MEGADETH - "Angry Again" Tablature
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MEGADETH:
Angry Again
KEY:
PM | Palm mute.
3b Slight (c. 1/4) bend
4b6 Full bend from 4th fret
/ \ Slide up/down respectively.
4h6 hammer on
6p4 pull off
Fig 1. End fig 1.
|----------------------------------|
|----------------------------------|
|--------------------------6-7-----|
|------------------7-8---------8-7-|
|-5-6-----8-9----------9-8---------|
|-----7-6-----10-9-----------------|
There's also a second
guitar playing a similar riff, maybe at 4ths or 5ths (I don't think its octave
though)
Fig 2.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-----2-----2---------------------|-----2-----2----------------------|
|---2---2-3---3-2-2-----2---------|---2---2-3---3-2-2-----2-4-3-2----|
|-0---------------0-0-0-0-0-0-0-0-|-0---------------0-0-0-0-5-4-3----|
PM PM--| PM--------| PM-|
(Play first note first time only)
End Fig 2.
|---------------------------------|---------------------------|
|---------------------------------|---------------------------|
|---------------------------------|-------------7-----5-------|
|-----2-----2---------------------|-------------7-----5-------|
|---2---2-3---3-2-2-----2-4-3-2---|-4-3-2---4-3-5-----3-------|
|-----------------0-0-0-0-5-4-3---|-5-4-3---5-4---0-0---3b-0--|
PM--| PM-|
VERSE 1:
^^^^^^^^
Fig 3.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-----2-----2---------------------|-----2-----2----------------------|
|---2---2-3---3-2-2-----2---------|---2---2-3---3-2-2-----2-4-3-2----|
|-----------------0-0-0-0-0-0-0-0-|-0---------------0-0-0-0-5-4-3----|
PM-| PM--------| PM-|
End fig 3.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|---------------7-----5------------|
|-----2-----2---------------------|-----2-----2---7-----5------------|
|---2---2-3---3-2-2-----2---------|---2---2-3---3-5-----3------------|
|-----------------0-0-0-0-0-0-0-0-|-0---------------0-0---3b-0-------|
PM-| PM--------| PM-|
CHORUS:
(this I am not very sure about...)
Fig 4: _________________________________
| 1. |
||-----------------------------|------------------------------||
||-o---------8-----------------|---------8------------------o-||
||---9---7/9-7-7/9-----5-7-7---|-9---7/9-7-7-5-------7--------||
||-o-9---7/9-5-7/9-----5-7-7---|-9---7/9-5-7-5-------7------o-||
||---7---5/7---5/7-----3-5-5---|-7---5/7---5-3-------5--------||
||-----0-----------0-0-------0-|---0-------------0-0---0-0-0--||
_________________________________________
|2. |End fig 4.
|---------------------------------------|
|----------8----------------------------|
|--9---7/9-7-7-5-----4-----2-----4------|
|--9---7/9-5-7-5-----4-----2-----4------|
|--7---5/7---5-3-----2-----0-----2------|
|----0-----------0-0---0-0---0-0---3b-0-|
Interlude:
Fig 5.
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|------------------------------------|--------------------------------------|
|---0-0-0---0-0-0---1-1-1---1-1-1----|---2-2-2---2-2-2---3-3-3---3-3-3------|
Palm mute----->
End fig 5.
|-----------------------------------|----------------------------------|
|-----------------------------------|----------------------------------|
|-----------------------------------|------------------7-----5---------|
|-----------------------------------|------------------7-----5---------|
|-----------------------------------|------------------5-----3---------|
|---4-4-4---4-4-4---5-5-5---5-5-5---|----6-6-6---6-6-6---0-0---3b-0----|
End Palm mute>| PM-|
SOLO:
Lead gtr.
|---------------------------------|-----------------------------0----|
|---------------------------------|--------12------------------------|
|---------------------------------|-----------14----12-11------------|
|-----9-/-14-9b10-------r9--------|-9-/-14-----------------12--------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
| | |
|Play 4 times --------------------| |
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-9-------------7-------5---------|----------------------------------|
|-9-------------7-------5---------|----------------------------------|
|-7-------------5-------3---------|----------------------------------|
|-----0-0-0-0-0-----0-0-----3b-0--|----------------------------------|
|-0-7-0-10-0-12-0-15-(or something close)-14h15p14p12-------------------|
|-----------------------------------------------------15b17r15-12h15p12-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----12-15-14p12------------------|
|---12----------------------------|
|--12-----------------------------|
|-14------------------------------|
|---------------------------------|
|---------------------------------|
sweep Not sure past this bit.
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-7b9-(9)-(9)-(9)//---------------|-----9-----9-----5-6-----8-9------|
|---------------------------------|-7-10--7-10-10-7-----8-7-----11-10|
|---------------------------------|----------------------------------|
|
|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-----2-----2-----0-1-------------|-----2-----2-----0-1-----3-4------|
|---2---2-3---3-2-----2-1---------|---2---2-3---3-2-----2-1------5-4-|
|-0-----------------------2-3-2-1-|-0--------------------------------|
|---------------------------------|-------------17b19-17b19-17-15--22b24-22b24|
|---------------------------------|-----------15-----------------17-----------|
|-12/14------14/16----------------|14-14/16-16--------------------------------|
|----------------------(12)r11b12-|-------------------------------------------|
|-10/12------12/14----------------|-------------------------------------------|
|---------------------------------|-------------------------------------------|
|
|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-3------------1-2----------------|-3---------------1-2--------------|
|-3----------------4-3------------|-3-------------------4-3----------|
|-1--------------------3-2-1-2----|-1-----------------------3-2-0-1--|
OUTRO: Fig 6.
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|------------------7-8-------------|-2--------------------------------|
|-5-6-----8-9----------9-8---------|-2--------------------------------|
|-----7-6-----10-9---------3-2-0-1-|-0--------------------------------|
Lyrics taken from Megadeth's Web site and Bazaar.com.
| Fig 1.
| Fig 2.
VERSE 1: |
THE MORE OF YOU THAT I INSPECT | Fig 3.
THE MORE OF ME I SEE REFLECT |
THE MORE I TRY TO READ YOUR LIPS |
THE MORE THE MASK YOU'RE WEARING RIPS|
|
BUT WHEN I SEEK OUT YOUR VOICE | Fig 2.
MY EARS ARE OVERCOME WITH NOISE |
YOU SHOW AND TELL WITH GREATEST EASE |
RAVING IMPOSSIBILITIES |
| Fig 1.
ENGAGED IN CRIME I GRASP MY THROAT | Fig 4.
ENRAGED MY MIND STARTS TO SMOKE |
ENFORCE A MENTAL OVERLOAD |
ANGRY AGAIN, ANGRY AGAIN, ANGRY OW |
|
AND WHEN THE STORY TAKES A TWIST | Fig 2.
IF FOLDS LIKE A CONTORTIONIST |
SLIGHT OF HAND AND QUICK EXCHANGE |
THE OLD TRICKS HAVE BEEN REARRANGED |
| Fig 1.
ENGAGED IN CRIME I GRASP MY THROAT | Fig 4.
ENRAGED MY MIND STARTS TO SMOKE |
ENFORCE A MENTAL OVERLOAD |
ANGRY AGAIN, ANGRY AGAIN, ANGRY |
|
THE SEARING OF THE SINEW |Fig 5.
MY BODY FIGHTS FOR AIR |
THE RIPPING OF THE TISSUE |
MY LUNGS BEGIN TO TEAR |
GRAVITY'S GOT MY BONES |
IT PULLS MY FLESH AWAY |
THE STEAM FINALLY DISSIPATES |
I MAKE OUT MY SWEATY FACE |
<SOLO>
|
ASSOCIATION THAT I CHOOSE | Fig 3.
GAME I INEVITABLY LOSE |
GOVERNED BY LAWS SET UP BY ME |
FRACTURE IT'S JAW TO LET ME BE |
A CUT-OUT CARDBOARD CONDO MAZE | Fig 2.
FILLED WITH AN INSUBORDINATE RACE |
IRRATIONAL YOUTHS STOP TO STARE |
AS MUSIC RUBBER HOSED THE AIR |
|
ENGAGED IN CRIME I GRASP MY THROAT | Fig 4.
ENRAGED MY MIND STARTS TO SMOKE |
ENFORCE A MENTAL OVERLOAD |
ANGRY AGAIN, ANGRY AGAIN, ANGRY AGAIN|
AND AGAIN AND AGAIN, AGAIN | Repeat last bit of fig. 4
|
ENGAGED IN CRIME I GRASP MY THROAT | Fig 4.
ENRAGED MY MIND STARTS TO SMOKE |
ENFORCE A MENTAL OVERLOAD |
ANGRY AGAIN, ANGRY AGAIN, ANGRY OW |
| Fig 6.
Tabbed Out By - James86
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official MEGADETH tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
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