SODA STEREO - "signos" Tablature
Official SODA STEREO Tablature & Sheet Music »
Date: Wed, 28 Feb 2001 15:14:09 -0500
From: Enrique Zamudio <ezamudio@northamsoft.com>
Subject: s/soda_stereo/signos.tab
SIGNOS
Soda Stereo
>From the album SIGNOS, 1986
Published by Sony Music
NOTES
The part previous to the last chorus was submitted to me by Mariano
Batista from Argentina.
La parte previa al ultima coro me la envio Mariano Batista desde
Argentina.
Enrique Zamudio Lopez (ezamudio@northamsoft.com)
Mariano Batista
-------------------------------------------------------------------------------
I'll just skip the intro for the moment because it's kind of hard to
write, but I can tell you it starts in A (played in the D string,
seventh fret).
Por el momento me salto la introduccion porque esta dificil de escribir,
pero puedo decirles que empieza en La, en el septimo traste de la cuarta
cuerda.
-------------------------------------------------------------------------------
Use a delay time of 35 milliseconds to get the right effect, and try to
mute the strings a little, don't let the arpeggio ring too much.
Usa un delay con 35 milisegundos de retardo para que suene bien y trata
de apagar un poco el sonido, no dejes que se quede sonando el arpegio
mucho tiempo.
Main loop | Figura principal
E|---------------------------------------------------------------------|
B|---------------------------------------------------------------------|
G|-----5-------5--------9--------9--------7--------7-------5-------5---|
D|---7---7---7---7----9---9----9---9----9---9----9---9---7---7---7---7-|
A|-7-------7-------10-------10-------10-------10-------8-------8-------|
E|---------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|-----5-------5------9------9-------12--------12--------10----------10------|
D|---7---7---7---7--9---9--9---9--12----12--12----12--12----12----12----12---|
A|-7-------7------10-----10-----13--------13--------12---------12------------|
E|---------------------------------------------------------------------------|
You play the previous figure during the verses, interrupted by two
chords,
Am and CM, and then this:
Toca lo anterior en las estrofas, y al terminar la primera estrofa tocas
La menor y Do Mayor para luego tocar esto:
slide slide
E|-3/5--------5/8----------------------------------|
B|-------------------------------------------------|
G|-------------------------------------------------|
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
The chorus is made of chords, which are like this:
En los coros son puros acordes, asi:
Am DM
Signos
Am DM CM
mi parte insegura
Am DM
bajo una luna hostil
Am DM CM
Signos, oh
This is played after the chorus:
Luego del coro tocas esto:
E|-----------3----------------------------------3-----------------------------|
B|---1---0------------1---0---3---------1---0-------------1---0---3-----------|
G|-0----------------0---------------0-----------------0-----------------------|
D|----------------------------------------------------------------------------|
A|----------------------------------------------------------------------------|
E|----------------------------------------------------------------------------|
After the second chorus there is this little riff, twice:
Luego del segundo coro viene esto, dos veces:
slide
E|----------------------------------------------------------------------------|
B|-----------------------------------------------14/17------------------------|
G|----14--17--14--16--14--16--14-----14--17--14-------------------------------|
D|-14-----------------------------14------------------------------------------|
A|----------------------------------------------------------------------------|
E|----------------------------------------------------------------------------|
Then you play these chords:
E|-5---4---5---8--------------------------------------------------------------|
B|-6---6---6---6---5----6-----5-----3-----------------------------------------|
G|-7---7---7---7---5------5-----5---------------------------------------------|
D|-----------------5--------5-----5-------------------------------------------|
A|-----------------3----------------------------------------------------------|
E|----------------------------------------------------------------------------|
Then you play some fast arpeggios using these chords (twice each one):
Luego siguen unos arpegios rapidos tocando dos veces cada uno de estos
acordes:
EADGBe
xx0101
EADGBe
xx3434
EADGBe
xx6767
E A D G B e
x x 9 10 9 10
The keyboard (or guitar) that goes along with the verses is like this:
El teclado o guitarra que acompaña los arpegios de las estrofas es asi:
E|--------3------------------------------------------------------------------|
B|--------------------------5--6--5-----------3--------------6--5--3--0--3--0|
G|--4--5--------4--5--4--2--------------4--5-----5--4--0--2------------------|
D|---------------------------------------------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
Enjoy...
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official SODA STEREO tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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