PAVEMENT - "Here" Tablature
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From gary@mc.com Sun Apr 27 11:29:40 1997
Date: Wed, 23 Apr 97 09:57:10 EDT
From: Gary Von Colln
To: guitar@olga.net
Subject: TAB: Here by Pavement
@Song: Here
Written by Pavement
Recorded by Pavement on album "Slanted and Enchanted" (Matador)
File format: tab
Transcription by Gary Von Colln
*******************************************************************************
Verse 1
A E6 Dmaj7
I was dressed for succes, but success it never comes
A E6
And I'm the only one who laughs, at your jokes when they are so bad
Dmaj7 A
And you jokes are always bad, but they're not as bad as this.
Chorus
E6 Dmaj7
Come join us in a prayer, we'll be waiting, waiting where
A
Everything's ending here.
Post chorus 1
D E A
And all the sterile striking it depends an empty dock you cast away
D E A
And rain upon you forehead where the mist's for hire if it's just too clear
D E A
Lets spend out last quarter stance randomly
D E A
Go down to the outlet once again
Verse 2
E6 Dmaj7
Paved portraits of minions and slaves, crotch mavens and one night plays
A E6
Are they the only ones who laugh? At the jokes when they are so bad
Dmaj7 A
And the jokes are always bad, but they're not as bad as this.
Chorus
E6 Dmaj7
Come join us in a prayer, we'll be waiting, waiting where
A
Everything's ending here.
Post chorus 2
D E A
And all the spanish candles unsold have gone away to this
D E A
And a "Run on piece of mount on" trembles shivers runs down the freeway
D E A
I guess she spent her last quarter randomly
D E G E
I guess a guess is the best I'll do
Outro
D E A A (several times)
D E G E (last time)
Standard tuning tab
Verses
A (repeat 4x) E6 (4x) Dmaj7 (4x)
e-|--------------|--------------|--------------|--------
B-|--------2-----|--------2-----|--------2-----|--------
G-|--2--2--2--2--|--------1-----|--2--2--2--2--|--------
D-|--2--2-----2--|--2--2-----2--|--0--0-----0--|--------
A-|--0--0-----0--|--2--2-----2--|--------------|--------
E-|--------------|--0--0-----0--|--------------|--------
Chorus
A/Asus4 E/E6/E7 D
e-|-----------------|--0--------------------------------|--2-----
B-|--2--3--2--3--2--|--0-----2-----3-----2-----3-----2--|--3-----
G-|--2--2--2--2--2--|--1-----1-----1-----1-----1-----1--|--2-----
D-|--2--2--2--2--2--|--2-----2-----2-----2-----2-----2--|--0-----
A-|--0--0--0--0--0--|--2--------------------------------|--------
E-|-----------------|--0--------------------------------|--------
come join us in a prayer, we've been waiting, waiting where
D/Dmaj7 A
e-|-----------------|--------
B-|--3--3--2--3--2--|--2-----
G-|--2--2--2--2--2--|--2-----
D-|--0--0--0--0--0--|--2-----
A-|-----------------|--0-----
E-|-----------------|--------
everything's ending here.
Post chorus
Dsus2 E
e-|--------------------------------|-----------0-----------------|-----------
B-|-----------5--------------5-----|--------0--------------0--2--|--3--2--2--
G-|--------2--------------2--------|--------------------2--------|--2--2--2--
D-|-----0--------------0-----------|-----2-----------2-----------|--2--2--2--
A-|--------------------------------|-----------------------------|--0--0--0--
E-|--------------------------------|-----------------------------|-----------
And all the sterile striking it depends an empty dock you cast away
Alternate tuning tab
I played around with alternate tunings and came up with this which
sounds pretty good to me. It's a slack tuning, meaning strings are
lowered in pitch by slackening the tension. You tune the strings (low
to high) to: D-A-D-G-A-C#. You can do this by tuning the 1st string
(the high e) down until it matches the sound of the 2nd string played
on the 2nd fret (C#). Then tune the 2nd string down until it matches
the sound of the 3rd string played on the 2nd fret. Finally, tune the
6th string down two semi-tones to D. You can tune it so that it
sounds an octive lower than the 4th string. If you're not good at
hearing octives, tune it so the 6th string played on the 12th fret
matches the 4th string. The 3rd, 4th, and 5th strings are not
altered.
Verses
A (repeat 4x) E6 (4x) Dmaj7 (4x)
C#-|--------0-----|--------0-----|--------0-----|--
A -|--------0-----|--------2-----|--------0-----|--
G -|--2--2-----2--|--1--1-----1--|--2--2-----2--|--
D -|--2--2-----2--|--X--X-----X--|--0--0-----0--|--
A -|--0--0-----0--|--2--2-----2--|--0--0-----0--|--
D -|--------------|--2--2-----2--|--0--0-----0--|--
Post Chorus
Dsus2 E A
C#-|-----------------------------|-----------------------------|--1--0--0--
A -|-----------7-----------7-----|-----------7-----------7-----|--0--0--0--
G -|-----------7-----------7-----|-----------9-----------9-----|--2--2--2--
D -|--------7-----------7--------|--------9-----------9--------|--2--2--2--
A -|-----5-----------5-----------|-----7-----------7-----------|--0--0--0--
D -|-----------------------------|-----------------------------|-----------
And all the sterile striking it depends an empty dock you cast away
Outro chords
D E A D E G E
C#-|----------------------------------------------------------------
A -|----------------------------------------------------------------
G -|--------------2-------------------------------------------------
D -|--0-----2-----2--------------------0-----2-----5-----2----------
A -|--0-----2-----0--------------------0-----2-----5-----2----------
D -|--0-----2--------------------------0-----2-----5-----2----------
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official PAVEMENT tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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