UNWRITTEN LAW - "up all night" Tablature
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From: "spud" <spud.capar@verizon.net>
Subject: u/unwritten_law/up_all_night.crd
Date: Tue, 6 Aug 2002 04:15:23 -0400
Band: Unwritten Law
Song: Up All Night
tabbed by: Andy Garofallou
well, listen to the song while following my tab, and you'll
get the idea. This is my first tab, took about an hour,
and I'd appreciate any comments, suggestions, or corrections,
thanks.
<<<Intro>>>
e|--------------------
b|--------------------
g|-6-6-6-9------------
d|-6-6-6-9--4-4-4-7--- x3
a|-4-4-4-7--4-4-4-7---
E|----------2-2-2-5---
e|--------------------
b|--------------------
g|-----------9-8-5----
d|-6-7-6-7-6-9-8-5----
a|-6-7-6-7-6-7-6-3----
E|-4-5-4-5-4----------
<<<Verse (2nd guitar plays b-string 5th fret on backbeat)>>>
e|--------------------
b|--------------------
g|-66--66--44---------
d|-66--66--44-77------ x3
a|-44--44--22-77------
E|------------55------
PM PM PM PM
<<<Pre-chorus>>>
e|--------------------
b|--------------------
g|-66-----------------
d|-66---4446-7--------
a|-44---4446-7--------
E|------2224-5--------
PM
<<<Chorus (listen for strumming, basically 1 chord per measure)>>>
e|--------------------
b|--------------------
g|-9--6---------------
d|-9--6--7--9---------
a|-7--4--7--9---------
E|-------5--7---------
<<<Pre-verse>>>
e|-------------------------------------
b|-------------------------------------
g|-66--66--44-------66-----------------
d|-66--66--44-77----66---4446-7--------
a|-44--44--22-77----44---4446-7--------
E|------------55---------2224-5--------
PM PM PM PM PM
<<<Verse (2nd guitar plays b-string 5th fret on backbeat)>>>
e|--------------------
b|--------------------
g|-66--66--44---------
d|-66--66--44-77------ x3
a|-44--44--22-77------
E|------------55------
PM PM PM PM
<<<Pre-chorus>>>
e|--------------------
b|--------------------
g|-66-----------------
d|-66---4446-7--------
a|-44---4446-7--------
E|------2224-5--------
PM
<<<Chorus (listen for strumming, basically 1 chord per measure)>>>
e|--------------------
b|--------------------
g|-9--6---------------
d|-9--6--7--9--------- x2
a|-7--4--7--9---------
E|-------5--7---------
<<<Bridge>>>
e|--------------------
b|--------------------
g|-6-6-6-9------------
d|-6-6-6-9--4-4-4-7--- x3
a|-4-4-4-7--4-4-4-7---
E|----------2-2-2-5---
gradually slow to half-speed and hold last chord
e|--------------------
b|--------------------
g|-----------9-8-5----
d|-6-7-6-7-6-9-8-5----
a|-6-7-6-7-6-7-6-3----
E|-4-5-4-5-4----------
acoustic guitar plays around on these chords
e|--------------------
b|--------------------
g|--6--9--------------
d|--6--9---4--7-------
a|--4--7---4--7-------
E|---------2--5-------
hard to tell what these 2 pre-verse chords are, but it sounds like:
e|--------------------
b|--------------------
g|---x4-x4------------
d|---x4-x4------------
a|---x2-x2------------
E|--------------------
<<<Verse (2nd guitar plays b-string 5th fret on backbeat)>>>
e|--------------------
b|--------------------
g|-66--66--44---------
d|-66--66--44-77------ x3
a|-44--44--22-77------
E|------------55------
PM PM PM PM
<<<Pre-chorus>>>
e|--------------------
b|--------------------
g|-66-----------------
d|-66---4446-7--6-----
a|-44---4446-7--6-----
E|------2224-5--4-----
PM
<<<Chorus (listen for strumming, basically 1 chord per measure)>>>
e|--------------------
b|--------------------
g|-9--6---------------
d|-9--6--7--9---------
a|-7--4--7--9---------
E|-------5--7---------
on the repeat chorus here, sounds like chord structure changes to this:
e|--------------------
b|--------------------
g|-6--7---------------
d|-6--7--7--9---------
a|-4--9--7--9---------
E|-------5--7---------
<<<Outro>>>
e|--------------------
b|--------------------
g|-6-6-6-9------------
d|-6-6-6-9--4-4-4-7--- x3
a|-4-4-4-7--4-4-4-7---
E|----------2-2-2-5---
e|-----------------------
b|-----------------------
g|-----------9-8-5-66666-
d|-6-7-6-7-6-9-8-5-66666-
a|-6-7-6-7-6-7-6-3-44444-
E|-4-5-4-5-4-------------
This musical interpretation has been removed due to a legal threat from Moses & Singer LLP,
representing the National Music Publishers' Association (NMPA) and
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