TRAFFIC - "dear mister fantasy" Tablature
Official TRAFFIC Tablature & Sheet Music »
Date: Thu, 26 Oct 1995 14:19:45 -0400 (EDT)
From: Spitz <vian@acsu.Buffalo.edu>
Subject: CRD: Dear Mister Fantasy by Traffic
Dear Mister Fantasy (Winwood, Capaldi, Wood)
by Traffic
Intro: A G D lick--->into A chord of VERSE 1
lick
e|-----------------------------| where:
B|-----------------------------| 3-3-3 = triplet
G|-----------------------------| b = 1/4 or slight accent bend
D|-----------------0-----------| h = hammer-on
A|----------0---3b---3b--0-----|
E|------0h3--------------------|
3-3-3
note:
Chords are played in standard position (A: X02220, G: 320033, D: XX0232)
as you pick arpeggios up and down the strings. There is also a "tickle" of
the 3rd fret on the high e string during the D chord (making it Dsus4 for a
split second) during the verses. Listen to the song and you'll hear what I
mean.
VERSE 1:
A G
Dear Mister Fantasy, ...
D A lick
Something to ...
A G
Do anything, take us ...
D A lick
Sing a song, play guitar...
VERSE 2:
A G
You are the one who ...
D A lick
But doing that, you ....
A G
Please don't be sad, ...
D A
We wouldn't have ....
BRIDGE:
F#m A
OH..... AH.... 3x
F#m G E7 lick
OH..... AH.... AH...
VERSE 1
SOLO 1 over D major scale
VERSE 1
VERSE 2
SOLO 2 over D major scale
G--A (repeat and fade out)
*********************************************************************
-Please send comments, corrections, or suggestions to:
vian@acsu.buffalo.edu
Good night and thank you,
Darren Vian
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official TRAFFIC tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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