PITCHSHIFTER - "Triad" Tablature
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"Triad" by Pitch Shifter
from Desensitized ('93)
tuning - high to low DAFCGD (down 1 whole step)
these riffs are most of the song: there are a few slight variations,
but they're pretty obvious and easy to figure out.
intro riff (palm muting)
d |----------------------------------|
A |----------------------------------|
F |----------------------------------|
C |----------------------------------|
G |-2-2---2---2---2---2-8---8---8----|
D |-0-0---0---0---0---0-6---6---6----|
pm . . . . . .
main riff
d |----------------------------------|
A |----------------------------------|
F |----------------------------------|
C |---------------7------------------|
G |-2-2---2-8-----5-------5---4---5--|
D |-0-0---0-6---0-----0---3---2---3--|
pm . . . . .
these are played over the main riff; you can figure out the timing
d |------------|------------|
A |------------|-7/\/\/\----| <-- bend the crap out of this note
F |-7---7------|------------| to get that strange high noise
C |-5---5------|------------|
G |------------|------------|
D |------------|------------|
bass - main riff
F |----------------------------------|
C |----------------------------------|
G |---------------5------------------|
D |-0-0---0-6---0-----0---3---2---3--|
those strange noises you hear in the background are samples. forget
about playing them.
the song ends with a low D chord over the main bass riff.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official PITCHSHIFTER tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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