MARILLION - "he knows you know" Tablature
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Date: Fri, 11 Mar 1994 08:23:04 +0100
From: Olivier Grisvard <grisvard@aurora.unice.fr>
Message-Id: <199403110723.AA01347@aurora.unice.fr>
To: jamesb@nevada.edu
Subject: MARILLION - He Knows You Know
MARILLION
Song: He Knows You Know
Album: Script For A Jester's Tear
Music: Fish, Rothery, Kelly, Trewavas, Pointer
Key: C (Am)
Time: 4/4
Tempo: 138
Rythm notations:
Notes:
1 | = 2 | = 4 | = 4 | | = 8 |
* + | |_| |/
Rests:
1 \ = 1 |
( |
Tie: __
/ \
10 (10) or 10 (10)
| | |\__/|
| | | |
Other notations:
One Step Bend:
full full--|
/ /
10 or 10 (10)
| |\__/|
| | |
One Step Bend & Release:
full
/ \
10 (10)
| |
| |
Pull Off:
P
/ \
12 10
| |
| |
Structure:
Rhy. Fig. 1 (6 times) + Rhy. Fig. 2 (4 times)
+ Rhy. Fig. 2 (first 6 bars) + Rhy. Fill 1
+ 18 bars of silence (keyboard interlude)
+ Rhy. Fig. 3 (2 times) + Solo (2 times)
+ Rhy. Fig. 2 (5 times) + Rhy. Fig. 3 (3 times)
+ Rhy. Fill 2
Rhy. Fig. 1: (clean sound w/ delay)
|-----------------|------------------|
T|-----------------|------------------|
A|-----5-----4-----|-5-----7-----9----|
B|-----|-7---|-5---|-|-7---|-9---|-10-|
|-0---|-|-0-|-|-0-|-|-|-0-|-|-0-|-|--|
|-|---|-|-|-|-|-|-|-|-|-|-|-|-|-|-|--|
| |_| |_| |_| |_| |_| |_| |_|
|--------------------|-----------------|
T|--------------------|-----------------|
A|-----10------9------|-7-----5-----4---|
B|-----|--12---|-10---|-|-9---|-7---|-5-|
|-0---|--|--0-|-|--0-|-|-|-0-|-|-0-|-|-|
|-|---|--|--|-|-|--|-|-|-|-|-|-|-|-|-|-|
| |__| |_| |__| |_| |_| |_| |_|
Rhy. Fig. 2: (clean sound w/ delay)
|-----------------|-----------------|
T|-----------------|-----------------|
A|-----5-----4-----|-5-----7---------|
B|-----|-7---|-5---|-|-7---|---9-----|
|-0---|-|-0-|-|-0-|-|-|-0-|---|-0---|
|-|---|-|-|-|-|-|-|-|-|-|-|---|-|---|
| |_| |_| |_| |_| |/| |/|
|-----------------|------------------|
T|-----------------|------------------|
A|-----5-----4-----|-5-----9----------|
B|-----|-7---|-5---|-|-7---|---10-----|
|-0---|-|-0-|-|-0-|-|-|-0-|---|--0---|
|-|---|-|-|-|-|-|-|-|-|-|-|---|--|---|
| |_| |_| |_| |_| |/| |/ |
|-----------------|-------------------|
T|-----------------|-------------------|
A|-----5-----4-----|-5-----12----------|
B|-----|-7---|-5---|-|-7---|----10-----|
|-0---|-|-0-|-|-0-|-|-|-0-|----|--0---|
|-|---|-|-|-|-|-|-|-|-|-|-|----|--|---|
| |_| |_| |_| |_| |/| |/ |
|-----------------|-5-----5-----5---|
T|-----------------|-|-5---|-5---|-5-|
A|-----5-----4-----|-|-|-5-|-|-5-|-|-|
B|-----|-7---|-5---|-|-|-|-|-|-|-|-|-|
|-0---|-|-0-|-|-0-|-|-|-|-|-|-|-|-|-|
|-|---|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|
| |_| |_| |_| |_| |_| |_| |_|
Rhy. Fill 1: (clean sound w/ delay)
|-----------------|-----------------|
T|-----------------|-----------------|
A|-----5-----4-----|-5---\---\---\---|
B|-----|-7---|-5---|-|---(---(---(---|
|-0---|-|-0-|-|-0-|-|---------------|
|-|---|-|-|-|-|-|-|-|---------------|
| |_| |_| |_| |
Rhy. Fig. 3: (light distorsion)
___
/ \
|-8----8----8--8--8--8--|-(8-)-8----8----8--8----|
T|-10---10---10-10-10-10-|-(10)-10---10---10-10---|
A|-9----9----9--9--9--9--|-(9-)-9----9----9--9----|
B|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
| | |__| |__| |/ | | |/ |
__
/ \
|-7---7---7-7-7-7-|-(7)-7---7---7-7---|
T|-8---8---8-8-8-8-|-(8)-8---8---8-8---|
A|-7---7---7-7-7-7-|-(7)-7---7---7-7---|
B|-|---|---|-|-|-|-|--|--|---|---|-|---|
|-|---|---|-|-|-|-|--|--|---|---|-|---|
|-|---|---|-|-|-|-|--|--|---|---|-|---|
| | |_| |_| | |/ | | |/|
___
/ \
|-10---10---10-10-10-10-|-(10)-10---10---10-10---|
T|-10---10---10-10-10-10-|-(10)-10---10---10-10---|
A|-11---11---11-11-11-11-|-(11)-11---11---11-11---|
B|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
| | |__| |__| |/ | | |/ |
___
/ \
|-12---12---12-12-12-12-|-(12)-12---12---12-12---|
T|-12---12---12-12-12-12-|-(12)-12---12---12-12---|
A|-12---12---12-12-12-12-|-(12)-12---12---12-12---|
B|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
| | |__| |__| |/ | | |/ |
Solo: (Rothery's special lead sound...)
full full P full---|
|--/--------/-\--/-\---/-|--------------------|
T|-15-------15-(15)-13-15-|-(15)---------------|
A|-|--------|---|---|--|\_|_/|-----------------|
B|-|--------|---|---|--|--|--|-----------------|
|-|--------|---|---|--|--|--|-----------------|
|-|--------|---|---|--|--|--|-----------------|
+ |___| |__| *
___
|-------------------/-|-\------------------|
T|-15-------15---13-12-|-(12)---------------|
A|-|--------|----|--|--|--|-----------------|
B|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
+ | |__| *
|--------------------_|_-------------------|
T|-------------------/-|-\------------------|
A|-14-------14---12-14-|-(14)---------------|
B|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
+ | |__| *
full---|
|-------------------/-|--------------------|
T|-20-------20---17-20-|-(20)---------------|
A|-|--------|----|--|\_|_/|-----------------|
B|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
+ | |__| *
Rhy. Fill. 2: (clean sound w/ delay)
|-8----------------|
T|-10---------------|
A|-9----\---\---\---|
B|-|----(---(---(---|
|-|----------------|
|-|----------------|
|
Guitar Transcription: Olivier Grisvard - March 1994.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official MARILLION tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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