UNIDA - "plastic" Tablature
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plastic
by Unida (the one and only Kyuss heirs)
from the album 'coping with the urban coyote'
transcribed by Christian Reindel (creindel@gmx.de)
any questions or corrections-e-mail me
tune down one whole step
Main Riff - feel free for the rhythm - play it on verse and chorus
D:|---------------------------------------------------------------------|
A:|---------------------------------------------------------------------|
F:|--------------3-/-5-5-5--3-/-5-5-5-5---------------------------------|
C:|-3-/-5-5-5-5--1-/-3-3-3--1-/-3-3-3-3--3-/-5-5-5-5--------------------|
G:|-1-/-3-3-3-3--------------------------1-/-3-3-3-3--3--3-3---3-3-3-3--|
D:|---------------------------------------------------1--1-1-0-1-1-1-1--|
interlude
You're gone without a brain you're gone
D:|---------------------------------------------------------------|
A:|---------------------------------------------------------------|
F:|-----------------10~--10~10~10~--------------------------------|
C:|-3-/-5-5-5-(5)---------------------3-3-3-(3)--------1-1^3-333--|
G:|-1-/-3-3-3-(3)---------------------1-1-1-(1)--1^3-3------------|
D:|---------------------------------------------------------------|
back to main riff
Riff 2 - 8 times
Oh baby, well I could get used to you
D:|---------------------------------------|
A:|---------------------------------------|
F:|--------------3-/-5-5-5--3-/-5-5-5-5---|
C:|-3-/-5-5-5-5--1-/-3-3-3--1-/-3-3-3-3---|
G:|-1-/-3-3-3-3---------------------------|
D:|---------------------------------------|
Outro ('til the end and fade out)
D:|-----------------------------|
A:|-----------------------------|
F:|-----------------------------|
C:|-3/5-3/5-3/5-3/5-8-8-8-8-----|
G:|-1/3-1/3-1/3-1/3-6-6-6-6-----|
D:|-----------------------------|
end.
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
The Music Publisher's Association of the United States (MPA).
Unfortunately, these threats are fueled by greed and being masked by a "copyright infringement." They claim tab sites are
"hurting the songwriters," but it's a known fact that the publishing companies garner most of the
revenue. Instead, they would prefer you to purchase the
official UNIDA tablature
which is an option we've always given our users. And due to the highly error-prone nature of tabs on the internet, many choose to go this route.
These companies also do not realize that tablature sites help to promote their artists.
For more information on this onslaught, you can read the
NY Times Article.
We hope one of the larger tablature sites will have the money to fight this. Until then, we urge you all to keep tabbing songs and sharing them in any way you can.
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