THE HAUNTED - "Hollow Ground" Tablature
Official THE HAUNTED Tablature & Sheet Music »
\ - slide down to ~ - vibrato
h - hammer on b - bend
p - pull off Suffixes for bend
ph - pinch harmonic
f - full bend h - half bend
* - see comment r - release t - tap bend
X - percussion mute ~ - vibrato bend
@ - slight palm mute () - ghost note, sustained note
--HOLLOW GROUND--
beat : 6/8
Riff A played twice
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|-12---12-12-12-12---12---12-12-12-12---11---11-11-11-11------------------|Gtr
|-10---10-10-10-10---10---10-10-10-10---10---10-10-10-10--7-h99-9/10-10---|
I
|-0----0--0--0--0----0----0--0--0--0----0----0--0--0--0-------------------|
|---------------------------------------------------------5-h77-7/8--8----|
|-------------------------------------------|
|-------------------------------------------|
|-9--9-9-9-9-9--9-9-9-9---------------------|Gtr
|--------------------------44-4/5-5/77-7-7--|I
|-7--7-7-7-7-7--7-7-7-7---------------------|
|-0--0-0-0-0-0--0-0-0-0--0h22-2/3-3/55-5-5--|
Guitar 2 - Like guitar 1 the first time.... second time:
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|Gtr
|-10---10-10-10-10---10---10-10-10-10---10---10-10-10-10---7----7--7--7--7-|
II
|--------------------------------------------------------------------------|
|-8----8--8--8--8----8----8--8--8--8----8----8--8--8--8----5----5--5--5--5-|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|Gtr
|-5--5-5-5-5-5--5-5-5-5----44-4h5-5h77-7-7--| II
|-------------------------------------------|
|-3--3-3-3-3-3--3-3-3-3--0h22-2h3-3h55-5-5--|
Riff B1 Preverse
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|Gtr
|-------------------------------------2-4h5h7p5p4-------2------------|I+II
|------3-2-23532-----3-2-235~-------3-----------------3---321~-------|
|-1-111-1-1-----1-111-1-1-----0-000--0-0---------0-000-0-0-----------|
. ... . . . ... . . . ... . . . ... . .
Riff B2 Verse
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|----------------------------5/4-4-4/5-5-5/7-7-----------------------|Gtr
|-3--3-3-3-3-3--3-3-3-3-3--3-------------------2---------------------|I+II
|----------------------------3/2-2-2/3-3-3/5-5-2----------2------5-7-|
|-1--1-1-1-1-1--1-1-1-1-1--1-------------------0--------0---3--0-----|
. .
First and third verse: Play Riff B2 twice (Git I+II), then play a mixture
of Riff B1/B2 = Git I = Riff B1 twice
Git II = Like B2 twice, but simple, with only F and E without the
rise. I'm sure you get this.
Second verse - both guitars Riff B twice.
Chorus beginning with:
|----------------------------------------|
|----------------------------------------|
|-12-12-12-12--12-12-12-12--11-11-11-11--|Gtr
|-10-10-10-10--10-10-10-10--10-10-10-10--| I
|-0--0--0--0---0--0--0--0---0--0--0--0---|
|----------------------------------------|
(rest approx same as riff A, though - Ring out on each 4:th note the second
time -
you get the drill)
second ending: (note: change from 6/8 to 4/4)
|------------------------------|
|------------------------------|
|------------------------------|Gtr
|-2----10---9----9-7-9-9/9--9--| I
|-2----10----------------------|
|-0----8----7----7-5-7-7/7--7--|
| |
|------------------------------|
|------------------------------|
|------------------------------|Gtr
|-2----10---9----9-7-9-7----7--| II
|-2----10--------------5----6--|
|-0----8----7----7-5-7---------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|Gtr
|----------12-------------------------------12-----------------------|I+II
|-------10----10-7~----5~----4-5~--------10----10-7~----5~----4-5-4--|
|-0--0---------------0-----0-------0--0---------------0-----0--------|
|--------------------------------|
|--------------------------------|
|--------------------------------|Gtr
|----------12--------------------|I+II
|-------10----10-7~----5~----4-5-|
|-0--0---------------0-----0-----|
|--------------------------------|
|--------------------------------|
|--------------------------------|Gtr
|----------5------------9----9---| I
|----------3---------------------|
|-5b~7br~5-3---5b~7br~5-7----7---|
| |
|--------------------------------|
|--------------------------------|
|--------------------------------|Gtr
|----------5------------9--------| II
|----------3-----------------12--|
|-5b~7br~5-3---5b~7br~5-7----11--|
|---------------------------------------------------|
|---------------------------------------------------|
|-5-------------------------------------------------|Gtr
|-5----4--4-----------------------------------------| I
|-3----2--2-----------------------------------------|
|------2--3---0-0-0-0--0-0-0-0--0-2-2-2-3-3-3-5-5-5-|
| . . . . . . . . |
|---------------------------------------------------|
|---------------------------------------------------|
|-5-------------------------------------------------|Gtr
|-5----4--4-----------------------------------------| II
|-3----2--2-----------------------------------------|
|------2--3---0-0-0-0--0-0-0-0--0-2-2-2-3-3-3-5-5-5-|
| . . . . . . . . |
|---------------------------------------------------|
|---------------------------------------------------|
|-5-------------------------------------------------|Gtr
|-5----4--4-----------------------4-4-4-5-5-5-7-7-7-| I
|-3----2--2-----------------------------------------|
|------2--3---0-0-0-0--0-0-0-0--0-2-2-2-3-3-3-5-5-5-|
| . . . . . . . . |
|---------------------------------------------------|
|---------------------------------------------------|
|-5-------------------------------------------------|Gtr
|---5--7--9-----------------------4-4-4-5-5-5-7-7-7-| II
|-3-------------------------------------------------|
|---3--5--7---0-0-0-0--0-0-0-0--0-2-2-2-3-3-3-5-5-5-|
| . . . . . . . . |
Final part :
End of chorus transition:
RIFF F
|--------------------|
|--------------------|
|-------5------------|Gtr
|-7--5--5----5-------| I
|-5--4--3----5--5----|
|------------3--2----|
|--------------------|
|---------------11---|
|-9--9--9----12------|Gtr
|---------------9----| II
|-7--7--7----10------|
|--------------------|
RIFF F2
|---------------------------|
|---------------------------|
|--------------5------------|Gtr
|-9------7--5--5----5-------| I
|-7------5--4--3----5--5----|
|-------------------3--2----|
|---------------------------|
|-----------11--------------|
|-9------12----9----12-11---|Gtr
|-----------9---------------| II
|-7------10----7----10-9----|
|---------------------------|
RIFF F3
GUITAR I continues with Riff F2
|---------------------------------|
|---------------------------------|
|---------------------------------|
|----------------------5----------|Gtr
|--------------5h7-7-7------------| II
|-3p0-00-5-6-7-----------7-6h7h6--|
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP, representing the National Music Publishers' Association (NMPA) and The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are "hurting the songwriters," but it's a known fact that the publishing companies garner most of the revenue. Instead, they would prefer you to purchase the official THE HAUNTED tablature which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route. These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the NY Times Article. We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
Return to THE HAUNTED Tablature »
