SCREECHING WEASEL - "automatic rejector" Tablature
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From: OpenFace@aol.com
Date: Fri, 12 Jan 1996 22:13:38 -0500
Subject: CRD: "Automatic Rejector," Screeching Weasel
"Automatic Rejector"
performed by Screeching Weasel
written by Ben Weasel, Danny Vapid, Jughead, John Personality, and Dan Panic
(C) 1992 No Budget Productions
(P) 1992 Lookout! Records
from the Lookout! Records release Wiggle (LK 63 LP/CS/CD)
transcribed by Mike Ripplinger (openface@aol.com)
[Notes]
* The lead is a single note, struck once and bent. Usually it is a C#,
played at the 9th fret on the high E, but after the second chorus there is a
brief key change, at which time it is a D#, played at the 11th fret on the
high E.
* pmf = rest your picking palm across the strings and strike the chord up and
down, creating a "palm-mute/feedback" sound.
***
["Automatic Rejector"]
[ C# / F# ] x2
[ C# / F# ] (with lead) x4
[Verse]:
C# F#
He had a ...
C# F#
He didn't know ...
C# F#
He said, "Maybe ...
C# F# B
Action tonight from that bitch" ...
[Chorus]:
C# B
She's the ..
C#(pmf)
She's the automatic ....
[ C# / F# ] (with lead) x4
[Verse]:
He came up behind ....
[Repeat Chorus]
[ C# / F# ] (with lead) x4
[ D# / G# ] (with lead) x2
[ C# / F# ] (with lead) x2
[Repeat Chorus]
[Outro: C#-F#-C# / F#] Repeat this with "Automatic rejector, automatic
rejector..." End on C#. The outro's lead is one note: C#, played at the
11th fret on the D string.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official SCREECHING WEASEL tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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