12--12b14-12---12--10--10-9--10p9----------------10b12-10
---------------------------------------10----10--10--10b12-10--------
-----------------------------------------------12--12----------------
---------------------------------------------------------------------
Dm
---------------------------------------------------------------------
-13b15-13----15------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
(You may wish to release the last three bends instead of plucking the
note following the bends.)
Well, there it is...
Yaman Aksu
The Johns Hopkins University
The Department of Electrical and Computer Engineering
Baltimore, Maryland 21218
yaman1@jhunix.hcf.jhu.edu
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official MARILLION tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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