SILVERCHAIR - "faultline" Tablature
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FAULTLINE by silverchair
Transposed by Braamo (bpsmith@socs.uts.edu.au)
Drop D tuning
Not much tablature to speak of, just a shit loada chords:
D(2) D# E F G A Bb Bb6 C C6 D(1) D6
E------------------------0--1--1--3--3--5---5--
B------------------------2--3--1--5--3--7---5--
G------------------------2--3--3--5--5--7---7--
D--------0---1--2--3--5--2--3--3--5--5--7---7--
A--------0---1--2--3--5--0--1--1--3--3--5---5--
D--------0---1--2--3--5------------------------
Verse:
D(1) D6 D(1) C6 C C6 C C6 C C6
Unsuspecting brother .... doesn't know what to do
Bb6 Bb G
When everything just falls to the ground...
(same again)
He runs to find some cover, he doesn't have a clue
That his friend will never be found.
Bb C Bb G
When he's informed, that he....
Chorus: [Over-drive/distortion]
F F F D(2) F D#
Will never see the boy, will never see the boy,
Bb G
Will never see him open his eyes.
D(2) F G
We'll never see the boy, we'll never see the boy
Bb G
We'll only hear his heavenly cries
Bb C Bb G F F F
Ooh yeah, ooh.
D(2) A Bb G D(2) A Bb C
Ooh! Ooh!
After second chorus, the interlude ("While still you're
alive...") repeats:
D / A G F / / /
Chord progression before the song holds on C is
D / A G F E D C
After the power C which holds for
8 beats a D(2) is played and held for 8 beats.
The song finishes with an indecipherable sequence which seems to be just
C and D in no particular order. I just play this by repeating:
E-----------------------------------------------|
B---7---5---7---5---5---(7)---5-----------------|
G---7---5---7---5---5---(7)---5-----------------|
D---7---5---7---5---5---(7)---5-----------------|
A-----------------------------------------------|
D-----------------------------------------------|
The same chord progression described above is played (a little quicker)
after this little interlude and the song finishes like this:
C / / / / / / D
Braamo
(bpsmith@socs.uts.edu.au)
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official SILVERCHAIR tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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