MILLA - "Charlie" Tablature
Official MILLA Tablature & Sheet Music »
Key of D major, 3/4 tempo
0:00 (let chords ring for six beats each)
E-2------------2------------
B-3------------2------------
G-2------------2------------
D-0------------0------------
A-0------------0------------
E---------------------------
1 2 3 1 2 3 1 2 3 1 2 3
(from this point on you can assume that the six horizontal lines represent
the strings of a guitar tuned to E --> E, A, D, G, B, E in ascending order.)
0:05 (two notes played per beat)
-------2-----------2-----------2-----------2--------
-----3---3-------2---2-------0---0-------2---2------
-1-2-------2-0-2-------2-1-2-------2-0-2-------2----
----------------------------------------------------
----------------------------------------------------
----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
0:05 (mandolin part)
The numbers below the staff count the beats in each measure of this
waltz - 1, 2, 3. The spaces between the beat-numbers widen at times
to make room for the notes that occur between the beats.
-------------------------7---------------------------
-----------------7-9-10--------10-9---9-10-7---------
-----------------------------------------------------
-----------------------------------------------------
-----------------------------------------------------
-----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
----------------------------------------------------
----------------------------------------------------
-------9-7-6-6---7-----6---6------------------------
---------------------9---9---7----------------------
----------------------------------------------------
----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
-------------9-----7--------------------------------
-----7-9-10----------10-7-9-----7-9-10-7------------
----------------------------------------------------
----------------------------------------------------
----------------------------------------------------
----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Now..."
-------------------------------2-----------2--------
---------1---------0---------3-----3-----3-----3----
-------2---2-----0---------2-----2-----2-----2------
-----3---------0-----0---0-----------0--------------
---3-------------------0----------------------------
-1-----------3--------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Sky..."
-------------------------------2-----2/3\2----------
---------1---------0---------3-----3-------3--------
-------2---------0---------2-----2-----------2------
-----3---------0-----0---0---------------------0----
---3-------------------0----------------------------
-1---------1-3-----------------------------------0--
1 2 3 1 2 3 1 2 3 1 2 3
"Life's..."
-------------------------------2-----------2--------
---------1-----------0-------3-----3-----3-----3----
-------2-----------0---0---2-----2-----2-----2------
-----3-----3-----2-------0-----------0--------------
---3-----------2------------------------------------
-1-----------0--------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Take..."
-------------------------------2-----2---0----------
---------1-------------------3-----3---------3------
-------2-----------4-------2-----2-----2---2---2----
-----3-----3-----5-----5-0--------------------------
---3-----------5-----5------------------------------
-1-----------3--------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Listened..." "Closer..."
-------------------------------------5---3---1------
-------3-----------3---------1-----1----------------
-----0-----0-----0-----0---2-----2-----2---2---0----
---0-----0-----0-----0---0-----0--------------------
-1-----------1--------------------------------------
----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Over..." "Shoulder..." (let chord ring)
-------------3-----------------------0--------------
-------3-----------3-------------1---1--------------
---0-3---0-3---0-3---0-3-------2-----0--------------
-0---------------------------3-----3-2--------------
---------------------------3---------3--------------
-------------------------1-----------X--------------
1 2 3 1 2 3 1 2 3 1 2 3
"Oh, Charlie..."
During this part you can either play the riff from 0:05
or you can strum along likeso:
-----2-2-2-------2-2-2-------2-2-2-------2-2-2-------
-----3-3-3-------2-2-2-------0-0-0-------2-2-2-------
-----2-2-2-------2-2-2-------2-2-2-------2-2-2-------
-----0-0-0-------0-0-0-------0-0-0-------0-0-0-------
-----------------------------------------------------
-----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
Or you can play it an octave higher:
----14-14-14----14-14-14----14-14-14----14-14-14-----
----15-15-15----14-14-14----12-12-12----14-14-14-----
----14-14-14----14-14-14----14-14-14----14-14-14-----
-----------------------------------------------------
-----------------------------------------------------
-----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
(spacing changed due to two-digit numbers in the fingering)
"I see you..."
-------------------2-----------------------2---------
-------2---------3---3---------2---------3---3-------
-----2---2-----2-------2-----2---2-----2-------2-----
---2-------2-0-------------2-------2-0---------------
-0-----------------------0---------------------------
-----------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
And the strummed version - move this an octave higher if
you wish:
-----5-5-5-------2-2-2-------5-5-5-------2-2-2--------
-----2-2-2-------3-3-3-------2-2-2-------3-3-3--------
-----2-2-2-------2-2-2-------2-2-2-------2-2-2--------
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Steel could do..."
-------2-----------2-----------2-----------2----------
-----3-----3-----3-----3-----3-----3-----3-----3------
---2-----2-----2-----2-----2-----2-----2-----2--------
-0-----------0-----------0-----------0----------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
The second verse and following choruses are basically
the same as above, except for this part of the second
verse:
"Finally win..."
-------2-----3\2-------0-2----------------------------
-----3-----3-----3------------------------------------
---2-----2---------2----------------------------------
-0-------------------0--------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3
(pull-off from the 3rd fret of the high E string to the 2nd)
And this part:
"A little closer..."
-------5-----5---3------------------------------------
-----6---------------6--------------------------------
---5-----5-5---2---2---0------------------------------
-0----------------------------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3
At 2:01 the plucked notes played beneath the solo sound very
similar to what was played at 0:05, but there is actually a
small difference of one note. Basically the bottom note of
each arpeggiated chord is reversed from what it was before.
This is hard to explain with words, I advise that you just
play along a few times and you'll hear what the difference
is. Compare this with what's at 0:05:
(play this beneath the solo)
-------2-----------2-----------2-----------2----------
-----3---3-------2---2-------0---0-------3---3--------
-0-2-------2-1-2-------2-0-2-------2-1-2-------2------
-*-----------*-----------*-----------*----------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
See those bottom notes? I put stars beneath them. They're
the exact opposites of what they were during the beginning
of the song.)
Anyway, then it goes into this:
-------------------2-----------------------2----------
-------2---------3---3---------2---------3---3--------
-----2---2-----2-------2-----2---2-----2-------2------
---2-------2-0-------------2-------2-0----------------
-0-----------------------0----------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
Which is the same as "I see you lying stiff and cold..."
Now for the solo itself:
-------------7----------------------------------------
-----7-9-10--------10-9---9-10-7-------------9-10-9---
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
------------------------------------------------------
-7-----------------7-8-7------------------------9-----
-----9-------------------9---7---------777-9-11-------
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
---------9--------------------------------------------
-10--12------9-----------9---10----12-9---7-----------
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
------------------------------------------------------
---9-10-9-7---------7-8-----7-------------------------
--------------9---------------9---9---9-11-7----------
------------------------------------------------------
------------------------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Reeling..." "Out..."
(the guitar AND mandolin are playing here, but this is
what I hear for the constantly-plucked guitar part)
-------------------------------------2----------------
-------3-----------3---------2-----2---2-3------------
-----4-----4-----4-----4-------2-4---------2-4--------
---4-----4-----4-----4-------------------------4------
-2-----------2-------------4--------------------------
-------------------------2----------------------------
1 2 3 1 2 3 1 2 3 1 2 3
Or an alternate, easier version for the part under "Out..."
--------------------------
--------------------------
-------2-----------2------
-----4-----4-----4-----4--
---4-----4-----4-----4----
-2-----------2------------
1 2 3 1 2 3
"Daisy..." "In..."
------------------------------------------------------
-------3-----------3----------------------------------
-----4-----4-----4-----4-------4-2-0-4---2---0--------
---4-----4-----4-----4-------5---------0---0---0------
-2-----------2-------------5--------------------------
-------------------------3----------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Boat..." "Someone..."
-------------------------------1-----5---3---1--------
-------1-1-------1-3---------1---1--------------------
-----0-----0--------3-0----2-------2---2---2---0------
---3-----------3---------0----------------------------
-1-----------1----------------------------------------
------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"You..."
-------------3----------------------------------------
-------3-------------------------1-5---3---1----------
-----3-----3-----3-------------2-----0---0---0--------
---5-----5-----5---5---------3------------------------
---------------------5-----3--------------------------
-3---------------------3-1----------------------------
1 2 3 1 2 3 1 2 3 1 2 3
"Oh..."
-2-----------------------------------------------------
-3-----------------------------------------------------
-2-----------------------------------------------------
-0-----------------------------------------------------
-0-----------------------------------------------------
-------------------------------------------------------
1 2 3 1 2 3 (let chord ring)
The next chorus is the same as all the previous ones.
Then there's the outro solo:
--------------7----------------------------------------
-----7-9-10-------10--9---9-10-7-----------------------
-------------------------------------------------------
-------------------------------------------------------
-------------------------------------------------------
-------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
-------------------------------------------------------
-------------10----------------------------------------
-------9-7-6-----6-----7-------------------------------
-------------------------9-----------------7-6-7-------
-------------------------------------------------------
-------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
-7-----------------------9---7-------------------------
-----10----------------7-------------------------------
-------------------------------------------------------
-------------------------------------------------------
-------------------------------------------------------
-------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
-------------------------------------------------------
-----------7-8---7-------------------------------------
---------------------9---9-11-7------------------------
-------------------------------------------------------
-------------------------------------------------------
-------------------------------------------------------
1 2 3 1 2 3 1 2 3 1 2 3
End.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official MILLA tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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