PAPA ROACH - "Bloodbrothers" Tablature
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Song: bloodbrothers, paparoach
Tabber: fatasscook
C-crash
C2-second crash
HH-hi hat
S-snare
B-bass
T-high tom
FT-floor tom
HF-hihat foot
c-snare click on snare line
x-tight hi hat
X-loose hi hat(on hi hat line)
F-flam
Part 1:
|--x4-w/o-crash--| |-------x4-w/o-crash--------------|
|
C |X---------------| |X---------------|----------------|
HH |----x---x---x---| |----x---x---x---|x---x---x---x---|
S |----c-----c---c-| |----c-----c-----|----c-----c---c-|
B |o-o-------------| |o-o-----------o-|o---------------|
|---x3-w/o-crash-|
C |X---------------|X-X-X-X-X-X-X---|
HH |-xxxxxxxxxxxxxxx|----------------|
S |c-c-c-c-c-c-c-c-|--------------f-|
B |o--------------o|o-o-o-o-o-o-oo--|
Part 2:
|----------------X2---------------|
C |X-X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|
S |--o---o---o---oo|--o---o---o—-o-o|
B |oo—-oo—-oo—-oo--|oo—-oo—-oo—-o-o-|
Part 3:
Floor tom used in the beat instead of a fill may seem strange, but take a close listen to the track and u will hear it.
C |X---------------|----------------|
HH |--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S |--o—-o-o—-o—-o-o|--o—-o-o—-o—-o--|
FT |----------------|---------------o|
B |oo------oo------|oo------oo------|
C |X---------------|----------------|
HH |--x-x-x-x-x-x-x-|x-x-x-x-x-x-x---|
S |--o—-o-o—-o—-o-o|--o—-o-o—-o---oo|
FT |----------------|-------------o--|
B |--------oo------|oo------oo------|
C |X---------------|----------------|
HH |--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S |--o—-o-o—-o—-o-o|--o—-o-o—-o—-o--|
FT |----------------|---------------o|
B |oo------oo------|oo------oo------|
Gets slightly looser
>>>>>>>
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x---|
S |--o—-o-o—-o—-o-o|--o—-o-o—-o---o-|
FT |----------------|-------------o--|
B |--------oo------|oo------oo------|
Part 4:
C |X---------------|--------------X-|----------------|
HH |--X-X-X-X-X-X-X-|X-X-X-X-X-X-X---|X-X-X-X-X-X-X-X-|
S |--o---o---o---o-|--o---o---o---o-|--o---o---o---o-|
B |oo-----o-o------|oo-----o-o---o--|oo-----o-o—-oo--|
C |--------------X-|
HH |X-X-X-X-X-X-----|
S |--o---o---o---o-|
T |-----------oo---|
B |oo-----o-o-o-o--|
Part 5:
|-------X4-------|
C2 |-------------X--|X---------------|
C |X-X-X-X-X-X-XX--|X---------------|
S |----o-------o---|---------------o|
FT |----------------|--------------o-|
B |o------o-o---o--|----------------|
Part 6:
|--x3-w/o-crash--|
C |X---------------|----------------|
HH |----x---x---x---|x---x---X-------|
S |----c-----c---c-|----c---------o-|
FT |----------------|------------o---|
B |o-o-------------|o-o-------------|
Repeat part 3 for part 7
Repeat part 4 for part 8
Part 9:
|---in-total-repeat-x2------------|
|------x3--------|----------------|
C2 |-------------X--|----------X-----|
C |X-X-X-X-X-X-XX--|X-X-X-X-X---X---|
S |----o-------o---|----o---o-o-o---|
B |o------o-o---o--|o------o-o-o----|
C |X-X-X-X-X-X-X-X-|X-X-X-----------|
HH |-----------------------X---------|
S |----o-------o---|----o---oooooooo|
B |o-------oo------|o-o---o---------|
C |X-X-X---X-X-X-X-|---X----X-------|---X----X-------|
HH |----------------|--------------X-|--------------X-|
S |----o-------o---|ooo--ooo--------|ooo--ooo--------|
FT |----------------|-----------o----|-----------o-o--|
B |o------oo-o---o-|---o------o-----|---o------o-----|
Part 10:
C |X---------------|--------------X-|----------------|
HH |--X-X-X-X-X-X-X-|X-X-X-X-X-X-X---|X-X-X-X-X-X-X-X-|
S |--o---o---o---o-|--o---o---o---o-|--o---o---o---o-|
B |oo-----o-o------|oo-----o-o—-oo--|oo-----o-o—-oo--|
C |--------------X-|
HH |X-X-X-X---------|
S |--o---o-f-----o-|
B |oo-----o-ooooo--|
Part 11:
|-------X3-------|
C2 |-------------X--|----------X-----|
C |X-X-X-X-X-X-XX--|X-X-X-X-X---X---|
S |----o-------o---|----o---o-o-o---|
B |o------o-o---o--|o------o-o-o----|
Repeat part 2, last measure different:
C |X-X-X-X-X-X-X-X-|
S |o-o-o-o-o-o-o-o-|
B |-o-o-o-o-o-o-o-o|
Outro:
|------x3--------|
HF |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
B |oo-----o-oo-----|oo-----o-oo-----|
END
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official PAPA ROACH tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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