SUNNY DAY REAL ESTATE - "grendel" Tablature
Official SUNNY DAY REAL ESTATE Tablature & Sheet Music »
From: MURDOCK479@aol.com
Date: Sun, 14 Jun 1998 23:37:12 EDT
Subject: s/sunny_day_real_estate/grendel.tab
INCOMPLETE REVISION
REVISION IN PROCESS
Tabbed by Brian (Ansigod) McCall <bpmccal@hubcap.clemson.edu>
(Submitted by Daniel Laurine)
GRENDEL - by Sunny Day Real Estate from the album Diary
======= written by Jeremy Enigk and Dan Hoerner
D Tuning (D G C F A D) = a whole step down
Spacey feedback intro and background
*1
G1 (left channel) clean
|-------0-------------0-------------0-------------0----------------
|-----1----1--------1----1--------1----1--------1------------------
|---0--------0----0--------0----0--------0----0--------0-----------
|-3-------------2-------------3-------------2--------2-------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|-------0-------------0-------------0-------------0----------------
|-----1----1--------1----1--------1----1--------1----1-------------
|---0--------0----2--------2----0--------0----0--------0-----------
|-3-------------2--------------------------------------------------
|-----------------------------3-------------3----------------------
|------------------------------------------------------------------
*2
G1
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|-15--13-----------------------------------------------------------
|-X---X------------------------------------------------------------
|-13--11-----------------------------------------------------------
|------------------------------------------------------------------
^repeat
G2
|------------------------------------------------------------------
|-8--8---8--8\---X-X--8--8---8--8\---X-X--8--8---8--8\---X-X--9-/--
|-X--X---X--X----X-X--X--X---X--X----X-X--X--X---X--X----X-X--X-/--
|-5--5---5--5\---X-X--5--5---5--5\---X-X--5--5---5--5\---X-X--6-/--
|----------------X-X-----------------X-X-----------------X-X-------
|----------------X-X-----------------X-X-----------------X-X-------
|------------------------------------------------------------------
|-11\-9------------------------------------------------------------
|-X---X------------------------------------------------------------
|-8-\-6------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
^repeat
Repeat *1
*3 (Prechorus)
G1 Distortion
|------------------------------------------------------------------
|------------------------------------------------------------------
|-12-12--12-12--13-13--13-13--13-13-13/-15-15--13-13--15-15--13-13-
|-X--X---X--X---X--X---X--X---X--X--X---X--X---X--X---X--X---X--X--
|-10-10--10-10--11-11--11-11--11-11-11/-13-13--11-11--13-13--11-11-
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|-12-13-12\--------------------------------------------------------
|-X--X--X----------------------------------------------------------
|-10-11-10\--------------------------------------------------------
|------------------------------------------------------------------
G2 Distortion (I'm very uncertain about these, but they go well with G1)
|------------------------------------------------------------------
|------------------------------------------------------------------
|-7--7---7--7---8--8---8--8---8--8--8-/-10-10--8--8---10-10--8--8--
|-5--5---5--5---6--6---6--6---6--6--6-/-8--8---6--6---8--8---6--6--
|-3--3---3--3---3--3---3--3---3--3--3-/-3--3---3--3---3--3---3--3--
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|-7--8--7----------------------------------------------------------
|-5--6--5----------------------------------------------------------
|-3--3--3----------------------------------------------------------
|------------------------------------------------------------------
Repeat *2 with distortion for Chorus
Transition after Chorus
G2 (slight distortion)
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|-2-2p0-2-2p0-2-2p0-2-2p0-2-2p0....2-------------------------------
|------------------------------------------------------------------
G1 (still distorted)
|------------------------------------------------------------------
|------------------------------------XXXX--------------------------
|------------------------------------XXXX13--15--13-12-------------
|------------------------------------XXXXX---X---X--X--------------
|------------------------------------XXXX11--13--11-10-------------
|------------------------------------XXXX--------------------------
Repeat *1
Well, I think you get the idea. Please send corrections etc...to the
address at the top of the page. Thanks.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official SUNNY DAY REAL ESTATE tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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