THE CULT - "Fire Woman" Tablature
Official THE CULT Tablature & Sheet Music »
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FIRE WOMAN by THE CULT
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Tabbed by: Biswaroop (Biz) Chatterjee
email: chatterj@chem.utah.edu, biswaroopc@hotmail.com
Hi! This is my first attempt at tabulature. I am reasonably sure about all the riffs though!
If you have any better ideas / suggestions please feel free to email!
This song is very beautiful (especially the riffs) and rather easy to play!!! ENJOY!:)
I have copied all the chord progressions from an earlier tabulature.
I personally play it a little differently. Check the end of this file for my version.
INTRO RIFF:
<-----(Repeat this section twice)----->
e |---------------------------------------|--------|
B |----8----6-----7---------8----6----7---|--5-----|
G |---7----5------7--------7----5-----7---|--5-----|
D |--5----5-------7-------0----0------7---|--5-----|
A |---------------------------------------|--------|
E |---------------------------------------|--------|
FIRST LEAD RIFF :
e |--------------------------------------------------| b=bend
B |---------6b----------6b---------6b------8--6p5----|
G |----5--7---7----5--7---7---5--7---7-----------5--7|
D |--------------------------------------------------|
A |--------------------------------------------------|
E |--------------------------------------------------|
All chords are root-fifth chords unless otherwise stated,
D C Bb5 C D C Bb5 C G
__________________________________________________________________________
FIRST VERSE
__________________________________________________________________________
D C Bb5
Wound up, can't sleep cant do anything right little honey
C D C Bb5
Oh since I set my eyes on you, I tell you the truth,
C D F G
T-T-T-T- twisting like a flame in a slow dance baby,
F D F G F
Your driving me crazy, come on little honey, come on now,
SECOND RIFF: (Starts from the 2nd half of both the first and second verses)
<T-T-T-T- twisting like a flame in a slow dance baby..>
e |-------------------------------------------------|p=pull
B |------6----8--6p5-------------6----6--4p3--------|
G |---7-7-----------7--5------5-5-----------5-------|
D |-------------------------------------------------|
A |-------------------------------------------------|
E |-------------------------------------------------|
____________________________________________________________________________
CHORUS
____________________________________________________________________________
/////PLAY THE FIRST LEAD RIFF TWICE DURING THE CHORUS.. FOLLOWED BY A VARIATION
OF THIS RIFF GIVEN BELOW (which is also played twice)
D C G C D
Fire______________________ smoke she is a risin, fire,
G C D C G C
smoke on the horizion, fire_____________________ smoke she is a rising,
D G C
fire, smoke stacked lightning, smoke stacked lightning
D C Bb5 C
VARIATION OF FIRST RIFF USED IN CHORUS:
e |-----------------------------------------------------------------| p=pull
B |--------6p5-------------6p5-------------6p5---------8--6p5-------|
G |---5--7----5--7----5--7----5--7----5--7----5--7-----------5--7---|
D |-----------------------------------------------------------------|
A |-----------------------------------------------------------------|
E |-----------------------------------------------------------------|
______________________________________________________________________________
SECOND VERSE
______________________________________________________________________________
///// EVERYTHING IS EXACTLY THE SAME AS IN FIRST VERSE
D C Bb5
Shaken up, your to blame, got me swea in little honey
C D C Bb5
My hearts like a burning flame, yes it is,
C D F G F
twisting like a cat on a hot tin shack, Lord have mercey,
D F
Come on little sister, come on and shake it.
______________________________________________________________________________
BRIDGE
______________________________________________________________________________
///// PLAY INTRO RIFF DURING THE DURATION OF THE BRIDGE
I was thinkin what I've been missin.
I'll tell you truthfully, well.
F C D
She's coming close now,
G C D
Oh I can feel her,
G
She's getting close to me,
A
And I never,
OUTRO
repeat with ad-lib vocals
D C G C D F G
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The way I play this song....
CHORD PROGRESSION DURING THE BEGINNING AND THE FIRST TWO LINES OF THE VERSES
e |----------------------------------------------------------------|
B |-----7-7--7---7-7-----5---5--5-5-----4---4--4-4----5---5--5-5---|
G |-----7-7--7---7-7-----5---5--5-5-----4---4--4-4----5---5--5-5---|
D |-----7-7--7---7-7-----5---5--5-5-----4---4--4-4----5---5--5-5---|
A |-----5-5--5---5-5-----3---3--3-3-----2---2--2-2----3---3--3-3---|
E |----------------------------------------------------------------|
CHORD PROGRESSION DURING THE SECOND TWO LINES OF THE VERSES
e |----------------------------------------------------------------|
B |----7---7--7-7----5---5--5-5------------------------------------|
G |----7---7--7-7----5---5--5-5----2---2--2-2----4---4--4-4--------|
D |----7---7--7-7----5---5--5-5----3---3--3-3----5---5--5-5--------|
A |----5---5--5-5----3---3--3-3----3---3--3-3----5---5--5-5--------|
E |--------------------------------1---1--1-1----3---3--3-3--------|
cHORD PROGRESSION FOR THE CHORUS
e |----------------------------------------------------------------|
B |---------7-------------5----------------------------------------|
G |---------7-------------5-----------2----------------4-----------|
D |---------7-------------5-----------3----------------5-----------|
A |---------5-------------3-----------3----------------5-----------|
E |-----------------------------------1----------------3-----------|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official THE CULT tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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