SUPERDRAG - "sucked out" Tablature
Official SUPERDRAG Tablature & Sheet Music »
Date: Tue, 19 Nov 1996 16:18:33 -0500
From: Michael Richards <fmrtst1@smtp.geisinger.edu>
Subject: TAB: Sucked Out by Superdrag
Sucked Out by Superdrag
transcribed by Mike Richards
PLEASE NOTE: The guitar and bass parts do not nessecarily
line up. The bass part is also not exact, but
it should be semi-helpful.
Verse: Play the first line reasonably clean, then kick in
the distortion for the verse riff.
--Intro riff--
E B C#m G# A E B
--------------------------------------------------------------------
------9-----------------5---------------------------------------7---
------9-----------------6-----------------7-------------------8-----
----9---------9-------6---------6---------7-------2---------9-------
--7---------9---9---4---------6---6-----7-------2---2-----9---------
----------7-----------------4---------5-------0---------7-----------
--Verse riff-- (I'm not sure if I have the positions for the E and
the B correct. There's too much distortion for me
to tell.)
E B C#m G# A E B
|-7-7-7-7--7-7-7-7--4-4-4-4--4-4-4-4--5-5-5-5--7-7-7-7--7-7-7-7-7-7-
|-9-9-9-9--7-7-7-7--5-5-5-5--4-4-4-4--5-5-5-5--9-9-9-9--7-7-7-7-7-7-
|-9-9-9-9--8-8-8-8--6-6-6-6--5-5-5-5--6-6-6-6--9-9-9-9--8-8-8-8-8-8-
|-9-9-9-9--9-9-9-9--6-6-6-6--6-6-6-6--7-7-7-7--9-9-9-9--9-9-9-9-9-9-
|-7-7-7-7--9-9-9-9--4-4-4-4--6-6-6-6--7-7-7-7--7-7-7-7--9-9-9-9-9-9-
|----------7-7-7-7-----------4-4-4-4--5-5-5-5-----------7-7-7-7-7-7-
|
|
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-7-7-7-7-----------4-4-4-4--------------------7-7-7-7--------------
|----------7-7-7-7-----------4-4-4-4--5-5-5-5-----------7-7-7-7-7-7-
Pre-chorus: Those little dots are stacatto marks. They indicate
that the note or notes should be played short. There.
You learned something about standard notation. :)
--Pre-Chorus riff--
C#m G# A B
. . . . . . . . . . . . . . . .
|-4-4-4-4--4-4-4-4---||---5-5-5-5--7-7-7-7---||---------------------
|-5-5-5-5--4-4-4-4---||---5-5-5-5--7-7-7-7---||---------------------
|-6-6-6-6--5-5-5-5--.||.--6-6-6-6--8-8-8-8--.||---------------------
|-6-6-6-6--6-6-6-6--.||.--7-7-7-7--9-9-9-9--.||---------------------
|-4-4-4-4--6-6-6-6---||---7-7-7-7--9-9-9-9---||---------------------
|----------4-4-4-4---||---5-5-5-5--7-7-7-7---||---------------------
|
|--------------------||---------------------------||----------------
|-------------------.||.-------------------------.||----------------
|-4-4-4-4-----------.||.-------------------------.||----------------
|----------4-4-4-4---||---4-3-2-2-2-2-/7-7-7-7\---||----------------
Chorus:
--Chorus riff--
|--------------------------------------------------------------------
|--7--7-6--6--------------9------------------------------------------
|------------9--9--7-6-7---------------------------------------------
|--------------------------------------------------------------------
Solo: Here's what I make of the solo. Some feedback comes in a
measure or two before. Everything should be right except
I'm not sure about the part at the end where the notes are
held under the vocals but I think its right. Rhythm guitar
and bass play the verse parts behind the solo.
--Solo--
-----------------------------------------------------------------||
--9-9-9-9---------------------------------------------8b(9)--7---||
-----------6-8---8--8b(9)r8--6h8--5--8--6-6-6-6h8--4------------.||
----------------------------------------------------------------.||
-----------------------------------------------------------------||
-----------------------------------------------------------------||
--------------------------------------------------------------------
-----9h10p9---------------------------------------------------------
--8----------9~~~~~~~--8~~~~~~~~--6~~~~~~~~~--8~~~~~~~~~~~----------
--------------------------------------------------------------------
--------------------------------------------------------------------
--------------------------------------------------------------------
Outro: Again, feedback about a measure before.
Repeat and fade.
--Outro--
A Ab F# E
. . . . . . . .
|-5-5-4-4-2-2-0-0---||----------------------------------------------
|-5-5-4-4-2-2-0-0---||----------------------------------------------
|-6-6-5-5-3-3-1-1--.||----------------------------------------------
|-7-7-6-6-4-4-2-2--.||----------------------------------------------
|-7-7-6-6-4-4-2-2---||----------------------------------------------
|-5-5-4-4-2-2-0-0---||----------------------------------------------
|
|
|-----------------------------||------------------------------------
|-7--7-6--6-4--4--/14-13-14--.||------------------------------------
|----------------------------.||------------------------------------
|-----------------------------||------------------------------------
Order: Intro riff, verse riff, Pre-chorus riff, chorus riff x2,
Verse riff x2, Pre-chorus riff, Chorus riff x4
Solo, Pre-chorus riff, Chorus riff x4, Outro and fade
Sucked Out - Superdrag
Tabbed by: Bryan T. Livengood
E-mail: TREeGODS@labyrinth.net
Tune 1/2 step down
d = down stroke u = up stroke ^ = 1/2 step bend
The song starts with the verse chord pattern arpegiated:
|----------------------------------------------------------------------2----|
|--------0--------4---------5--------4---------5---------0----------4-----|
|------1--------4---------6---------5---------6---------1----------4------|
|----2--------4---------6---------6---------7---------2----------4--------|
|--2--------2---------4---------6---------7---------2----------2----------|
|---------------------------------------------------------------------------|
After that opening, it falls into a pattern as follows:
verse strumming pattern (1x)
pre-chorus strumming pattern (1x)
chorus bassline (2x)
verse strumming patter (2x)
pre-chorus strumming pattern (1x)
chorus bassline (4x)
solo, with verse strumming pattern (2x)
pre-chorus strumming pattern (1x)
chorus bassline (4x)
chours strumming pattern and bassline until end
Here are all your patterns:
Verse: E, B, C#m, G#, A, E, B
|--0--0--0--2--2--2--4--4--4--4--4--4--4--5--5--5--0--0--0--2--2--2--2--2--2--2--2--|
|--0--0--0--4--4--4--5--5--5--5--4--4--4--5--5--5--0--0--0--4--4--4--4--4--4--4--4--|
|--1--1--1--4--4--4--6--6--6--6--5--5--5--6--6--6--1--1--1--4--4--4--4--4--4--4--4--|
|--2--2--2--4--4--4--6--6--6--6--6--6--6--7--7--7--2--2--2--4--4--4--4--4--4--4--4--|
|--2--2--2--2--2--2--4--4--4--4--6--6--6--7--7--7--2--2--2--2--2--2--2--2--2--2--2--|
|--0--0--0--2--2--2--4--4--4--4--4--4--4--5--5--5--0--0--0--2--2--2--2--2--2--2--2--|
d d u d d u d u d u d d u d d u d d u d u d u d u d u
Pre-Chorus: C#m, G#, C#m, G#, F#m, Bsus2, F#m, Bsus2
|--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--2--2--2--2--2--2--2--2--2--2--2--2--
|--5--5--5--5--4--4--4--4--5--5--5--5--4--4--4--4--2--2--2--2--2--2--2--2--2--2--2--2--
|--6--6--6--6--5--5--5--5--6--6--6--6--5--5--5--5--2--2--2--2--4--4--4--4--2--2--2--2--
|--6--6--6--6--6--6--6--6--6--6--6--6--6--6--6--6--4--4--4--4--4--4--4--4--4--4--4--4--
|--4--4--4--4--6--6--6--6--4--4--4--4--6--6--6--6--4--4--4--4--2--2--2--2--4--4--4--4--
|--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--2--2--2--2--2--2--2--2--2--2--2--2--
d d d d d d d d etc. (all down strokes)
--2--2--2--2--|
--2--2--2--2--|
--4--4--4--4--|
--4--4--4--4--|
--2--2--2--2--|
--2--2--2--2--|
Chorus (bassline)
|--3--3-2--2--------------5--|
|--------------5--5-3-2-3----|
|------------------------------|
|------------------------------|
Chorus (strumming pattern): G#, A, E
|--4--4--4--5--5--5--5--0--0--0--0--0--0--0--0--|
|--4--4--4--5--5--5--5--0--0--0--0--0--0--0--0--|
|--5--5--5--6--6--6--6--1--1--1--1--1--1--1--1--|
|--6--6--6--7--7--7--7--2--2--2--2--2--2--2--2--|
|--6--6--6--7--7--7--7--2--2--2--2--2--2--2--2--|
|--4--4--4--5--5--5--5--0--0--0--0--0--0--0--0--|
d d u d u d u d u d u d u d u
Solo
|--------------------------------------------------------------------
|--9^-9--------------------------------------------------------------
|--------11-8--11-8----8------------------8-----8-11-8----8-11---
|---------------------11---11-9-11---9-11---11---------11--------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|-----------------------------------------------------------------------------|
|--9^-9--------------------------------------------------------------9^9----|
|--------11-8--11-8----8------------------8--11-8----8-11-8-11-------9--|
|---------------------11---11-9-11---9-11---------11----------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
The basslines not tabbed simply follow the guitar chords. Well, that's it have fun!\
From: Michael Richards <fmrtst1@smtp.geisinger.edu>
Subject: TAB: Sucked Out by Superdrag
Sucked Out by Superdrag
transcribed by Mike Richards
PLEASE NOTE: The guitar and bass parts do not nessecarily
line up. The bass part is also not exact, but
it should be semi-helpful.
Verse: Play the first line reasonably clean, then kick in
the distortion for the verse riff.
--Intro riff--
E B C#m G# A E B
--------------------------------------------------------------------
------9-----------------5---------------------------------------7---
------9-----------------6-----------------7-------------------8-----
----9---------9-------6---------6---------7-------2---------9-------
--7---------9---9---4---------6---6-----7-------2---2-----9---------
----------7-----------------4---------5-------0---------7-----------
--Verse riff-- (I'm not sure if I have the positions for the E and
the B correct. There's too much distortion for me
to tell.)
E B C#m G# A E B
|-7-7-7-7--7-7-7-7--4-4-4-4--4-4-4-4--5-5-5-5--7-7-7-7--7-7-7-7-7-7-
|-9-9-9-9--7-7-7-7--5-5-5-5--4-4-4-4--5-5-5-5--9-9-9-9--7-7-7-7-7-7-
|-9-9-9-9--8-8-8-8--6-6-6-6--5-5-5-5--6-6-6-6--9-9-9-9--8-8-8-8-8-8-
|-9-9-9-9--9-9-9-9--6-6-6-6--6-6-6-6--7-7-7-7--9-9-9-9--9-9-9-9-9-9-
|-7-7-7-7--9-9-9-9--4-4-4-4--6-6-6-6--7-7-7-7--7-7-7-7--9-9-9-9-9-9-
|----------7-7-7-7-----------4-4-4-4--5-5-5-5-----------7-7-7-7-7-7-
|
|
|-------------------------------------------------------------------
|-------------------------------------------------------------------
|-7-7-7-7-----------4-4-4-4--------------------7-7-7-7--------------
|----------7-7-7-7-----------4-4-4-4--5-5-5-5-----------7-7-7-7-7-7-
Pre-chorus: Those little dots are stacatto marks. They indicate
that the note or notes should be played short. There.
You learned something about standard notation. :)
--Pre-Chorus riff--
C#m G# A B
. . . . . . . . . . . . . . . .
|-4-4-4-4--4-4-4-4---||---5-5-5-5--7-7-7-7---||---------------------
|-5-5-5-5--4-4-4-4---||---5-5-5-5--7-7-7-7---||---------------------
|-6-6-6-6--5-5-5-5--.||.--6-6-6-6--8-8-8-8--.||---------------------
|-6-6-6-6--6-6-6-6--.||.--7-7-7-7--9-9-9-9--.||---------------------
|-4-4-4-4--6-6-6-6---||---7-7-7-7--9-9-9-9---||---------------------
|----------4-4-4-4---||---5-5-5-5--7-7-7-7---||---------------------
|
|--------------------||---------------------------||----------------
|-------------------.||.-------------------------.||----------------
|-4-4-4-4-----------.||.-------------------------.||----------------
|----------4-4-4-4---||---4-3-2-2-2-2-/7-7-7-7\---||----------------
Chorus:
--Chorus riff--
|--------------------------------------------------------------------
|--7--7-6--6--------------9------------------------------------------
|------------9--9--7-6-7---------------------------------------------
|--------------------------------------------------------------------
Solo: Here's what I make of the solo. Some feedback comes in a
measure or two before. Everything should be right except
I'm not sure about the part at the end where the notes are
held under the vocals but I think its right. Rhythm guitar
and bass play the verse parts behind the solo.
--Solo--
-----------------------------------------------------------------||
--9-9-9-9---------------------------------------------8b(9)--7---||
-----------6-8---8--8b(9)r8--6h8--5--8--6-6-6-6h8--4------------.||
----------------------------------------------------------------.||
-----------------------------------------------------------------||
-----------------------------------------------------------------||
--------------------------------------------------------------------
-----9h10p9---------------------------------------------------------
--8----------9~~~~~~~--8~~~~~~~~--6~~~~~~~~~--8~~~~~~~~~~~----------
--------------------------------------------------------------------
--------------------------------------------------------------------
--------------------------------------------------------------------
Outro: Again, feedback about a measure before.
Repeat and fade.
--Outro--
A Ab F# E
. . . . . . . .
|-5-5-4-4-2-2-0-0---||----------------------------------------------
|-5-5-4-4-2-2-0-0---||----------------------------------------------
|-6-6-5-5-3-3-1-1--.||----------------------------------------------
|-7-7-6-6-4-4-2-2--.||----------------------------------------------
|-7-7-6-6-4-4-2-2---||----------------------------------------------
|-5-5-4-4-2-2-0-0---||----------------------------------------------
|
|
|-----------------------------||------------------------------------
|-7--7-6--6-4--4--/14-13-14--.||------------------------------------
|----------------------------.||------------------------------------
|-----------------------------||------------------------------------
Order: Intro riff, verse riff, Pre-chorus riff, chorus riff x2,
Verse riff x2, Pre-chorus riff, Chorus riff x4
Solo, Pre-chorus riff, Chorus riff x4, Outro and fade
Sucked Out - Superdrag
Tabbed by: Bryan T. Livengood
E-mail: TREeGODS@labyrinth.net
Tune 1/2 step down
d = down stroke u = up stroke ^ = 1/2 step bend
The song starts with the verse chord pattern arpegiated:
|----------------------------------------------------------------------2----|
|--------0--------4---------5--------4---------5---------0----------4-----|
|------1--------4---------6---------5---------6---------1----------4------|
|----2--------4---------6---------6---------7---------2----------4--------|
|--2--------2---------4---------6---------7---------2----------2----------|
|---------------------------------------------------------------------------|
After that opening, it falls into a pattern as follows:
verse strumming pattern (1x)
pre-chorus strumming pattern (1x)
chorus bassline (2x)
verse strumming patter (2x)
pre-chorus strumming pattern (1x)
chorus bassline (4x)
solo, with verse strumming pattern (2x)
pre-chorus strumming pattern (1x)
chorus bassline (4x)
chours strumming pattern and bassline until end
Here are all your patterns:
Verse: E, B, C#m, G#, A, E, B
|--0--0--0--2--2--2--4--4--4--4--4--4--4--5--5--5--0--0--0--2--2--2--2--2--2--2--2--|
|--0--0--0--4--4--4--5--5--5--5--4--4--4--5--5--5--0--0--0--4--4--4--4--4--4--4--4--|
|--1--1--1--4--4--4--6--6--6--6--5--5--5--6--6--6--1--1--1--4--4--4--4--4--4--4--4--|
|--2--2--2--4--4--4--6--6--6--6--6--6--6--7--7--7--2--2--2--4--4--4--4--4--4--4--4--|
|--2--2--2--2--2--2--4--4--4--4--6--6--6--7--7--7--2--2--2--2--2--2--2--2--2--2--2--|
|--0--0--0--2--2--2--4--4--4--4--4--4--4--5--5--5--0--0--0--2--2--2--2--2--2--2--2--|
d d u d d u d u d u d d u d d u d d u d u d u d u d u
Pre-Chorus: C#m, G#, C#m, G#, F#m, Bsus2, F#m, Bsus2
|--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--2--2--2--2--2--2--2--2--2--2--2--2--
|--5--5--5--5--4--4--4--4--5--5--5--5--4--4--4--4--2--2--2--2--2--2--2--2--2--2--2--2--
|--6--6--6--6--5--5--5--5--6--6--6--6--5--5--5--5--2--2--2--2--4--4--4--4--2--2--2--2--
|--6--6--6--6--6--6--6--6--6--6--6--6--6--6--6--6--4--4--4--4--4--4--4--4--4--4--4--4--
|--4--4--4--4--6--6--6--6--4--4--4--4--6--6--6--6--4--4--4--4--2--2--2--2--4--4--4--4--
|--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--4--2--2--2--2--2--2--2--2--2--2--2--2--
d d d d d d d d etc. (all down strokes)
--2--2--2--2--|
--2--2--2--2--|
--4--4--4--4--|
--4--4--4--4--|
--2--2--2--2--|
--2--2--2--2--|
Chorus (bassline)
|--3--3-2--2--------------5--|
|--------------5--5-3-2-3----|
|------------------------------|
|------------------------------|
Chorus (strumming pattern): G#, A, E
|--4--4--4--5--5--5--5--0--0--0--0--0--0--0--0--|
|--4--4--4--5--5--5--5--0--0--0--0--0--0--0--0--|
|--5--5--5--6--6--6--6--1--1--1--1--1--1--1--1--|
|--6--6--6--7--7--7--7--2--2--2--2--2--2--2--2--|
|--6--6--6--7--7--7--7--2--2--2--2--2--2--2--2--|
|--4--4--4--5--5--5--5--0--0--0--0--0--0--0--0--|
d d u d u d u d u d u d u d u
Solo
|--------------------------------------------------------------------
|--9^-9--------------------------------------------------------------
|--------11-8--11-8----8------------------8-----8-11-8----8-11---
|---------------------11---11-9-11---9-11---11---------11--------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|-----------------------------------------------------------------------------|
|--9^-9--------------------------------------------------------------9^9----|
|--------11-8--11-8----8------------------8--11-8----8-11-8-11-------9--|
|---------------------11---11-9-11---9-11---------11----------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
The basslines not tabbed simply follow the guitar chords. Well, that's it have fun!\
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official SUPERDRAG tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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