MEGADETH - "angry again" Tablature
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MEGADETH:
Angry Again
KEY:
PM | Palm mute.
3b Slight (c. 1/4) bend
4b6 Full bend from 4th fret
/ \ Slide up/down respectively.
4h6 hammer on
6p4 pull off
Fig 1. End fig 1.
|----------------------------------|
|----------------------------------|
|--------------------------6-7-----|
|------------------7-8---------8-7-|
|-5-6-----8-9----------9-8---------|
|-----7-6-----10-9-----------------|
I'm not 100% sure about this bit, but it comes close. There's also a second
guitar playing a similar riff, maybe at 4ths or 5ths (I don't think its octave
though)
Fig 2.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-----2-----2---------------------|-----2-----2----------------------|
|---2---2-3---3-2-2-----2---------|---2---2-3---3-2-2-----2-4-3-2----|
|-0---------------0-0-0-0-0-0-0-0-|-0---------------0-0-0-0-5-4-3----|
PM PM--| PM--------| PM-|
(Play first note first time only)
End Fig 2.
|---------------------------------|---------------------------|
|---------------------------------|---------------------------|
|---------------------------------|-------------7-----5-------|
|-----2-----2---------------------|-------------7-----5-------|
|---2---2-3---3-2-2-----2-4-3-2---|-4-3-2---4-3-5-----3-------|
|-----------------0-0-0-0-5-4-3---|-5-4-3---5-4---0-0---3b-0--|
PM--| PM-|
VERSE 1:
^^^^^^^^
Fig 3.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-----2-----2---------------------|-----2-----2----------------------|
|---2---2-3---3-2-2-----2---------|---2---2-3---3-2-2-----2-4-3-2----|
|-----------------0-0-0-0-0-0-0-0-|-0---------------0-0-0-0-5-4-3----|
PM-| PM--------| PM-|
End fig 3.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|---------------7-----5------------|
|-----2-----2---------------------|-----2-----2---7-----5------------|
|---2---2-3---3-2-2-----2---------|---2---2-3---3-5-----3------------|
|-----------------0-0-0-0-0-0-0-0-|-0---------------0-0---3b-0-------|
PM-| PM--------| PM-|
CHORUS:
(this I am not very sure about...)
Fig 4: _________________________________
| 1. |
||-----------------------------|------------------------------||
||-o---------8-----------------|---------8------------------o-||
||---9---7/9-7-7/9-----5-7-7---|-9---7/9-7-7-5-------7--------||
||-o-9---7/9-5-7/9-----5-7-7---|-9---7/9-5-7-5-------7------o-||
||---7---5/7---5/7-----3-5-5---|-7---5/7---5-3-------5--------||
||-----0-----------0-0-------0-|---0-------------0-0---0-0-0--||
_________________________________________
|2. |End fig 4.
|---------------------------------------|
|----------8----------------------------|
|--9---7/9-7-7-5-----4-----2-----4------|
|--9---7/9-5-7-5-----4-----2-----4------|
|--7---5/7---5-3-----2-----0-----2------|
|----0-----------0-0---0-0---0-0---3b-0-|
Interlude:
Fig 5.
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|---0-0-0---0-0-0---1-1-1---1-1-1----|---2-2-2---2-2-2---3-3-3---3-3-3------|
Palm mute----->
End fig 5.
|-----------------------------------|----------------------------------|
|-----------------------------------|----------------------------------|
|-----------------------------------|------------------7-----5---------|
|-----------------------------------|------------------7-----5---------|
|-----------------------------------|------------------5-----3---------|
|---4-4-4---4-4-4---5-5-5---5-5-5---|----6-6-6---6-6-6---0-0---3b-0----|
End Palm mute>| PM-|
SOLO:
Lead gtr.
|---------------------------------|-----------------------------0----|
|---------------------------------|--------12------------------------|
|---------------------------------|-----------14----12-11------------|
|-----9-/-14-9b10-------r9--------|-9-/-14-----------------12--------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
| | |
|Play 4 times --------------------| |
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-9-------------7-------5---------|----------------------------------|
|-9-------------7-------5---------|----------------------------------|
|-7-------------5-------3---------|----------------------------------|
|-----0-0-0-0-0-----0-0-----3b-0--|----------------------------------|
|-0-7-0-10-0-12-0-15-(or something close)-14h15p14p12-------------------|
|-----------------------------------------------------15b17r15-12h15p12-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----12-15-14p12------------------|
|---12----------------------------|
|--12-----------------------------|
|-14------------------------------|
|---------------------------------|
|---------------------------------|
sweep Not sure past this bit.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-7b9-(9)-(9)-(9)//---------------|-----9-----9-----5-6-----8-9------|
|---------------------------------|-7-10--7-10-10-7-----8-7-----11-10|
|---------------------------------|----------------------------------|
|
|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-----2-----2-----0-1-------------|-----2-----2-----0-1-----3-4------|
|---2---2-3---3-2-----2-1---------|---2---2-3---3-2-----2-1------5-4-|
|-0-----------------------2-3-2-1-|-0--------------------------------|
|---------------------------------|-------------17b19-17b19-17-15--22b24-22b24|
|---------------------------------|-----------15-----------------17-----------|
|-12/14------14/16----------------|14-14/16-16--------------------------------|
|----------------------(12)r11b12-|-------------------------------------------|
|-10/12------12/14----------------|-------------------------------------------|
|---------------------------------|-------------------------------------------|
|
|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-3------------1-2----------------|-3---------------1-2--------------|
|-3----------------4-3------------|-3-------------------4-3----------|
|-1--------------------3-2-1-2----|-1-----------------------3-2-0-1--|
OUTRO: Fig 6.
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|------------------7-8-------------|-2--------------------------------|
|-5-6-----8-9----------9-8---------|-2--------------------------------|
|-----7-6-----10-9---------3-2-0-1-|-0--------------------------------|
Lyrics taken from Megadeth's Web site and Bazaar.com.
| Fig 1.
| Fig 2.
VERSE 1: |
THE MORE OF YOU THAT ..... | Fig 3.
THE MORE OF ME I ... |
THE MORE I TRY TO READ .... |
THE MORE THE MASK YOU'RE ....|
|
BUT WHEN I SEEK OUT ... | Fig 2.
MY EARS ARE OVERCOME ... |
YOU SHOW AND TELL WITH .... |
RAVING IMPOSS.... |
| Fig 1.
ENGAGED IN CRIME I ... | Fig 4.
ENRAGED MY MIND ... |
ENFORCE A .... |
ANGRY AGAIN, ANGRY ... |
|
AND WHEN THE STORY .... | Fig 2.
IF FOLDS LIKE A CONT... |
SLIGHT OF HAND AND ... |
THE OLD TRICKS HAVE ..... |
| Fig 1.
ENGAGED IN CRIME I ... | Fig 4.
ENRAGED MY MIND ... |
ENFORCE A ... |
ANGRY AGAIN, ANGRY .... |
|
THE SEARING OF ...... |Fig 5.
MY BODY ... |
THE RIPPING OF ... |
MY LUNGS ... |
GRAVITY'S GOT ... |
IT PULLS MY ... |
THE STEAM FINALLY ... |
I MAKE OUT MY ... |
<SOLO>
|
ASSOCIATION .... | Fig 3.
GAME I ... |
GOVERNED BY LAWS ... |
FRACTURE IT'S ... |
A CUT-OUT CARDBOARD .... | Fig 2.
FILLED WITH AN ... |
IRRATIONAL YOUTHS .... |
AS MUSIC RUBBER ... |
|
ENGAGED IN CRIME I ... | Fig 4.
ENRAGED MY MIND ... |
ENFORCE A ... |
ANGRY AGAIN, ...|
AND AGAIN AND ... | Repeat last bit of fig. 4
|
ENGAGED IN CRIME ... | Fig 4.
ENRAGED MY MIND ... |
ENFORCE A ... |
ANGRY AGAIN, ANGRY .... |
| Fig 6.
--
+--------------------------------------------------------------------+
| Posted by Jake Riddoch from the University of Aberdeen, Scotland. |
| u01jer@ess.abdn.ac.uk Also at: http://www.abdn.ac.uk/~u01jer |
+--------------------------------------------------------------------+
| And yeah, as I walk through the valley of the shadow of Death, I |
| shall fear no evil, cause I'm packing an M60 with explosive ammo. |
+--------------------------------------------------------------------+
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official MEGADETH tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
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