TOAD THE WET SPROCKET - "come down" Tablature
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From Scott975@aol.com Mon May 12 12:51:55 1997
Date: Thu, 24 Apr 1997 19:52:15 -0400 (EDT)
From: Scott975@aol.com
To: guitar@olga.net
Subject: Come Down by Toad the Wet Sprocket
Come Down by Toad the Wet Sprocket
off the album Coil
Transcription by Scott Josselyn (SBJosselyn@aol.com)
*Capo 1st Fret*
*All chords are relative to capo but all tab is relative
to nut (i.e. a "1" in tab is an "open" string)
Chords: G=320033 D/F#=200232 Em=0220(3)0 Cadd9=x32033
G/B=x20033 A7sus4=x02233 or 540055
A#6=650066 or x03366*
Cadd9(use this type to follow A#6)=870088 or xx5588*
*Guitar 2(Todd) plays arpeggios of these chords while Glenn
strums the rhythm with the first type
Todd's Riffs:
Riff 1 (intro and over 3rd chorus?)
--1--1---1--1--1-----------1------------------
--6--4--/6--4--1-------1-1-4---1--------------
-----------------------3s5-----1-----3s5--1---
----------------------------------------------
----------------------------------------------
----------------------------------------------
Riff 2 Riff 3
(over all G-A7sus4 progressions) (over A#6-Cadd9 progressions)
-13--11---8-----8---4----- -7---7---7---9---9----9---
-13--11---9-----9---4----- --7---7-------9---9-------
-10---8---1-----1---1----- ---4---4-------6---6------
-------------------------- --------------------------
-------------------------- --------------------------
-------------------------- --------------------------
Song opens with feedback on an open A chord then:
Intro:
G-D/F#-Em-Cadd9-G/B-A7sus4 x2
Verse:
G A7sus4
open up and ...
G A7sus4
i was lucky to live, ...
G A7sus4
forgave myself and ...
A#6 Cadd9
it's not enough ..
G A7sus4
you did right to call ...
G A7sus4
'cause i wont say ....
G A7sus4
and i worked so ...
A#6 Cadd9
and you tried so long ...
Chorus:
G D/F# Em Cadd9 G/B A7sus4
wont you come ...
G D/F# Em Cadd9 G/B A7sus4
word are ...
G A7sus4 G A7sus4
Verse:
G A7sus4
i wont repeat ...
G A7sus4
i will not repeat ...
G A7sus4
it's another ...
A#6 Cadd9
and despite my ...
A# Cadd9
there is no truth behind ...
Chorus:
G D/F# Em Cadd9 G/B A7sus4
won't you come ...
G D/F# Em Cadd9 G/B A7sus4
words are hidden...
G D/F# Em Cadd9 G/B A7sus4 (hold........)
won't you ...
(still holding A chord........)
been away too ...
Solo*:
(Chords:G-A7sus4 x3 A#6-Cadd9 x3)
-/4-4-4--4-4-4-4-4-4-----------/4-4-4--4-3-1---3-4-------------------
-/4-4-4--4-4-4-4-4-4-(times 4)-/4-4-4--4-3-1---3-4-------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
-/12-12-12--/12-12-12-12---14-16-14-12--(times 3 then)--14b(16)------
-/13-13-13--/13-13-13-13---15-16-15-13-------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
Chorus:
G D/F# Em Cadd9 G/B A7sus4
won't you come ...
G D/F# Em Cadd9 G/B A7sus4
there is healing ...
G D/F# Em Cadd9 G/B A7sus4
won't you come ...
G D/F# Em Cadd9 G/B A7sus4
words all ...
A7sus4
been away ...
A7sus4
i know i've been ...
A7sus4 A7sus4
i know i have
*the solo sounds like at least 4 guitars.. one playing rythmn one
playing riff 2 and two others that i tired to tab as one guitar...
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official TOAD THE WET SPROCKET tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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