SODA STEREO - "primavera 0" Tablature
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Primavera 0
By Soda Stereo
Transcription by Enrique Zamudio (zamudioe@risc.uia.mx)
This is from Soda Stereo's "Dynamo" album. I hope you enjoy it.
The whole song has a heavy distortion. On some parts (the chorus and the
one we might call solo) there are two guitars, both with the same effects.
Intro
!---------------------------------------------------------------------------!
!---------------------------------------------------------------------------!
!---------------------------------------------------------------------------!
!---10-10-10-10-10-10-10-10-9-9-9-9-9-9-9-9-8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-!
!---10-10-10-10-10-10-10-10-9-9-9-9-9-9-9-9-8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-!
!----8--8--8--8--8--8--8--8-7-7-7-7-7-7-7-7-6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-!
* See note below
!---------------------------------------------------------------------------!
!---------------------------------------------------------------------------!
!----------------------------------10-10-10-10-10-10-10-10-9-9-9-9-9-9-9-9--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9-9--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5--8--8--8--8--8--8--8--8-7-7-7-7-7-7-7-7--!
!--4-4-4-4-4-4-4-4-3-3-3-3-3-3-3-3------------------------------------------!
!--------------------------------------------------------------------!
!--------------------------------------------------------------------!
!--8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-3-3-3-3-3-3-3-3--3-3-3-3-3-3-3-3--!
!--------------------------------------------------------------------!
!------------------------------------!
!------------------------------------!
!------------------------------------!
!--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--3-3-3-3-3-3-3-3--3-3-3-3-3-3-3-3--!
On the part marked with *, a second guitar comes in with a feedback
that gives a high F. When the rhythm is changing from E to D#, the
feedback pulls up to G and goes back to F. It pull up again on the
second C going to G.
(The voice comes in along with the drums and the bass, no guitar until *)
C B A# A
Fluorescente azul, ...
G# G F
donde todo ...
E D# D C *(guitar enters here)
siempre vuelve a dar ....
C G
entera...
C B A# A
Nena, tal vez fui un sue¤o de ...
G# G F
la verdad es que ...
E D# D C
y ahora estoy aqu¡, temblando fr ...
C G
y la espero...
Chorus
Primavera, 0...
!------------------------------------------------------------------!
!-------6-----6---------6-----6---------6-----6---------6-----6----!
!-----5-----5---5-----5-----5---5-----5-----5---5-----5-----5---5--!
!------------------------------------------------------------------!
!------------------------------------------------------------------!
!--5---------------6---------------8---------------6---------------!
(the second time, play to C {fret 8, string 6} and go back to the verse figure)
C B A# A
El avi¢n se va, ...
G# G F
goles suenan ...
E D# D C C G G
y te ...
Play the chorus again, but at the same time another guitar comes in with
this:
!----------------------------------------------------------------------!
!----------------------------------------------------------------------!
!--------------------------------5--7--9--10--12-12>14<12-12-12>14<12--!
!--------------------------5--7----------------------------------------!
!-----------------5--7--8----------------------------------------------!
!--5--6--8--6--8-------------------------------------------------------!
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
!-------------------------------------------------------------!
!--------------------------13-13------13---13---13------------!
!--12-12>14<12-12-12>14<12------------------------------------!
!-------------------------------------------------------------!
!-------------------------------------------------------------!
!-------------------------------------------------------------!
!--14>15---14>15-----------------------14>15--------!
!------------------11-13--13-13>15--13-------11-13--!
!---------------------------------------------------!
!---------------------------------------------------!
!---------------------------------------------------!
!---------------------------------------------------!
(End Solo) primavera 0...
!--------11-13------------!-----------------------------------!
!--11-13------------11-13-!-----------------------------------!
!-------------10-12-------!-----------------------------------!
!-------------------------!-----------------------------------!
!-------------------------!--7-7-7-7-7-7-7-7-8-8-8-8-8-8-8-8--!
!-------------------------!--5-5-5-5-5-5-5-5-6-6-6-6-6-6-6-6--!
!------------------------------------------!
!------------------------------------------!
!------------------------------------------!
!------------------------------------------!
!--10-10-10-10-10-10-10-10-8-8-8-8-8-8-8-8-!
!---8--8--8--8--8--8--8--8-6-6-6-6-6-6-6-6-!
(again, one guitar does the previous while the other one climbs up
to C. The split is on C, when one returns to B flat the second one
does the following)
(feedback - bend down)
!-------------------------------------------------------!
!-------------------------------------------------------!
!----------------------------------------------------5--!
!----------------------------------------------------5--!
!-5-5-5-5-5-5-5-5-7-7-7-7-7-7-7-7-8-8-8-8-8-8-8-8----3--!
!-------------------------------------------------------!
That's it. I hope someone will use this...
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official SODA STEREO tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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