REVEILLE - "Bleed The Sky" Tablature
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Reveille
Blead the Sky
Hamonic = ( )
Intro
D#--------------------------|-------------------------|
A#--------2---2h3p2---2-----|-------2---2h3p2-----3-2-|
F#----2h3-----------3---3-2-|---2h3-----------2-3-----|
C#--0-------0---------------|-0-------0---------------|
G#----------------------------------------------------|
C#----------------------------------------------------|
D#--------------------------|---------------------------|
A#--------2---2h3p2---2-----|-------2---2-3-2---2-------|
F#----2h3-----------3---3-2-|---2h3-----------3---2-3-2-|
C#--0-------0---------------|-0-------0-----------------|
G#--------------------------|---------------------------|
C#--------------------------|---------------------------|
D#--------------------------|-------------------------|
A#--------2---2h3p2---2-----|-------2---2h3p2-----3-2-|
F#----2h3-----------3---3-2-|---2h3-----------2-3-----|
C#--0-------0---------------|-0-------0---------------|
G#----------------------------------------------------|
C#----------------------------------------------------|
D#--------------------------|---------------------------|
A#--------2---2h3p2---2-----|---------------------------|
F#----2h3-----------3---3-2-|--6--7---2-----------------|
C#--0-------0---------------|--6--7---2-----------------|
G#--------------------------|--4--5---0-----------------|
C#--------------------------|---------------------------|
D#---------------------------|--------------------------|
A#---------------------------|--------------------------|
F#---------------------------|--------------------------|
C#---------------------------|--------------------------|
G#----0h1-4---4h5p4--1-4-1-0-|---0h1-4---4h5p4--0-1-5-4-|
C#--0-------0----------------|-0-------0----------------|
D#---------------------------|--------------------------|
A#---------------------------|--------------------------|
F#---------------------------|--------------------------|
C#---------------------------|-6--7---2-----------------|
G#----0h1-4---4h5p4--1-4-1-0-|-6--7---2-----------------|
C#--0-------0----------------|-4--5---0-----------------|
Verse
D#------------------------------|--------------------------|
A#------------------------------|--------------------------|
F#------------------------------|--------------------------|
C#---------------------------3X-|--------------------------| Greg
G#----0h1-4---4h5p4--1-4-1-0----|---0h1-4---4h5p4--0-1-5-4-|
C#--0-------0-------------------|-0-------0----------------|
:to get the wierd effect use a delay and start with the volume off
play the not and the raise then lower the volume i use a volume petal
but steve uses the volume nobe on his guitar:
D#---------------|--------------|
A#-(7)----11-----|-------11-----|
F#-(5)-----------|--------------|
C#------------(7)|-(7)-------(7)| Steve
G#---------------|-(7)----------|
C#---------------|--------------|
Bridge
D#---------------------------|
A#---------------------------|
F#--6--7---2-----------------|
C#--6--7---2-----------------|
G#--4--5---0-----------------|
C#---------------------------|
Chorus (the first chorus use notes frome these chords
sorry i didn't take the time to figure it out)
D#----------------------|
A#----------------------|
F#----------------------|
C#--0---8---4---4/5-5\3-|
G#--0---8---4---4/5-5\3-|
C#--0---8---4---4/5-5\3-|
D#---------------------------|--------------------------|
A#--14-15--------------------|-14-15-------------15-----|
F#--------14----15-14-12-----|-------14----15-14--------|
C#------------------------12-|-----------------------12-|
G#---------------------------|--------------------------|
C#---------------------------|--------------------------|
clean with flanger
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------------------------------|
G#----------------------------------| 4x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
pm----------------------------------
distorted
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------------------------------|
G#----------------------------------| 7x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
pm----------------------------------
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#------------------2---------------|
G#------------------2---------------|
C#--2h3-0---2h3-0---2--------(5)----|
pm---------------
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
G#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-| 7x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#--2h3-0---2h3-0---2h3-0-0-3-------| 1x
G#--2h3-0---2h3-0---2h3-0-0-3-------|
C#--2h3-0---2h3-0---2h3-0-0-3-------|
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
G#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-| 7x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------2h3-0---2h3-0-3h4-0-4h5-|
G#----------2h3-0---2h3-0-3h4-0-4h5-| 1x
C#----------2h3-0---2h3-0-3h4-0-4h5-|
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
G#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-| 1x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
A#----------------------------------|
F#----------------------------------|
C#----------2h3-0---2h3-0-0-3-------| 1x
G#----------2h3-0---2h3-0-0-3-------|
C#----------2h3-0---2h3-0-0-3-------|
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------------------------------|
G#----------------------------------| 3x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
pm----------------------------------
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------------------------------|
G#----------------------------------| 1x
C#----------2h3-0---2h3-0-0-3-------|
pm----------------------------------
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------------------------------|
G#----------------------------------| 3x
C#--2h3-0---2h3-0---2h3-0-3h4-0-4h5-|
pm----------------------------------
D#----------------------------------|
A#----------------------------------|
F#----------------------------------|
C#----------------------0-0-3-------|
G#----------------------0-0-3-------| 1x
C#----------2h3-0---2h3-0-0-3-------|
pm----------------------------------
D#-------------------------|-------|
A#-------4-------4---------|-------|
F#-------6-------6b---6----|-------|
C#--0-0------0-0-----------|-0-0-3-|
G#--0-0------0-0--------3x-|-0-0-3-|
C#--0-0------0-0-----------|-0-0-3-|
D#------------------------------------------------|
A#---------------------------------------------4--|
F#---------------------------------------------6B-|
C#--0-0-0------0-0-0-0------0-0-0------0-0-0-0----|
G#--0-0-0------0-0-0-0------0-0-0------0-0-0-0----| 2x
C#--0-0-0------0-0-0-0------0-0-0------0-0-0-0----|
D#------------------------------------------------|
A#---------------------------------------------4--|
F#---------------------------------------------6B-|
C#--0-0-0-xxxx-0-0-0-0-xxxx-0-0-0-xxxx-0-0-0-0----| 2x
G#--0-0-0-xxxx-0-0-0-0-xxxx-0-0-0-xxxx-0-0-0-0----|
C#--0-0-0-xxxx-0-0-0-0-xxxx-0-0-0-xxxx-0-0-0-0----|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official REVEILLE tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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